Author: Clement Martyn Doke
Publisher: Corinthian Press
ISBN:
Category : Social Science
Languages : en
Pages : 600
Book Description
Lamba Folk-lore
Author: Clement Martyn Doke
Publisher: Corinthian Press
ISBN:
Category : Social Science
Languages : en
Pages : 600
Book Description
Publisher: Corinthian Press
ISBN:
Category : Social Science
Languages : en
Pages : 600
Book Description
Myths and Legends of the Bantu
Author: Alice Werner
Publisher: Psychology Press
ISBN: 9780714617350
Category : History
Languages : en
Pages : 416
Book Description
First Published in 1968. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Psychology Press
ISBN: 9780714617350
Category : History
Languages : en
Pages : 416
Book Description
First Published in 1968. Routledge is an imprint of Taylor & Francis, an informa company.
Folklore
Author: Joseph Jacobs
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 622
Book Description
Most vols. for 1890- contain list of members of the Folk-lore Society.
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 622
Book Description
Most vols. for 1890- contain list of members of the Folk-lore Society.
The Black Mind
Author: Oscar Ronald Dathorne
Publisher: U of Minnesota Press
ISBN: 1452912289
Category :
Languages : en
Pages : 541
Book Description
Publisher: U of Minnesota Press
ISBN: 1452912289
Category :
Languages : en
Pages : 541
Book Description
Folklore Genres
Author: Dan Ben-Amos
Publisher: University of Texas Press
ISBN: 0292735103
Category : Social Science
Languages : en
Pages : 356
Book Description
The essays in Folklore Genres represent development in folklore genre studies, diverging into literary, ethnographic, and taxonomic questions. The study as a whole is concerned with the concept of genre and with the history of genre theory. A selective bibliography provides a guide to analytical and theoretical works on the topic. The literary-oriented articles conceive of folklore forms, not as the antecedents of literary genres, but as complex, symbolically rich expressions. The ethnographically oriented articles, as well as those dealing with classification problems, reveal dimensions of folklore that are often obscured from the student reading the folklore text alone. It has long been known that the written page is but a pale reproduction of the spoken word, that a tale hardly reflects the telling. The essays in this collection lead to an understanding of the forms of oral literature as multidimensional symbols of communication and to an understanding of folklore genres as systematically related conceptual categories in culture. What kinship terms are to social structure, genre terms are to folklore. Since genres constitute recognized modes of folklore speaking, their terminology and taxonomy can play a major role in the study of culture and society. The essays were originally published in Genre (1969–1971); introduction, bibliography, and index have been added to this edition.
Publisher: University of Texas Press
ISBN: 0292735103
Category : Social Science
Languages : en
Pages : 356
Book Description
The essays in Folklore Genres represent development in folklore genre studies, diverging into literary, ethnographic, and taxonomic questions. The study as a whole is concerned with the concept of genre and with the history of genre theory. A selective bibliography provides a guide to analytical and theoretical works on the topic. The literary-oriented articles conceive of folklore forms, not as the antecedents of literary genres, but as complex, symbolically rich expressions. The ethnographically oriented articles, as well as those dealing with classification problems, reveal dimensions of folklore that are often obscured from the student reading the folklore text alone. It has long been known that the written page is but a pale reproduction of the spoken word, that a tale hardly reflects the telling. The essays in this collection lead to an understanding of the forms of oral literature as multidimensional symbols of communication and to an understanding of folklore genres as systematically related conceptual categories in culture. What kinship terms are to social structure, genre terms are to folklore. Since genres constitute recognized modes of folklore speaking, their terminology and taxonomy can play a major role in the study of culture and society. The essays were originally published in Genre (1969–1971); introduction, bibliography, and index have been added to this edition.
Folklore Concepts
Author: Dan Ben-Amos
Publisher: Indiana University Press
ISBN: 0253049571
Category : Social Science
Languages : en
Pages : 261
Book Description
By defining folklore as artistic communication in small groups, Dan Ben-Amos led the discipline of Folklore in new directions. In Folklore Concepts, Henry Glassie and Elliott Oring have curated a selection of Ben-Amos's groundbreaking essays that explore folklore as a category in cultural communication and as a subject of scholarly research. Ben-Amos's work is well-known for sparking lively debate that often centers on why his definition intrinsically acknowledges tradition rather than expresses its connection forthright. Without tradition among people, there would be no art or communication, and tradition cannot accomplish anything on its own—only people can. Ben-Amos's focus on creative communication in communities is woven into the themes of the theoretical essays in this volume, through which he advocates for a better future for folklore scholarship. Folklore Concepts traces Ben-Amos's consistent efforts over the span of his career to review and critique the definitions, concepts, and practices of Folklore in order to build the field's intellectual history. In examining this history, Folklore Concepts answers foundational questions about what folklorists are doing, how they are doing it, and why.
Publisher: Indiana University Press
ISBN: 0253049571
Category : Social Science
Languages : en
Pages : 261
Book Description
By defining folklore as artistic communication in small groups, Dan Ben-Amos led the discipline of Folklore in new directions. In Folklore Concepts, Henry Glassie and Elliott Oring have curated a selection of Ben-Amos's groundbreaking essays that explore folklore as a category in cultural communication and as a subject of scholarly research. Ben-Amos's work is well-known for sparking lively debate that often centers on why his definition intrinsically acknowledges tradition rather than expresses its connection forthright. Without tradition among people, there would be no art or communication, and tradition cannot accomplish anything on its own—only people can. Ben-Amos's focus on creative communication in communities is woven into the themes of the theoretical essays in this volume, through which he advocates for a better future for folklore scholarship. Folklore Concepts traces Ben-Amos's consistent efforts over the span of his career to review and critique the definitions, concepts, and practices of Folklore in order to build the field's intellectual history. In examining this history, Folklore Concepts answers foundational questions about what folklorists are doing, how they are doing it, and why.
The Negro and His Folklore in Nineteenth-Century Periodicals
Author: Bruce Jackson
Publisher: University of Texas Press
ISBN: 0292768591
Category : Social Science
Languages : en
Pages : 399
Book Description
In the eyes of many white Americans, North and South, the Negro did not have a culture until the Emancipation Proclamation. With few exceptions, serious collecting of Negro folklore by whites did not begin until the Civil War—and it was to be another four decades before black Americans would begin to appreciate their own cultural heritage. Few of the earlier writers realized that they had observed and recorded not simply a manifestation of a particular way of life but also a product peculiarly American and specifically Negro, a synthesis of African and American styles and traditions. The folksongs, speech, beliefs, customs, and tales of the American Negro are discussed in this anthology, originally published in 1967, of thirty-five articles, letters, and reviews from nineteenth-century periodicals. Published between 1838 and 1900 and written by authors who range from ardent abolitionist to dedicated slaveholder, these articles reflect the authors’ knowledge of, and attitudes toward, the Negro and his folklore. From the vast body of material that appeared on this subject during the nineteenth century, editor Bruce Jackson has culled fresh articles that are basic folklore and represent a wide range of material and attitudes. In addition to his introduction to the volume, Jackson has prefaced each article with a commentary. He has also supplied a supplemental bibliography on Negro folklore. If serious collecting of Negro folklore had begun by the middle of the nineteenth century, so had exploitation of its various aspects, particularly Negro songs. By 1850 minstrelsy was a big business. Although Jackson has considered minstrelsy outside the scope of this collection, he has included several discussions of it to suggest some aspects of its peculiar relation to the traditional. The articles in the anthology—some by such well-known figures as Joel Chandler Harris, George Washington Cable, Thomas Wentworth Higginson, John Mason Brown, and Antonin Dvorak—make fascinating reading for an observer of the American scene. This additional insight into the habits of thought and behavior of a culture in transition—folklore recorded in its own context—cannot but afford the thinking reader further understanding of the turbulent race problems of later times and today.
Publisher: University of Texas Press
ISBN: 0292768591
Category : Social Science
Languages : en
Pages : 399
Book Description
In the eyes of many white Americans, North and South, the Negro did not have a culture until the Emancipation Proclamation. With few exceptions, serious collecting of Negro folklore by whites did not begin until the Civil War—and it was to be another four decades before black Americans would begin to appreciate their own cultural heritage. Few of the earlier writers realized that they had observed and recorded not simply a manifestation of a particular way of life but also a product peculiarly American and specifically Negro, a synthesis of African and American styles and traditions. The folksongs, speech, beliefs, customs, and tales of the American Negro are discussed in this anthology, originally published in 1967, of thirty-five articles, letters, and reviews from nineteenth-century periodicals. Published between 1838 and 1900 and written by authors who range from ardent abolitionist to dedicated slaveholder, these articles reflect the authors’ knowledge of, and attitudes toward, the Negro and his folklore. From the vast body of material that appeared on this subject during the nineteenth century, editor Bruce Jackson has culled fresh articles that are basic folklore and represent a wide range of material and attitudes. In addition to his introduction to the volume, Jackson has prefaced each article with a commentary. He has also supplied a supplemental bibliography on Negro folklore. If serious collecting of Negro folklore had begun by the middle of the nineteenth century, so had exploitation of its various aspects, particularly Negro songs. By 1850 minstrelsy was a big business. Although Jackson has considered minstrelsy outside the scope of this collection, he has included several discussions of it to suggest some aspects of its peculiar relation to the traditional. The articles in the anthology—some by such well-known figures as Joel Chandler Harris, George Washington Cable, Thomas Wentworth Higginson, John Mason Brown, and Antonin Dvorak—make fascinating reading for an observer of the American scene. This additional insight into the habits of thought and behavior of a culture in transition—folklore recorded in its own context—cannot but afford the thinking reader further understanding of the turbulent race problems of later times and today.
The Story-Time of the British Empire
Author: Sadhana Naithani
Publisher: Univ. Press of Mississippi
ISBN: 1604734566
Category : Social Science
Languages : en
Pages : 160
Book Description
In The Story-Time of the British Empire, author Sadhana Naithani examines folklore collections compiled by British colonial administrators, military men, missionaries, and women in the British colonies of Africa, Asia, and Australia between 1860 and 1950. Much of this work was accomplished in the context of colonial relations and done by non-folklorists, yet these oral narratives and poetic expressions of non-Europeans were transcribed, translated, published, and discussed internationally. Naithani analyzes the role of folklore scholarship in the construction of colonial cultural politics as well as in the conception of international folklore studies. Since most folklore scholarship and cultural history focuses exclusively on specific nations, there is little study of cross-cultural phenomena about empire and/or postcoloniality. Naithani argues that connecting cultural histories, especially in relation to previously colonized countries, is essential to understanding those countries' folklore, as these folk traditions result from both internal and European influence. The author also makes clear the role folklore and its study played in shaping intercultural perceptions that continue to exist in the academic and popular realms today. The Story-Time of the British Empire is a bold argument for a twenty-first-century vision of folklore studies that is international in scope and that understands folklore as a transnational entity.
Publisher: Univ. Press of Mississippi
ISBN: 1604734566
Category : Social Science
Languages : en
Pages : 160
Book Description
In The Story-Time of the British Empire, author Sadhana Naithani examines folklore collections compiled by British colonial administrators, military men, missionaries, and women in the British colonies of Africa, Asia, and Australia between 1860 and 1950. Much of this work was accomplished in the context of colonial relations and done by non-folklorists, yet these oral narratives and poetic expressions of non-Europeans were transcribed, translated, published, and discussed internationally. Naithani analyzes the role of folklore scholarship in the construction of colonial cultural politics as well as in the conception of international folklore studies. Since most folklore scholarship and cultural history focuses exclusively on specific nations, there is little study of cross-cultural phenomena about empire and/or postcoloniality. Naithani argues that connecting cultural histories, especially in relation to previously colonized countries, is essential to understanding those countries' folklore, as these folk traditions result from both internal and European influence. The author also makes clear the role folklore and its study played in shaping intercultural perceptions that continue to exist in the academic and popular realms today. The Story-Time of the British Empire is a bold argument for a twenty-first-century vision of folklore studies that is international in scope and that understands folklore as a transnational entity.
Over the Lip of the World
Author: Colleen J. McElroy
Publisher: University of Washington Press
ISBN: 0295997648
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
Gifted travel writer, poet, professor of English, and insightful observer of human nature, Colleen McElroy journeyed to Madagascar to undertake a Fulbright research project exploring Malagasy oral traditions and myths. In Over the Lip of the World she depicts with equal verve the various storytelling traditions of the island and her own adventures in trying to find and record them. McElroy’s tale of an African American woman’s travels among the people of Madagascar is told with wit, insight, and humor. Throughout it she interweaves English translations of Malagasy stories of heroism and morality, royalty and commoners, love and revenge, and the magic of tricksters and shapechangers.
Publisher: University of Washington Press
ISBN: 0295997648
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
Gifted travel writer, poet, professor of English, and insightful observer of human nature, Colleen McElroy journeyed to Madagascar to undertake a Fulbright research project exploring Malagasy oral traditions and myths. In Over the Lip of the World she depicts with equal verve the various storytelling traditions of the island and her own adventures in trying to find and record them. McElroy’s tale of an African American woman’s travels among the people of Madagascar is told with wit, insight, and humor. Throughout it she interweaves English translations of Malagasy stories of heroism and morality, royalty and commoners, love and revenge, and the magic of tricksters and shapechangers.
Elements of Social Culture in Teton Sioux Folktales
Author: Judith Ann Hakes
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 456
Book Description
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 456
Book Description