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Author: Steve Friesen Publisher: University of Oklahoma Press ISBN: 0806158271 Category : History Languages : en Pages : 275
Book Description
From April to November 1935 in Belgium, fifteen Lakotas enacted their culture on a world stage. Wearing beaded moccasins and eagle-feather headdresses, they set up tepees, danced, and demonstrated marksmanship and horse taming for the twenty million visitors to the Brussels International Exposition, a grand event similar to a world’s fair. The performers then turned homeward, leaving behind 157 pieces of Lakota culture that they had used in the exposition, ranging from costumery to weaponry. In Lakota Performers in Europe, author Steve Friesen tells the story of these artifacts, forgotten until recently, and of the Lakota performers who used them. The 1935 exposition marked a culmination of more than a century of European travel by American Indian performers, and of Europeans’ fascination with Native culture, fanned in part by William F. “Buffalo Bill” Cody’s Wild West from the late 1800s through 1913. Although European newspaper reports often stereotyped Native performers as “savages,” American Indians were drawn to participate by the opportunity to practice traditional aspects of their culture, earn better wages, and see the world. When the organizers of the 1935 exposition wanted to include an American Indian village, Sam Lone Bear, Thomas and Sallie Stabber, Joe Little Moon, and other Lakotas were eager to participate. By doing this, they were able to preserve their culture and influence European attitudes toward it. Friesen narrates these Lakotas' experiences abroad. In the process, he also tells the tale of collector François Chladiuk, who acquired the Lakotas’ artifacts in 2004. More than 300 color and black-and-white photographs document the collection of items used by the performers during the exposition. Friesen portrays a time when American Indians—who would not long after return to Europe as allies and liberators in military garb—appeared on the international stage as ambassadors of the American West. Lakota Performers in Europe offers a complex view of a vibrant culture practiced and preserved against tremendous odds.
Author: Steve Friesen Publisher: University of Oklahoma Press ISBN: 0806158271 Category : History Languages : en Pages : 275
Book Description
From April to November 1935 in Belgium, fifteen Lakotas enacted their culture on a world stage. Wearing beaded moccasins and eagle-feather headdresses, they set up tepees, danced, and demonstrated marksmanship and horse taming for the twenty million visitors to the Brussels International Exposition, a grand event similar to a world’s fair. The performers then turned homeward, leaving behind 157 pieces of Lakota culture that they had used in the exposition, ranging from costumery to weaponry. In Lakota Performers in Europe, author Steve Friesen tells the story of these artifacts, forgotten until recently, and of the Lakota performers who used them. The 1935 exposition marked a culmination of more than a century of European travel by American Indian performers, and of Europeans’ fascination with Native culture, fanned in part by William F. “Buffalo Bill” Cody’s Wild West from the late 1800s through 1913. Although European newspaper reports often stereotyped Native performers as “savages,” American Indians were drawn to participate by the opportunity to practice traditional aspects of their culture, earn better wages, and see the world. When the organizers of the 1935 exposition wanted to include an American Indian village, Sam Lone Bear, Thomas and Sallie Stabber, Joe Little Moon, and other Lakotas were eager to participate. By doing this, they were able to preserve their culture and influence European attitudes toward it. Friesen narrates these Lakotas' experiences abroad. In the process, he also tells the tale of collector François Chladiuk, who acquired the Lakotas’ artifacts in 2004. More than 300 color and black-and-white photographs document the collection of items used by the performers during the exposition. Friesen portrays a time when American Indians—who would not long after return to Europe as allies and liberators in military garb—appeared on the international stage as ambassadors of the American West. Lakota Performers in Europe offers a complex view of a vibrant culture practiced and preserved against tremendous odds.
Author: Rani-Henrik Andersson Publisher: University of Oklahoma Press ISBN: 0806191643 Category : History Languages : en Pages : 437
Book Description
The Lakȟóta are among the best-known Native American peoples. In popular culture and even many scholarly works, they were once lumped together with others and called the Sioux. This book tells the full story of Lakȟóta culture and society, from their origins to the twenty-first century, drawing on Lakȟóta voices and perspectives. In Lakȟóta culture, “listening” is a cardinal virtue, connoting respect, and here authors Rani-Henrik Andersson and David C. Posthumus listen to the Lakȟóta, both past and present. The history of Lakȟóta culture unfolds in this narrative as the people lived it. Fittingly, Lakhota: An Indigenous History opens with an origin story, that of White Buffalo Calf Woman (Ptesanwin) and her gift of the sacred pipe to the Lakȟóta people. Drawing on winter counts, oral traditions and histories, and Lakȟóta letters and speeches, the narrative proceeds through such periods and events as early Lakȟóta-European trading, the creation of the Great Sioux Reservation, Christian missionization, the Plains Indian Wars, the Ghost Dance and Wounded Knee (1890), the Indian New Deal, and self-determination, as well as recent challenges like the #NoDAPL movement and management of Covid-19 on reservations. This book centers Lakȟóta experience, as when it shifts the focus of the Battle of Little Bighorn from Custer to fifteen-year-old Black Elk, or puts American Horse at the heart of the negotiations with the Crook Commission, or explains the Lakȟóta agenda in negotiating the Fort Laramie Treaty in 1851. The picture that emerges—of continuity and change in Lakȟóta culture from its distant beginnings to issues in our day—is as sweeping and intimate, and as deeply complex, as the lived history it encompasses.
Author: Maarten Couttenier Publisher: Taylor & Francis ISBN: 1000997200 Category : History Languages : en Pages : 415
Book Description
This books examines the history of Belgian physical anthropology in the long nineteenth century and discusses how the notion of ‘race’ structured Belgian pasts and presents as well as relations between metropole and empire. In a context of competing European nationalisms, Belgian anthropologists mainly used physical characters, like skull form and the color of hair and eyes, to delimitate ‘races’, which were believed to be permanent and existent. Their belief in a supposed racial superiority was however above all telling about their own origins and physical characters. Although it is often assumed that these ideas were subsequently transferred to the colony, the case of Belgian colonization in Congo shows that colonial administrators, at least in theory, were reluctant to use the idea of permanent ‘races’ because they needed the possibility of ‘evolution’ to legitimize their actions as part of a ‘civilizing mission’. In reality, however, colonization was based on military occupation and economic exploitation, with devastating effects. This book analyzes how, in this violent context, widespread racial prejudices in fact dehumanized Congolese. This not only allowed colonizers to act inhuman but also reduced Congolese, or their body parts, to objects that could be measured, photographed, casted, and ‘collected’. This volume will be of use to students and scholars alike interested in social and cultural history as well as imperial and colonial history.
Author: Gloria Jane Bell Publisher: Duke University Press ISBN: 1478059842 Category : Art Languages : en Pages : 185
Book Description
In 1925, Pius XI staged the Vatican Missionary Exposition in Rome’s Vatican City. Offering a narrative of the Catholic Church’s beneficence to a global congregation, the exposition displayed thousands of cultural belongings stolen from Indigenous communities across Turtle Island, which were seen by one million pilgrims. Gloria Bell’s Eternal Sovereigns offers critical revision to that story. Bell reveals the tenacity, mobility, and reception of Indigenous artists, travelers, and activists in 1920s Rome. Animating these conjunctures, the book foregrounds competing claims to sovereignty from Indigenous and papal perspectives. Bell deftly juxtaposes the “Indian Museum” of nineteenth-century sculptor Ferdinand Pettrich with the oeuvre of Indigenous artist Edmonia Lewis. Bell analyzes Indigenous cultural belongings made by artists from diverse nations including Cree, Lakota, Anishinaabe, Nipissing, Kanien’kehá:ka, Wolastoqiyik, and Kwakwaka’wakw. Drawing on years of archival research and field interviews, Bell provides insight into the Catholic Church’s colonial collecting and its ongoing ethnological display practices. Written in a voice that questions the academy’s staid conventions, the book reclaims Indigenous belongings and other stolen treasures that remain imprisoned in the stronghold of the Vatican Museums.
Author: Steve Friesen Publisher: U of Nebraska Press ISBN: 1496236807 Category : Cooking Languages : en Pages : 320
Book Description
Galloping Gourmet is a culinary biography, a deep dive into the different roles food and drink played in William F. "Buffalo Bill" Cody's life.
Author: Nick Bellantoni Publisher: Wesleyan University Press ISBN: 0819576859 Category : Social Science Languages : en Pages : 337
Book Description
The moving stories of two Indigenous men in the United States and the return of their remains to their homelands. Henry ‘Opkaha‘ia (ca. 1792–1818), Native Hawaiian, and Itankusun Wanbli (ca. 1879–1900), Oglala Lakota, lived almost a century apart. Yet the cultural circumstances that led them to leave their homelands and eventually die in Connecticut have striking similarities. p kaha ia was orphaned during the turmoil caused in part by Kamehameha’s wars in Hawai’i and found passage on a ship to New England, where he was introduced and converted to Christianity, becoming the inspiration behind the first Christian missions to Hawai’i. Itankusun Wanbli, Christianized as Albert Afraid of Hawk, performed in Buffalo Bill’s “Wild West” to make a living after his traditional means of sustenance were impacted by American expansionism. Both young men died while on their “journeys” to find fulfillment and both were buried in Connecticut cemeteries. In 1992 and 2008, descendant women had callings that their ancestors “wanted to come home” and began the repatriation process of their physical remains. Connecticut state archaeologist Nick Bellantoni oversaw the archaeological disinterment, forensic identifications, and return of their skeletal remains back to their Native communities and families. The Long Journeys Home chronicles these important stories as examples of the wide-reaching impact of American imperialism and colonialism on Indigenous Hawaiian and Lakota traditions and their cultural resurgences, in which the repatriation of these young men have played significant roles. Bellantoni’s excavations, his interaction with two Native families, and his participation in their repatriations have given him unique insights into the importance of heritage and family among contemporary Native communities and their common ground with archaeologists. His natural storytelling abilities allow him to share these meaningful stories with a larger general audience. “Bellantoni recovers from obscurity the remarkable life journeys, dreams, and deaths of two Native men and the two worlds they lived in.” —Paul Grant-Costa, Yale Indian Papers Project “Based on meticulous forensic research, Bellantoni’s tale of two indigenous youth from different cultures and time periods, and their struggles to survive cultural upheavals, clearly reveals the chaotic effects of American colonialism on Native peoples. The book is a major contribution to the field of Postcolonial Studies.” —Lucianne Lavin, author of Connecticut‘s Indigenous Peoples
Author: H. Glenn Penny Publisher: UNC Press Books ISBN: 1469607654 Category : History Languages : en Pages : 393
Book Description
How do we explain the persistent preoccupation with American Indians in Germany and the staggering numbers of Germans one encounters as visitors to Indian country? As H. Glenn Penny demonstrates, that preoccupation is rooted in an affinity for American Indians that has permeated German cultures for two centuries. This affinity stems directly from German polycentrism, notions of tribalism, a devotion to resistance, a longing for freedom, and a melancholy sense of shared fate. Locating the origins of the fascination for Indian life in the transatlantic world of German cultures in the nineteenth century, Penny explores German settler colonialism in the American Midwest, the rise and fall of German America, and the transnational worlds of American Indian performers. As he traces this phenomenon through the twentieth century, Penny engages debates about race, masculinity, comparative genocides, and American Indians' reactions to Germans' interests in them. He also assesses what persists of the affinity across the political ruptures of modern German history and challenges readers to rethink how cultural history is made.
Author: Frank Christianson Publisher: University of Oklahoma Press ISBN: 0806159944 Category : History Languages : en Pages : 263
Book Description
When William F. Cody introduced his Wild West exhibition to European audiences in 1887, the show soared to new heights of popularity and success. With its colorful portrayal of cowboys, Indians, and the taming of the North American frontier, Buffalo Bill’s Wild West popularized a myth of American national identity and shaped European perceptions of the United States. The Popular Frontier is the first collection of essays to explore the transnational impact and mass-cultural appeal of Cody’s Wild West. As editor Frank Christianson explains in his introduction, for the first four years after Cody conceived it, the Wild West exhibition toured the United States, honing the operation into a financially solvent enterprise. When the troupe ventured to England for its first overseas booking, its success exceeded all expectations. Between 1887 and 1906 the Wild West performed in fourteen countries, traveled more than 200,000 miles, and attracted a collective audience in the tens of millions. How did Europeans respond to Cody’s vision of the American frontier? And how did European countries appropriate what they saw on display? Addressing these questions and others, the contributors to this volume consider how the Wild West functioned within social and cultural contexts far grander in scope than even the vast American West. Among the topics addressed are the pairing of William F. Cody and Theodore Roosevelt as embodiments of frontier masculinity, and the significance of the show’s most enduring persona, Annie Oakley. An informative and thought-provoking examination of the Wild West’s foreign tours, The Popular Frontier offers new insight into late-nineteenth-century gender politics and ethnicity, the development of American nationalism, and the simultaneous rise of a global mass culture.
Author: Lew Freedman Publisher: McFarland ISBN: 0786499532 Category : Biography & Autobiography Languages : en Pages : 245
Book Description
William F. "Buffalo Bill" Cody (1846-1917) rose from humble origins in Iowa to become one of the most famous and most photographed people in the world. He became a leading scout during the American Indian Wars, winner of the Congressional Medal of Honor, and a renowned show business fixture whose traveling Wild West exhibitions played to millions of spectators the world over for 30 years. He hobnobbed with presidents, kings, queens and European heads of state, befriending many legendary individuals of the West, from General George Armstrong Custer and Sitting Bull to Wild Bill Hickok and Annie Oakley. Aside from these achievements, Cody's most important legacy may be how he shaped the world's enduring views of the American West through his shows, which he considered to be educational events rather than entertainment. This biography is a fresh look at the life of Buffalo Bill.
Author: Steve Friesen
Author: Steve Friesen
Author: Rani-Henrik Andersson
Author: Christine Bold
Author: Maarten Couttenier
Author: Gloria Jane Bell
Author: Steve Friesen
Author: Nick Bellantoni
Author: H. Glenn Penny
Author: Frank Christianson
Author: Lew Freedman