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Author: Craig Dworkin Publisher: MIT Press ISBN: 0262312719 Category : Art Languages : en Pages : 228
Book Description
Close readings of ostensibly “blank” works—from unprinted pages to silent music—that point to a new understanding of media. In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, literature, and music point to a new understanding of media and the limits of the artistic object. Dworkin considers works predicated on blank sheets of paper, from a fictional collection of poems in Jean Cocteau's Orphée to the actual publication of a ream of typing paper as a book of poetry; he compares Robert Rauschenberg's Erased De Kooning Drawing to the artist Nick Thurston's erased copy of Maurice Blanchot's The Space of Literature (in which only Thurston's marginalia were visible); and he scrutinizes the sexual politics of photographic representation and the implications of obscured or obliterated subjects of photographs. Reexamining the famous case of John Cage's 4'33”, Dworkin links Cage's composition to Rauschenberg's White Paintings, Ken Friedman's Zen for Record (and Nam June Paik's Zen for Film), and other works, offering also a “guide to further listening” that surveys more than 100 scores and recordings of “silent” music. Dworkin argues that we should understand media not as blank, base things but as social events, and that there is no medium, understood in isolation, but only and always a plurality of media: interpretive activities taking place in socially inscribed space.
Author: Craig Dworkin Publisher: MIT Press ISBN: 0262312719 Category : Art Languages : en Pages : 228
Book Description
Close readings of ostensibly “blank” works—from unprinted pages to silent music—that point to a new understanding of media. In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, literature, and music point to a new understanding of media and the limits of the artistic object. Dworkin considers works predicated on blank sheets of paper, from a fictional collection of poems in Jean Cocteau's Orphée to the actual publication of a ream of typing paper as a book of poetry; he compares Robert Rauschenberg's Erased De Kooning Drawing to the artist Nick Thurston's erased copy of Maurice Blanchot's The Space of Literature (in which only Thurston's marginalia were visible); and he scrutinizes the sexual politics of photographic representation and the implications of obscured or obliterated subjects of photographs. Reexamining the famous case of John Cage's 4'33”, Dworkin links Cage's composition to Rauschenberg's White Paintings, Ken Friedman's Zen for Record (and Nam June Paik's Zen for Film), and other works, offering also a “guide to further listening” that surveys more than 100 scores and recordings of “silent” music. Dworkin argues that we should understand media not as blank, base things but as social events, and that there is no medium, understood in isolation, but only and always a plurality of media: interpretive activities taking place in socially inscribed space.
Author: Elizabeth Cropper Publisher: ISBN: 9780859678025 Category : Drawing, Italian Languages : en Pages : 297
Book Description
Pietro Testa was much admired by his contemporaries for his exquisite draughtsmanship and has been called the most original and the only truly Italian etcher of his time. This book is both a catalogue raisonné of the artist's prints and a survey of the range and development of his drawing style. Elizabeth Cropper's introduction examines Testa's influences and critical reputation since the 17th century, and the three supporting essays place his art in specific contemporary theoretical, intellectual and economic contexts.
Author: Franz Rothlauf Publisher: Springer Science & Business Media ISBN: 3540253963 Category : Computers Languages : en Pages : 648
Book Description
This book constitutes the refereed joint proceedings of six workshops on evolutionary computing, EvoWorkshops 2005, held in Lausanne, Switzerland in March/April 2005. The 56 revised full papers presented were carefully reviewed and selected from a total of 143 submissions. In accordance with the six workshops covered, the papers are organized in topical sections on evolutionary bioinformatics; evolutionary computing in communications, networks, and connected systems; hardware optimization techniques; evolutionary computation in image analysis and signal processing; evolutionary music and art; and evolutionary algorithms in stochastic and dynamic environments.
Author: Bud Osborn Publisher: arsenal pulp press ISBN: 9781551520742 Category : Poetry Languages : en Pages : 132
Book Description
Bud Osborn's point of reference is the street of the disenfranchised – literally, the street corners bordered by Main and Hastings on Vancouver's notorious East Side, known as "Hundred Block Rock"--the poorest neighbourhood in Canada. While this area is well-known for its drug users, criminals, and prostitutes, it is also home to recovering addicts, single mothers, and those whom society has cast aside. As a poet who has known the nightmare of addiction and poverty himself, Bud Osborn sheds light on the unforgiving darkness of Hundred Block Rock, putting faces and names to those who somehow find ways and means to survive there. These poems are direct confessionals that speak valiantly and movingly of the community of the street: from detox centres and the wail of ambulance sirens to the poignant instances of junkies dancing in alleys, or the sound of jazz after midnight. They bring to life the squalid intensity of Hundred Block Rock, while at the same time articulating the redemptive spirit of survival that nurtures and sustains its habitués. Many of the poems in Hundred Block Rock are also featured on a CD available from Festival Distribution.
Author: Stefan G. Holz Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110645203 Category : Literary Collections Languages : en Pages : 418
Book Description
In the Middle Ages, rolls were ubiquitous as a writing support. While scholars have long examined the texts and images on rolls, they have rarely taken the manuscripts themselves into account. This volume readdresses this imbalance by focusing on the materiality and various usages of rolls in late medieval England and France. Researchers from England, France, Germany and Singapore demonstrate in 11 contributions how this approach can increase our understanding of the rolls and their contents, as well as the contexts in which they were produced and used.
Author: Craig Dworkin
Author: Craig Dworkin
Author: Paul Graf von Hoensbroech
Author: Michael Brainin
Author: Elizabeth Cropper
Author: Franz Rothlauf
Author: J. Lewine
Author: Christopher Rey Peréz
Author: Georges Simenon
Author: Bud Osborn
Author: Stefan G. Holz