Author: C. DemattèPublisher:
ISBN: 9788869694912
Category : Language Arts & Disciplines
Languages : es
Pages : 402
Book Description
La traducción del teatro clásico español (siglos XIX-XXI)
Author: C. DemattèPublisher:
ISBN: 9788869694912
Category : Language Arts & Disciplines
Languages : es
Pages : 402
Book Description
The Routledge Handbook of Spanish Translation Studies
Author: Roberto ValdeónPublisher: Routledge
ISBN: 1315520117
Category : Foreign Language Study
Languages : en
Pages : 607
Book Description
Written by leading experts in the area, The Routledge Handbook of Spanish Translation Studies brings together original contributions representing a culmination of the extensive research to-date within the field of Spanish Translation Studies. The Handbook covers a variety of translation related issues, both theoretical and practical, providing an overview of the field and establishing directions for future research. It starts by looking at the history of translation in Spain, the Americas during the colonial period and Latin America, and then moves on to discuss well-established areas of research such as literary translation and audiovisual translation, at which Spanish researchers have excelled. It also provides state-of-the-art information on new topics such as the interface between translation and humour on the one hand, and the translation of comics on the other. This Handbook is an indispensable resource for postgraduate students and researchers of translation studies.
Teatro clásico en traducción
Author: Ángel-Luis PujantePublisher: EDITUM
ISBN: 9788476847381
Category : Fiction
Languages : es
Pages : 484
Book Description
Making Space Public in Early Modern Europe
Author: Angela VanhaelenPublisher: Routledge
ISBN: 1135104662
Category : Literary Criticism
Languages : en
Pages : 356
Book Description
Broadening the conversation begun in Making Publics in Early Modern Europe (2009), this book examines how the spatial dynamics of public making changed the shape of early modern society. The publics visited in this volume are voluntary groupings of diverse individuals that could coalesce through the performative uptake of shared cultural forms and practices. The contributors argue that such forms of association were social productions of space as well as collective identities. Chapters explore a range of cultural activities such as theatre performances; travel and migration; practices of persuasion; the embodied experiences of lived space; and the central importance of media and material things in the creation of publics and the production of spaces. They assess a multiplicity of publics that produced and occupied a multiplicity of social spaces where collective identity and voice could be created, discovered, asserted, and exercised. Cultural producers and consumers thus challenged dominant ideas about just who could enter the public arena, greatly expanding both the real and imaginary spaces of public life to include hitherto excluded groups of private people. The consequences of this historical reconfiguration of public space remain relevant, especially for contemporary efforts to meaningfully include the views of ordinary people in public life.
El teatro espanol
Author: Federico Carlos Sáinz de RoblesPublisher:
ISBN:
Category :
Languages : es
Pages : 1282
Book Description
Crítica Hispánica
Author: Publisher:
ISBN:
Category : Spanish American literature
Languages : es
Pages : 328
Book Description
To Embody the Marvelous
Author: Esther FernándezPublisher: Vanderbilt University Press
ISBN: 0826501818
Category : Performing Arts
Languages : en
Pages : 306
Book Description
In its exploration of puppetry and animation as the performative media of choice for mastering the art of illusion, To Embody the Marvelous engages with early modern notions of wonder in religious, artistic, and social contexts. From jointed, wood-carved figures of Christ, saintly marionettes that performed hagiographical dramas, experimental puppets and automata in Cervantes' Don Quixote, and the mechanical sets around which playwright Calderón de la Barca devised secular magic shows to deconstruct superstitions, these historical and fictional artifacts reenvisioned religious, artistic, and social notions that led early modern society to critically wrestle with enchantment and disenchantment. The use of animated performance objects in Spanish theatrical contexts during the sixteenth and seventeenth centuries became one of the most effective pedagogical means to engage with civil society. Regardless of social strata, readers and spectators alike were caught up in a paradigm shift wherein belief systems were increasingly governed by reason—even though the discursive primacy of supernatural doxa and Christian wonder remained firmly entrenched. Thanks to their potential for motion, religious and profane puppets, automata, and mechanical stage props deployed a rationalized sense of wonder that illustrates the relationship between faith and reason, reevaluates the boundaries of fiction in art and entertainment cultures, acknowledges the rise of science and technology, and questions normative authority.
Publications of the Modern Language Association of America
Author: Publisher:
ISBN:
Category : Philology, Modern
Languages : en
Pages : 914
Book Description
Vols. for 1921-1969 include annual bibliography, called 1921-1955, American bibliography; 1956-1963, Annual bibliography; 1964-1968, MLA international bibliography.
Author: 
Author: