Author: Pedro José Arenas
Publisher:
ISBN:
Category :
Languages : de
Pages :
Book Description
La televisión y nuestra conducta cotidiana
La televisión y nuestra conducta cotidiana
Author: Pedro José Arenas
Publisher:
ISBN:
Category : Adulthood
Languages : es
Pages : 130
Book Description
Publisher:
ISBN:
Category : Adulthood
Languages : es
Pages : 130
Book Description
Current Catalog
Author: National Library of Medicine (U.S.)
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 1568
Book Description
First multi-year cumulation covers six years: 1965-70.
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 1568
Book Description
First multi-year cumulation covers six years: 1965-70.
Handbook of Latin American Popular Culture
Author: Harold E. Hinds
Publisher: Greenwood
ISBN:
Category : Performing Arts
Languages : en
Pages : 288
Book Description
The editors have put together a solid overview of ten areas of popular culture in Latin America. The contributors have skillfully overcome a variety of research obstacles as well as the imposing problem of dealing with many countries. Each contributor has expertly assembled scientific research, intelligent observations, and well-thought-out conclusions to offer a reliable, sophisticated study of his particular area. Popular music, sports, television, popular religion, comics, photonovels, film, newspapers, cartoons, and festivals and carnivals are covered in this much-needed volume.
Publisher: Greenwood
ISBN:
Category : Performing Arts
Languages : en
Pages : 288
Book Description
The editors have put together a solid overview of ten areas of popular culture in Latin America. The contributors have skillfully overcome a variety of research obstacles as well as the imposing problem of dealing with many countries. Each contributor has expertly assembled scientific research, intelligent observations, and well-thought-out conclusions to offer a reliable, sophisticated study of his particular area. Popular music, sports, television, popular religion, comics, photonovels, film, newspapers, cartoons, and festivals and carnivals are covered in this much-needed volume.
Subject Catalog
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Subject
Languages : en
Pages : 1028
Book Description
Publisher:
ISBN:
Category : Catalogs, Subject
Languages : en
Pages : 1028
Book Description
Bibliographic Guide to Theatre Arts
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 192
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 192
Book Description
Library of Congress Catalogs
Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 1024
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1024
Book Description
National Union Catalog
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 616
Book Description
Includes entries for maps and atlases.
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 616
Book Description
Includes entries for maps and atlases.
Education in the United States
Author: Leo J. Eiden
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 1298
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 1298
Book Description
Storytelling in Film and Television
Author: Kristin Thompson
Publisher: Harvard University Press
ISBN: 9780674010635
Category : Performing Arts
Languages : en
Pages : 198
Book Description
Derided as simple, dismissed as inferior to film, famously characterized as a vast wasteland, television nonetheless exerts an undeniable, apparently inescapable power in our culture. The secret of television's success may well lie in the remarkable narrative complexities underlying its seeming simplicity, complexities Kristin Thompson unmasks in this engaging analysis of the narrative workings of television and film. After first looking at the narrative techniques the two media share, Thompson focuses on the specific challenges that series television presents and the tactics writers have devised to meet them--tactics that sustain interest and maintain sense across multiple plots and subplots and in spite of frequent interruptions as well as weeklong and seasonal breaks. Beyond adapting the techniques of film, Thompson argues, television has wrought its own changes in traditional narrative form. Drawing on classics of film and television, as well as recent and current series like Buffy the Vampire Slayer, The Sopranos, and The Simpsons, she shows how adaptations, sequels, series, and sagas have altered long-standing notions of closure and single authorship. And in a comparison of David Lynch's Blue Velvet and Twin Peaks, she asks whether there can be an "art television" comparable to the more familiar "art cinema."
Publisher: Harvard University Press
ISBN: 9780674010635
Category : Performing Arts
Languages : en
Pages : 198
Book Description
Derided as simple, dismissed as inferior to film, famously characterized as a vast wasteland, television nonetheless exerts an undeniable, apparently inescapable power in our culture. The secret of television's success may well lie in the remarkable narrative complexities underlying its seeming simplicity, complexities Kristin Thompson unmasks in this engaging analysis of the narrative workings of television and film. After first looking at the narrative techniques the two media share, Thompson focuses on the specific challenges that series television presents and the tactics writers have devised to meet them--tactics that sustain interest and maintain sense across multiple plots and subplots and in spite of frequent interruptions as well as weeklong and seasonal breaks. Beyond adapting the techniques of film, Thompson argues, television has wrought its own changes in traditional narrative form. Drawing on classics of film and television, as well as recent and current series like Buffy the Vampire Slayer, The Sopranos, and The Simpsons, she shows how adaptations, sequels, series, and sagas have altered long-standing notions of closure and single authorship. And in a comparison of David Lynch's Blue Velvet and Twin Peaks, she asks whether there can be an "art television" comparable to the more familiar "art cinema."