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Author: Ann Lewis Publisher: Routledge ISBN: 1351194658 Category : Literary Criticism Languages : en Pages : 361
Book Description
"Eighteenth-century sensibilite has always been controversial. In fact, the term itself refers to complex forms of physical and emotional responsiveness, and Lewis's study investigates the fictional exploration of various key problems of sentimental response that were at the heart of eighteenth-century moral, epistemological and aesthetic debates. These are analysed in conjunction with some of the actual (often emotional) responses that the term, its fictions and images have provoked through time, including an indispensable survey of the varying construction of sensibilite as an object of study, and the polemics subtending its definition. The verbal evocation of the visual in the form of 'spectacles' and 'signs' was understood in the eighteenth century as having an especially powerful impact. Lewis provides a new reading of the theme of sensibility by analysing the 'textual images' in three best-selling novels from the mid-century: Graffigny's Lettres d'une Peruvienne, Marivaux's La Vie de Marianne and Rousseau's Julie. The examination of a largely neglected corpus of illustrations, understood as readings of each text, provides striking new evidence of the complexity, thematic richness and duplicity of these spectacles, whose power to provoke different reactions is perhaps their most interesting characteristic."
Author: Ann Lewis Publisher: Routledge ISBN: 1351194658 Category : Literary Criticism Languages : en Pages : 361
Book Description
"Eighteenth-century sensibilite has always been controversial. In fact, the term itself refers to complex forms of physical and emotional responsiveness, and Lewis's study investigates the fictional exploration of various key problems of sentimental response that were at the heart of eighteenth-century moral, epistemological and aesthetic debates. These are analysed in conjunction with some of the actual (often emotional) responses that the term, its fictions and images have provoked through time, including an indispensable survey of the varying construction of sensibilite as an object of study, and the polemics subtending its definition. The verbal evocation of the visual in the form of 'spectacles' and 'signs' was understood in the eighteenth century as having an especially powerful impact. Lewis provides a new reading of the theme of sensibility by analysing the 'textual images' in three best-selling novels from the mid-century: Graffigny's Lettres d'une Peruvienne, Marivaux's La Vie de Marianne and Rousseau's Julie. The examination of a largely neglected corpus of illustrations, understood as readings of each text, provides striking new evidence of the complexity, thematic richness and duplicity of these spectacles, whose power to provoke different reactions is perhaps their most interesting characteristic."
Author: Marco Menin Publisher: Oxford University Press ISBN: 0192864270 Category : Crying Languages : en Pages : 336
Book Description
A crucial period for the birth of the modern subject, France's 'long eighteenth century' (approximately 1650-1820) was an era marked by the formulation of a new aesthetic and ethical code revolving around the intensification of emotions and the hyperbolic use of weeping. Precisely becausetears are not a simple biological fact but rather hang suspended between natural immediacy, on one side, and cultural artifice, on the other, the analysis of crying came to represent an exemplary testing ground for investigations into the enigmatic relations binding the realm of physiology to thatof psychology. Thinking About Tears explores how the link between tears and sensibility in France's long eighteenth century helps shed light on the process through which the European emotional lexicon has been built: from viewing tears as governed by the sphere of 'passions' and 'feelings', thinkersbegan to view crying as first a matter of sensibility and then of sensiblerie (a pathological excess of sensibility), thereby presupposing an intimate connection with the category of 'sentiments'. For this reason, this volume examines not only or even primarily the actual emotion of crying, but alsothe attempt to think about and explain this feeling. Drawing on a wide range of early modern philosophical, medical, religious, and literary texts-including moral treatises on the passions, medical textbooks, letters, life-writings, novels, and stage-plays-Thinking About Tears reveals another sideto a period that has too often been saddled with the cursory label of 'the age of reason'.
Author: Anja Ernst Publisher: V&R unipress GmbH ISBN: 3899716957 Category : History Languages : de Pages : 599
Book Description
It is time to install a cultural vision of what is European alongside the technocratic definition. Modern European culture is the only world culture that has developed an ironic, sentimental relation to its cultural heritage. In the knowledge that the values of mediaeval Christianity, the Renaissance, the Reformation and the Enlightenment are no longer sustainable, European culture is at the same time aware that if its heritage is not cultivated, it will lose its identity. Modern Europe's relationship to its tradition is rooted in Romanticism. Romanticism critically reflects the other epochs and events in European history in terms of their suitability as founding myths for European modernism. A future European cultural science must examine what elements of the heritage of European nation-states is suitable as a European founding myth - for a Europe of the future, and not of the past. This volume provides evidence that Romanticism constitutes one of the most important founding myths of modern Europe. German text.
Author: Ann Lewis
Author: Ann Lewis
Author: Marco Menin
Author: Muriel Brot
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Author: Anja Ernst
Author: Royal Society (Great Britain)
Author: Royal Society (Great Britain)
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