La pintura de Noemi Ruiz y la poesía visual del trópico PDF Download

Author: Jeannette Miller
Publisher:
ISBN:
Category : Painting, Abstract
Languages : es
Pages : 174

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Author: Museo de Arte de Puerto Rico (San Juan, P.R.)
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 428

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La historia y las colecciones de pintura puertorriqueña.

Author: Instituto de Cultura Puertorriqueña
Publisher:
ISBN:
Category : Painting, Puerto Rican
Languages : en
Pages : 536

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This catalogue is a compilation of paintings (particularly from painters José Campeche y Jordán (1751-1809) and Francisco Manuel Oller y Cestero (1833-1917)) part of the vast collection of art that the ICP has treasured for more than a century, since its foundation in 1955. "Beginning with the first acquisition through the purchase of a work by José Campeche in February of 1959 and up to the last two works acquired in 1977, the Institute has gathered about twenty-four pieces of unique testimonial value in more than one case. With this number, it surpasses the best-known series until then: the Campeche canvases in the Archbishop's palace in San Juan, of which there are twenty."--P. xiii. Includes several essays by well-known Puerto Rican art historians and curators.

Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 474

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Author:
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 32

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Author: Ignacio López-Calvo
Publisher:
ISBN: 1108487378
Category : Literary Criticism
Languages : en
Pages : 683

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This book covers the heterogeneity of Chilean literary production from the times of the Spanish conquest to the present. It shifts critical focus from national identity and issues to a more multifaceted transnational, hemispheric, and global approach. Its emphasis is on the paradigm transition from the purportedly homogeneous to the heterogeneous.

Author: Thomas M. Messer
Publisher: Ithaca, N.Y. : Cornell University Press
ISBN:
Category : Painters
Languages : en
Pages : 196

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This catalogue accompanied the first American museum retrospective of the English artist Francis Bacon. In his essay, Senior Curator Lawrence Alloway explores the essence of Bacon's painting beyond the usual associations with the grotesque. Instead, he offers a different argument: Bacon was a realist painter of his time, closely tied into the Grand Manner and painters such as Manet, Van Gogh, Velasquez, and Titian. Bacon continued and evolved the central tradition of European figure painting at a time when abstraction was dominating the art world. Also included are an exhibition checklist, 64 color and black-and-white reproductions, and a bibliography.

Author: Michael Chanan
Publisher: U of Minnesota Press
ISBN: 9780816634248
Category : Performing Arts
Languages : en
Pages : 564

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New chapters express ongoing concerns about freedom of expression, the role of the Havana Film Festival in restoring Havana's central position in Latin American cinema, & the changing audience for Cuban films.

Author: Paulo Drinot
Publisher: Cambridge University Press
ISBN: 1108493122
Category : History
Languages : en
Pages : 335

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Exploring the links between sexuality, society, and state formation, this is the first history of prostitution and its regulation in Peru. Scholars and students interested in Latin American history, the history of gender and sexuality, and the history of medicine and public health will find Drinot's study engaging and thoroughly researched.

Author: Kevin Lewis O'Neill
Publisher: University of Chicago Press
ISBN: 022662479X
Category : Religion
Languages : en
Pages : 241

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Book Description
“A necessary addition to the literature on Latin America’s Pentecostals, whose number exceeds 100 million . . . a highly readable text.” —Times Higher Education “It’s not a process,” one pastor insisted, “rehabilitation is a miracle.” In the face of addiction and few state resources, Pentecostal pastors in Guatemala City are fighting what they understand to be a major crisis. Yet the treatment centers they operate produce this miracle of rehabilitation through extraordinary means: captivity. These men of faith snatch drug users off the streets, often at the request of family members, and then lock them up inside their centers for months, sometimes years. Hunted is based on more than ten years of fieldwork among these centers and the drug users that populate them. Over time, as Kevin Lewis O’Neill engaged both those in treatment and those who surveilled them, he grew increasingly concerned that he, too, had become a hunter, albeit one snatching up information. This thoughtful, intense book will reframe the arc of redemption we so often associate with drug rehabilitation, painting instead a seemingly endless cycle of hunt, capture, and release. “O’Neill uses his dramatic story of the manhunt to rethink Foucauldian pastoral power . . . [an] utterly brilliant book.” —PoLAR: Political and Legal Anthropology Review “The theme of Kevin Lewis O’Neill’s fascinating book, Hunted—i.e., drug addicts kidnapped and held in involuntary confinement in treatment centers run by Guatemalan Pentecostals—may strike readers as so outré or outrageous as to provoke a reaction . . . Hunted consists in brilliant participant-observer reportage.” —Pneuma