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Author: Natasha Grigorian Publisher: Purdue University Press ISBN: 1612492428 Category : Literary Criticism Languages : en Pages : 226
Book Description
Text and Image in Modern European Culture is a collection of essays that are transnational and interdisciplinary in scope. Employing a range of innovative comparative approaches to reassess and undermine traditional boundaries between art forms and national cultures, the contributors shed new light on the relations between literature and the visual arts in Europe after 1850. Following tenets of comparative cultural studies, work presented in this volume explores international creative dialogues between writers and visual artists, ekphrasis in literature, literature and design (fashion, architecture), hybrid texts (visual poetry, surrealist pocket museums, poetic photo-texts), and text and image relations under the impact of modern technologies (avant-garde experiments, digital poetry). The discussion encompasses pivotal fin de siècle, modernist, and postmodernist works and movements in Britain, France, Germany, Italy, Poland, Russia, and Spain. A selected bibliography of work published in the field is also included. The volume will appeal to scholars of comparative literature, art history, and visual studies, and it includes contributions appropriate for supplementary reading in senior undergraduate and graduate seminars.
Author: Vitra Design Museum Publisher: EPFL Press ISBN: 9782940222070 Category : Photography Languages : en Pages : 232
Book Description
Examining the photographic collection that Alberto Sartoris donated to the Swiss federal government, this text throws light on a poorly understood aspect of 20th century architecture, namely the mechanisms behind the creation and diffusion of the 'image of modern architecture'.
Author: Charles Forsdick Publisher: Peter Lang ISBN: 9783039105144 Category : Language Arts & Disciplines Languages : en Pages : 308
Book Description
As a textual form, the essai predominates in modern and contemporary literature in French. Emerging from an earlier tradition and distinguished from its English-language counterpart, the French-language essay ranges from Stéphane Mallarmé to Colette, Victor Segalen to Aimé Césaire, Jean Grenier to Pierre Michon. The essai remains, however, one of the most hazily identified of textual forms, its definition often depending on the progressive elimination of all other generic possibilities. Excluded from the archigenres (theatre, poetry, récit), it can even be seen as a hold-all category whose role is to absorb the anarchic extremes of writing. It is perhaps this very lack of pretension to orthodoxy that has drawn so many writers to the essai. The conventional understanding of the term - as a tentative, unsystematic exploration - stresses the genre's provisional nature, its refusal of any claims to comprehensiveness. The essai exploits the devices of anecdote, illustration and humour; it is addressed to a wide and often general audience; it is also intricately linked to the performance of ideological and writerly strategies, often reordering the classical art of rhetoric and persuasion. As the contributions to this volume show, there is a need to outline an ethics and politics, as well as poetics, of essayism.
Author: Natasha Grigorian
Author: British Museum. Department of Printed Books
Author: British Library
Author: Vitra Design Museum
Author: British Museum
Author: ![A Subject Index of the Modern Works Added to the Library of the British Museum in the Years 1880-[95] PDF](https://books.google.com/books/content/images/frontcover/sEo0AAAAMAAJ?fife=w80-h100)
Author: British Museum. Department of Printed Books
Author: British Museum. Department of Printed Books
Author: Henry Sotheran Ltd
Author: 
Author: Charles Forsdick