Author:
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 732
Book Description
Canadiana
Textual and Visual Selves
Author: Natalie Edwards
Publisher: U of Nebraska Press
ISBN: 0803237995
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
Autobiography in France has taken a decidedly visual turn in recent years: photographs, shown or withheld, become evidence of what was, might have been, or cannot be said; photographers, filmmakers, and cartoonists undertake projects that explore issues of identity. Textual and Visual Selves investigates, from a variety of theoretical perspectives, the ways in which the textual and the visual combine in certain French works to reconfigure ideas—and images—of self-representation. Surprisingly, what these accounts reveal is that photography or film does not necessarily serve to shore up the referentiality of the autobiographical account: on the contrary, the inclusion of visual material can even increase indeterminacy and ambiguity. Far from offering documentary evidence of an extratextual self coincident with the “I” of the text, these images testify only to absence, loss, evasiveness, and the desire to avoid objectification. However, where Roland Barthes famously saw the photograph as a prefiguration of death, in this volume we see how the textual strategies deployed by these writers and artists result in work that is ultimately life-affirming.
Publisher: U of Nebraska Press
ISBN: 0803237995
Category : Literary Criticism
Languages : en
Pages : 286
Book Description
Autobiography in France has taken a decidedly visual turn in recent years: photographs, shown or withheld, become evidence of what was, might have been, or cannot be said; photographers, filmmakers, and cartoonists undertake projects that explore issues of identity. Textual and Visual Selves investigates, from a variety of theoretical perspectives, the ways in which the textual and the visual combine in certain French works to reconfigure ideas—and images—of self-representation. Surprisingly, what these accounts reveal is that photography or film does not necessarily serve to shore up the referentiality of the autobiographical account: on the contrary, the inclusion of visual material can even increase indeterminacy and ambiguity. Far from offering documentary evidence of an extratextual self coincident with the “I” of the text, these images testify only to absence, loss, evasiveness, and the desire to avoid objectification. However, where Roland Barthes famously saw the photograph as a prefiguration of death, in this volume we see how the textual strategies deployed by these writers and artists result in work that is ultimately life-affirming.
Author:
Publisher: Odile Jacob
ISBN: 2738192742
Category :
Languages : en
Pages : 851
Book Description
Publisher: Odile Jacob
ISBN: 2738192742
Category :
Languages : en
Pages : 851
Book Description
The Year-book of Photography and Photographic News Almanac for ...
Photographic survey of the 20th century
Author: Thérèse Blondet-Bisch
Publisher: creaphis editions
ISBN: 9782354280215
Category : 20th century
Languages : fr
Pages : 146
Book Description
Publisher: creaphis editions
ISBN: 9782354280215
Category : 20th century
Languages : fr
Pages : 146
Book Description
FIAP.
Canadian Reference Sources
Author: Mary E. Bond
Publisher: UBC Press
ISBN: 9780774805650
Category : Language Arts & Disciplines
Languages : en
Pages : 1102
Book Description
In parallel columns of French and English, lists over 4,000 reference works and books on history and the humanities, breaking down the large divisions by subject, genre, type of document, and province or territory. Includes titles of national, provincial, territorial, or regional interest in every subject area when available. The entries describe the core focus of the book, its range of interest, scholarly paraphernalia, and any editions in the other Canadian language. The humanities headings are arts, language and linguistics, literature, performing arts, philosophy, and religion. Indexed by name, title, and French and English subject. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: UBC Press
ISBN: 9780774805650
Category : Language Arts & Disciplines
Languages : en
Pages : 1102
Book Description
In parallel columns of French and English, lists over 4,000 reference works and books on history and the humanities, breaking down the large divisions by subject, genre, type of document, and province or territory. Includes titles of national, provincial, territorial, or regional interest in every subject area when available. The entries describe the core focus of the book, its range of interest, scholarly paraphernalia, and any editions in the other Canadian language. The humanities headings are arts, language and linguistics, literature, performing arts, philosophy, and religion. Indexed by name, title, and French and English subject. Annotation copyrighted by Book News, Inc., Portland, OR
The Museum Establishment and Contemporary Art
Author: Rebecca J. DeRoo
Publisher: Cambridge University Press
ISBN: 9780521841092
Category : Architecture
Languages : en
Pages : 290
Book Description
This book provides an in-depth account of the protests that shook France in 1968 and which served as a catalyst to a radical reconsideration of artistic practice that has shaped both art and museum exhibitions up to the present. Rebecca DeRoo examines how issues of historical and personal memory, the separation of public and private domains, and the ordinary objects of everyday life emerged as central concerns for museums and for artists, as both struggled to respond to the protests. She argues that the responses of the museums were only partially faithful to the aims of the activist movements. Museums, in fact, often misunderstood and misrepresented the work of artists that was exhibited as a means of addressing these concerns. Analyzing how museums and critics did and did not address the aims of the protests, DeRoo highlights the issues relevant to the politics of the public display of art that have been central to artistic representation, in France as well as in North America.
Publisher: Cambridge University Press
ISBN: 9780521841092
Category : Architecture
Languages : en
Pages : 290
Book Description
This book provides an in-depth account of the protests that shook France in 1968 and which served as a catalyst to a radical reconsideration of artistic practice that has shaped both art and museum exhibitions up to the present. Rebecca DeRoo examines how issues of historical and personal memory, the separation of public and private domains, and the ordinary objects of everyday life emerged as central concerns for museums and for artists, as both struggled to respond to the protests. She argues that the responses of the museums were only partially faithful to the aims of the activist movements. Museums, in fact, often misunderstood and misrepresented the work of artists that was exhibited as a means of addressing these concerns. Analyzing how museums and critics did and did not address the aims of the protests, DeRoo highlights the issues relevant to the politics of the public display of art that have been central to artistic representation, in France as well as in North America.
Hungarian photographs
Author: Musée de la vie romantique
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 154
Book Description
Accompagne une exposition au musée de la Vie romantique à Paris (juillet-octobre 2001). Sont rassemblées une centaine d'images réalisées par des photographes hongrois entre 1880 et 1930. Elles sont complétées par la description du contexte culturel, une étude sur l'histoire de ce domaine artistique, le commentaire de chacune des images et la biographie de chacun des artistes.
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 154
Book Description
Accompagne une exposition au musée de la Vie romantique à Paris (juillet-octobre 2001). Sont rassemblées une centaine d'images réalisées par des photographes hongrois entre 1880 et 1930. Elles sont complétées par la description du contexte culturel, une étude sur l'histoire de ce domaine artistique, le commentaire de chacune des images et la biographie de chacun des artistes.
CoMa 2013
Author: Hilke Arijs
Publisher: Cambridge Scholars Publishing
ISBN: 144387096X
Category : Art
Languages : en
Pages : 265
Book Description
This book presents the proceedings of the “CoMa 2013: Safeguarding Image Collections” international conference held in Brussels, on 31 October 2013, and offers the reader not only a wide variety of subjects relating to the preservation of image collections, but also an overview of the different professions and practices involved in the preservation of photographic heritage. The proceedings contain some practical examples illustrating how CEN regulations and generally accepted standards can be translated into daily management. Moreover, they transcend a purely scientific debate by also questioning the value and meaning of image collections, and by offering a base for anyone dealing with photographs to think about their long-term preservation. Divided into four sections, the proceedings provide the reader with an overview of: 1) Theoretical questions relating to the meaning, value and impact of photographic collections; 2) Some examples of collection management practices, storage and exhibition of photographs; 3) Results of scientific research concerning the stability of photographic supports and their conservation treatments; 4) Digitization practices of image collections and new tools to assign content and value to historical photographs. In addition to traditional conference papers, the book also includes essays on the future of photographic collections, written by established restorers and art historians.
Publisher: Cambridge Scholars Publishing
ISBN: 144387096X
Category : Art
Languages : en
Pages : 265
Book Description
This book presents the proceedings of the “CoMa 2013: Safeguarding Image Collections” international conference held in Brussels, on 31 October 2013, and offers the reader not only a wide variety of subjects relating to the preservation of image collections, but also an overview of the different professions and practices involved in the preservation of photographic heritage. The proceedings contain some practical examples illustrating how CEN regulations and generally accepted standards can be translated into daily management. Moreover, they transcend a purely scientific debate by also questioning the value and meaning of image collections, and by offering a base for anyone dealing with photographs to think about their long-term preservation. Divided into four sections, the proceedings provide the reader with an overview of: 1) Theoretical questions relating to the meaning, value and impact of photographic collections; 2) Some examples of collection management practices, storage and exhibition of photographs; 3) Results of scientific research concerning the stability of photographic supports and their conservation treatments; 4) Digitization practices of image collections and new tools to assign content and value to historical photographs. In addition to traditional conference papers, the book also includes essays on the future of photographic collections, written by established restorers and art historians.