La Petite Fadette [French Text], George Sand PDF Download

Author: George Sand
Publisher:
ISBN: 9782743462505
Category :
Languages : en
Pages : 286

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Author: GEORGE. SAND
Publisher:
ISBN: 9781033079157
Category :
Languages : en
Pages : 0

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Author: George Sand
Publisher: Penn State Press
ISBN: 0271080264
Category : Fiction
Languages : en
Pages : 193

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Book Description
Set in the French countryside of George Sand’s childhood and narrated in the unique voice of a Berrichon peasant, La Petite Fadette is a beloved 1848 novel about identical twin brothers and Fadette, the mysterious waif with whom they both fall in love. The brothers, Landry and Sylvinet, belong to a highly respected farm family. When young Landry meets Fadette, whose very name suggests that she is a witch, he is captivated by the girl despite her lowly status and disreputable family. Sylvinet soon follows suit. Fadette’s relationship with the twins defies the patriarchal norms of French society as well as the expectations of the village, resulting in a tale of love, courage, and clever strategy winning out over superstition and prejudice. Often regarded as a simple country tale, Sand’s novel is layered with meaning, including subtle nods to the burgeoning desire for political and sexual equality in nineteenth-century France. This thoughtful critical translation by Gretchen van Slyke brings the complexity of the original story to life. Her introduction explores the autobiographical and political dimensions of the novel, and her translation preserves the rustic charm and archaic flavor of Sand’s language. An invaluable contribution to French literary studies and nineteenth-century literature studies, this new edition ensures that La Petite Fadette will be read by generations to come.

Author: Joseph A. Dane
Publisher: punctum books
ISBN: 1947447564
Category : Literary Criticism
Languages : en
Pages : 294

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Mythodologies challenges the implied methodology in contemporary studies in the humanities. We claim, at times, that we gather facts or what we will call evidence, and from that form hypotheses and conclusions. Of course, we recognize that the sum total of evidence for any argument is beyond comprehension; therefore, we construct, and we claim, preliminary hypotheses, perhaps to organize the chaos of evidence, or perhaps simply to find it; we might then see (we claim) whether that evidence challenges our tentative hypotheses. Ideally, we could work this way. Yet the history of scholarship and our own practices suggest we do nothing of the kind. Rather, we work the way we teach our composition students to write: choose or construct a thesis, then invent the evidence to support it. This book has three parts, examining such methods and pseudo-methods of invention in medieval studies, bibliography, and editing. Part One, "Noster Chaucer," looks at examples in Chaucer studies, such as the notion that Chaucer wrote iambic pentameter, and the definition of a canon in Chaucer. "Our" Chaucer has, it seems, little to do with Chaucer himself, and in constructing this entity, Chaucerians are engaged largely in self-validation of their own tradition. Part Two, "Bibliography and Book History," consists of three studies in the field of bibliography: the recent rise in studies of annotations; the implications of presumably neutral terminology in editing, a case-study in cataloguing. Part Three, "Cacophonies: A Bibliographical Rondo," is a series of brief studies extending these critiques to other areas in the humanities. It seems not to matter what we talk about: meter, book history, the sex life of bonobos. In all of these discussions, we see the persistence of error, the intractability of uncritical assumptions, and the dominance of authority over evidence. TABLE OF CONTENTS // Part I. Noster Chaucerus Chap. 1. How Many Chaucerians Does it Take to Count to Eleven? The Meter of Kynaston's 1635 Translation of Troilus and Criseyde and its Implications for Chaucerian Metrics Chap. 2. Chaucer's "Rude Times" Chap. 3. Meditation on Our Chaucer and the History of the Canon Coda. Godwin's Portrait of Chaucer Part II. Bibliography and Book History Chap. 4. The Singularities of Books and Reading . Chap. 5. Editorial Projecting Chap. 6. The Haunting of Suckling's Fragmenta Aurea (1646) Coda. T. F. Dibdin: The Rhetoric of Bibliophilia Part III. Cacophonies: A Bibliographic Rondo Fakes and Frauds: The "Flewelling Antiphonary" and Galileo's Sidereus Nuncius Modernity and Middle English The Quantification of Readability The Elephant Paper and Histories of Medieval Drama The Pynson Chaucer(s) of 1526: Bibliographical Circularity Margaret Mead and the Bonobos Reading My Library

Author: Martine Reid
Publisher: Penn State Press
ISBN: 0271082720
Category : Biography & Autobiography
Languages : en
Pages : 281

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The romantic and rebellious novelist George Sand, born in 1804 as Amantine Lucile Aurore Dupin, remains one of France’s most infamous and beloved literary figures. Thanks to a peerless translation by Gretchen van Slyke, Martine Reid’s acclaimed biography of Sand is now available in English. Drawing on recent French and English biographies of Sand as well as her novels, plays, autobiographical texts, and correspondence, Reid creates the most complete portrait possible of a writer who was both celebrated and vilified. Reid contextualizes Sand within the literature of the nineteenth century, unfolds the meaning and importance of her chosen pen name, and pays careful attention to Sand’s political, artistic, and scientific expressions and interests. The result is a candid, even-handed, and illuminating representation of a remarkable woman in remarkable times. With its clear, flowing language and impeccable scholarship, this Ernest Montusès Award–winning biography of the author of La Petite Fadette and A Winter in Majorca will be of great interest to those specializing in Sand and nineteenth-century literature—and to readers everywhere.

Author: Jonathan Beecher
Publisher: Cambridge University Press
ISBN: 1108905234
Category : Political Science
Languages : en
Pages : 495

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Focusing on the efforts of nine European intellectuals, including Tocqueville, Flaubert and Marx, to make sense of 1848, Jonathan Beecher casts a fresh and engaging perspective on the experience and impact of the Revolution, and on why, within two generations, a democratic revolution had twice culminated in the dictatorship of a Napoleon.

Author: Anna Klumpke
Publisher: Plunkett Lake Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 315

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Hailed as one of the foremost painters of the nineteenth century, Rosa Bonheur (1822-1899) lived to see her name become a household word. In a century that did its best to keep women “in their place,” she earned her own money, managed her own property, wore trousers, hunted, smoked, and lived in retreat with women companions in a château near Fontainebleau. Rosa Bonheur: The Artist’s (Auto)biography brings this extraordinary woman to life, blending Bonheur’s first-person account with the memoirs of Anna Klumpke, a young American artist who was Bonheur’s last companion and chosen portraitist. Klumpke recounts their first meeting, her growing affection for the much older Bonheur, and her decision to live with the artist. Bonheur’s account of her own life story, set within Klumpke’s narrative, sheds light on such currently compelling subjects as gender formation, governmental intervention in the arts, the social and legal regulation of dress codes, and the transgressive nature of same-sex relationships in a repressive society. “What a pleasure to have this essential document of art history available in an up-to-date translation. Anna Klumpke’s biography of Rosa Bonheur is, of course, not only an important art-historical document, but a major contribution to the social history of nineteenth-century France and a moving testimony to human attachment as well.” —Linda Nochlin “The remarkable life of Rosa Bonheur, one of the most highly decorated artists and certainly the best known female artist of her time in nineteenth-century France, is long overdue for further scrutiny.” — Therese Dolan, Temple University “... tells the fascinating, unconventional story of the famous 19th-century French artist. Written by Bonheur’s lover, American artist Anna Klumpke, with input from Bonheur herself, the biography effectively shows Bonheur’s devotion to the great loves of her life: her mother, her art, and her female companions.” — Washington Blade “A cigar-smoking, cross-dressing eccentric à la George Sand, Rosa Bonheur was one of the 19th century’s most popular artists... Drawing on her own meticulous journal entries as well as Bonheur’s letters, sketches, and diaries, Klumpke traces Bonheur’s trailblazing life and recounts how she met Bonheur, fell in love and became her official portraitist, companion and sole heir.” — Publishers Weekly “It is a treat to have Rosa Bonheur: The Artist’s (Auto)biography... available in English. Bonheur (1822-1899), a lesbian born in France, channeled her formidable talent into painting animals, lived a highly unconventional life, and received special permission to wear pants in public... This combination autobiography and biography, originally published in 1908, includes a vibrant introduction by the translator.” —Feminist Bookstore News “Each part of the story — translator’s, Klumpke’s, and Bonheur’s — is so engagingly written that reading it is like an adventure with an emphasis on the development and support of female creativity... Anna Klumpke poured her love into magnificent portraits of Bonheur and later into writing and managing Bonheur’s estate. Translator Gretchen van Slyke has rendered the original French into graceful, compelling prose. After finishing this book, my strongest emotion was gratitude for having been allowed to see so intimately into the lives of these productive, caring women.” — Lambda Book Report

Author: Naomi Schor
Publisher: Columbia University Press
ISBN: 9780231065221
Category : Feminism and literature
Languages : en
Pages : 308

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A reanalysis of Sand's major writing, ranging from her early short stories to her later fiction, which identifies her writing as an example of an aesthetic mode often associated with femininity. The study compares Sand's place in the history of the realist novel to that of her male counterparts.

Author: Abbé Prévost
Publisher: Penn State Press
ISBN: 0271089350
Category : Fiction
Languages : en
Pages : 107

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With The Greek Girl’s Story, Alan Singerman presents the first reliable, stand-alone translation and critical edition of Abbé Prévost’s 1740 literary masterpiece Histoire d’une Grecque moderne. The text of this new English translation is based on Singerman’s 1990 French edition, which Jonathan Walsh called “arguably the most valuable critical edition” of Prévost’s novel to date. This new edition also includes a complete critical apparatus comprising a substantial introduction, notes, appendixes, and bibliography, all significantly updated from the 1990 French edition, taking into account recent scholarship on this work and providing some additional reflection on the question of Orientalism. Prévost’s roman à clef is based on a true story involving the French ambassador to the Ottoman Porte from 1699 to 1711. It is narrated from the ambassador’s viewpoint and is a model of subjective, unreliable narration (long before Henry James). It is remarkably modern in its presentation of an enigmatic, ambiguous character, as the truth about the heroine can never be established with certainty. It is the story of the tormented relationship between the diplomat and a beautiful young Greek concubine, Théophé, whom he frees from a pasha’s harem. While her benefactor becomes increasingly infatuated with her and bent on becoming her lover, the Greek girl becomes obsessed with the idea of becoming a virtuous and respected woman. Viewing the ambassador as a father figure, she condemns his quasi-incestuous passion and firmly rejects his repeated seduction attempts. Unable to possess the young woman or tolerate the thought that she might grant to someone else what she has refused him, the narrator subjects her behavior to minute scrutiny in an effort to catch her in an indiscretion. His investigations are fruitless, however, and Théophé, the victim of incessant persecution, simply dies, leaving all the questions about her behavior unanswered.

Author: George Sand
Publisher: Oxford University Press, USA
ISBN:
Category : Country life
Languages : en
Pages : 380

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The Master Pipers (1852) is a love story set in central France. Sand's exploration of the developing relationships of two sets of lovers underlines her belief that both partners in a marriage should consider themselves equal. The novel also gives a vivid picture of local customs, speech, and dances, and Sand investigates the nature of music, particularly through the predicament of Joseph, a talented child whose very gift renders him incapable of communicating with others until he discovers the musical instruments that will allow him to speak.