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Author: Robert L. Herbert Publisher: Metropolitan Museum of Art ISBN: 0810964104 Category : Dots (Art) Languages : en Pages : 462
Book Description
A volume which embodies an entire generation of scholarship on the artist. Seurat's brief but brilliant career is traced from his early academic drawings of the 1870s to the paintings of popular entertainments and the serene landscapes of his final years.
Author: Robert L. Herbert Publisher: Metropolitan Museum of Art ISBN: 0810964104 Category : Dots (Art) Languages : en Pages : 462
Book Description
A volume which embodies an entire generation of scholarship on the artist. Seurat's brief but brilliant career is traced from his early academic drawings of the 1870s to the paintings of popular entertainments and the serene landscapes of his final years.
Author: George Besson Publisher: Forgotten Books ISBN: 9780331027631 Category : Languages : en Pages : 72
Book Description
Excerpt from La Peinture Française Au Xixe Siècle, Vol. 1 Count de Caylus in i74s, later Winkelmann and Quatre mere de Quincy, were among those who brought back into fashion a taste for Antiquity and the grande maniere in pain ting inspired by neo-greek sculpture. David was both their collaborator and their executor. As a man he served the Revo lutian with the zeal of a partisan, as a painter he considered it his duty to the state to teach only such principles as glorify the antique virtues, the fruits of reason and which repudiate the fetes galantes of the Eighteenth Century. Thanks to David, for years Beauty. Was limited in its inspiration to Archaeology, Athens, Greece, and the aged Horatii. In the same way we find Ingres, about ib4o, a prisoner of the traditions of the institute, applying, in the name of Phidias and Raphael, prin ciples fully as pernicious when employed by feeble collaborators. Forthough the Institute had Ingres, it also had Picot, Hersent, Blondel, just as it later had Ge'rome, in other words a rigid organism which only allowed pupils to have a certain sense of Art, and where the recipes of a hand-book on painting would enable the student to make a career in his profession rather express his personality. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Gillian Kennedy Publisher: Lund Humphries Publishers Limited ISBN: Category : Art Languages : en Pages : 138
Book Description
French Drawings XVI-XIX Centuries is a fully illustrated catalogue of fifty French drawings from the sixteenth to the early nineteenth centuries, drawn from the Witt collection at the Courtauld Institute Galleries. Instead of a conventional concentration on a particular school, chronological period or type of subject-matter, the keynote of the collection is variety: variety of function, style and technique. The selection of works in this book is intended to reflect that variety, and to highlight the remarkable richness of three centuries of French drawings.
Author: Metropolitan Museum of Art (New York, N.Y.) Publisher: Metropolitan Museum of Art ISBN: 1588392406 Category : Painting Languages : en Pages : 344
Author: Richard Shiff Publisher: University of Chicago Press ISBN: 9780226753065 Category : Art Languages : en Pages : 340
Book Description
Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.
Author: Stephan Wolohojian Publisher: Metropolitan Museum of Art ISBN: 1588390764 Category : Art Languages : en Pages : 561
Book Description
"For the Winthrop collection's international debut exhibition, curators at the Fogg Art Museum of the Harvard University Art Museums, headed by Stephan Wolohojian, organized the selection and invited more than sixty specialists to write on artworks in their particular area of expertise. Works include such highlights in their creator's oeuvre as Jacques-Louis David's sketchbooks for The Coronation of Napoleon and the Crowning of Josephine, Theodore Gericault's Mutiny on the Raft of the Medusa, Vincent van Gogh's The Blue Cart, Jean-Auguste-Dominique Ingres's Odalisque with the Slave, William Blake's illustrations for the Divine Comedy, Dante Gabriel Rosetti's Blessed Damozel, and James Abbott McNeill Whistler's Nocturne in Blue and Silver. In addition, an essay by Wolohojian provides a fascinating and informative description of Winthrop and the growth of his collection."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Dario Gamboni Publisher: University of Chicago Press ISBN: 0226280551 Category : Art Languages : en Pages : 426
Book Description
French symbolist artist Odilon Redon (1840–1916) seemed to thrive at the intersection of literature and art. Known as “the painter-writer,” he drew on the works of Poe, Baudelaire, Flaubert, and Mallarmé for his subject matter. And yet he concluded that visual art has nothing to do with literature. Examining this apparent contradiction, The Brush and the Pen transforms the way we understand Redon’s career and brings to life the interaction between writers and artists in fin-de-siècle Paris. Dario Gamboni tracks Redon’s evolution from collaboration with the writers of symbolism and decadence to a defense of the autonomy of the visual arts. He argues that Redon’s conversion was the symptom of a mounting crisis in the relationship between artists and writers, provoked at the turn of the century by the growing power of art criticism that foreshadowed the modernist separation of the arts into intractable fields. In addition to being a distinguished study of this provocative artist, The Brush and the Pen offers a critical reappraisal of the interaction of art, writing, criticism, and government institutions in late nineteenth-century France.
Author: Robert L. Herbert
Author: Robert L. Herbert
Author: Paul Hayes Tucker
Author: George Besson
Author: Gillian Kennedy
Author: Metropolitan Museum of Art (New York, N.Y.)
Author: J. S. T. Garfitt
Author: Richard Shiff
Author: Stephan Wolohojian
Author: Dario Gamboni
Author: