Author: Walter Raymond SpaldingPublisher:
ISBN:
Category :
Languages : fr
Pages : 382
Book Description
La musique, un art et un langage
Author: Walter Raymond SpaldingPublisher:
ISBN:
Category :
Languages : fr
Pages : 382
Book Description
La Musique, un art et un langage
Author: W. R. SpaldingPublisher:
ISBN:
Category : Music appreciation
Languages : fr
Pages : 382
Book Description
Music Writing Literature, from Sand via Debussy to Derrida
Author: Peter DayanPublisher: Routledge
ISBN: 1351557114
Category : Music
Languages : en
Pages : 154
Book Description
Why does poetry appeal to music? Can music be said to communicate, as language does? What, between music and poetry, is it possible to translate? These fundamental questions have remained obstinately difficult, despite the recent burgeoning of word and music studies. Peter Dayan contends that the reasons for this difficulty were worked out with extraordinary rigour and consistency in a French literary tradition, echoed by composers such as Berlioz and Debussy, which stretches from Sand to Derrida. Their writing shows how it is both necessary and futile to look for music in poetry, or for poetry in music: necessary, because each art defines itself by reference to what it is not, and cannot be, in order to point to an idealized totality outside itself; futile, because the musicality of poetry, like the poetic meaning of music, must remain as elusive as that idealized totality; its distance is the very condition of the art. Thus is generated a subtle but unmistakable general definition of the nature of art which has proved uniquely able to survive all the probings of poststructuralism. That definition of art is inseparable from a disturbingly effective scepticism towards all forms of explication and explanation in critical discourse, so it is doubtless not surprising that critics in general have done their best to ignore it. But by bringing out what Sand, Baudelaire, Mallarmé, Proust, Debussy, Berlioz, Barthes, and Derrida all do in the same way as they work on the limits of the analogy between music and literature, this book shows how it is possible, productive, illuminating, and fascinating to work on those limits; though to do so, as we find repeatedly, in Chopin's dreams as in Derrida's 'tombeaux', requires us to have the courage to face, in music, our literal death, and the limits of our intelligence.
Recherches sur l'analogie de la musique avec les arts qui ont pour objet l'imitation du langage pour servir d'introduction à l'étude des principes naturels de cet art
Author: Guillaume André VilloteauPublisher:
ISBN:
Category :
Languages : fr
Pages : 658
Book Description
Les Procédés du Langage Musical
Author: Philippe MoussetPublisher: Forgotten Books
ISBN: 9780282205560
Category : Music
Languages : fr
Pages : 158
Book Description
Excerpt from Les Proc'd's du Langage Musical: Leur Th'orie Et Leur Application Pratique La musique doit donc 'tre envisag'e la fois comme une langue et comme un art. Comme une langue, tout d'abord, puis qu'elle constitue un moyen de traduction et de transmission de la pens'e; comme un art, puisque, de par son but, les sensations qu'elle fait na+tre sont d'ordre si 'lev' qu'elles ne s'adressent qu' la partie la plus noble de l''tre humain. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Musical Language of Pierre Boulez
Author: Jonathan GoldmanPublisher: Cambridge University Press
ISBN: 0521514908
Category : Biography & Autobiography
Languages : en
Pages : 269
Book Description
A fresh look at the musical universe of arguably one of the most influential composers of the twentieth century.
Le langage musical
Author: Marina ScriabinePublisher: FeniXX
ISBN: 2707333824
Category : Art
Languages : fr
Pages : 259
Book Description
Dans ce second opus, qui fait suite à l'"Introduction au Langage musical", Marina Scriabine nous présente la musique comme un véritable langage, le mettant en rapport avec les autres formes d’expression, les institutions, et les croyances, dans les différentes régions de notre monde.
The Harmonic Orator
Author: Patricia M. RanumPublisher: Pendragon Press
ISBN: 9781576470220
Category : Juvenile Nonfiction
Languages : en
Pages : 532
Book Description
Proudly standing apart from its European neighbors, the music of seventeenth- and eighteenth-century France represented a conscious synthesis of French speech rhythms, French rhetorical practices and French theatrical recitation. As such, it demands its own performance style.".
Le Guide Musical
Author: Reading Critics Reading
Author: Roger ParkerPublisher: Oxford : Oxford University Press
ISBN: 9780198166979
Category : Ballet
Languages : en
Pages : 290
Book Description
This book is among the first to examine French opera and ballet criticism during the first half of the nineteenth century both as a historical and a literary phenomenon. It thus provides a new and badly needed perspective for scholars and other commentators who have often been willing to treatthe journalistic responses to such musical genres chiefly as a simple source of factual information. The essays, taken from a conference in Oxford in 1996, explore the kinds of problem encountered and the types of methodology that might be employed in trying to interpret these critical responses;they throw light on such aspects as the cultural attitudes underlying the writers' rhetoric, the aesthetic stances and ideological agendas at play, and how modes of production influenced content.