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Author: International Musicological Society. Congress Publisher: Strasbourg : Association des publications près les Universités de Strasbourg ISBN: Category : Church music Languages : en Pages : 506
Author: International Musicological Society. Congress Publisher: Strasbourg : Association des publications près les Universités de Strasbourg ISBN: Category : Church music Languages : en Pages : 506
Author: Emma Hornby Publisher: Routledge ISBN: 1351754017 Category : Social Science Languages : en Pages : 413
Book Description
This title was first published in 2002: This text uses detailed analysis of the eigth-mode tracts in addressing some of the still unresolved questions of chant scholarship. The first question is that of the nature of the relationship between Old Roman and Gregorian chant, the second, of the relationship between oral and written modes of transmission in the ecclesiastical culture of the Middle Ages. Also, the Middle Ages saw a transition to a culture more dependent on writing. The book investigates the effect this transition had on the way eighth-mode tracts were understood by those who performed and notated them.
Author: Jacqueline Waeber Publisher: Cambridge University Press ISBN: 1108915914 Category : Music Languages : en Pages : 723
Book Description
The Cambridge Companion to Seventeenth-Century Opera is a much-needed introduction to one of the most defining areas of Western music history - the birth of opera and its developments during the first century of its existence. From opera's Italian foundations to its growth through Europe and the Americas, the volume charts the changing landscape – on stage and beyond – which shaped the way opera was produced and received. With a range from opera's sixteenth-century antecedents to the threshold of the eighteenth century, this path breaking book is broad enough to function as a comprehensive introduction, yet sufficiently detailed to offer valuable insights into most of early opera's many facets; it guides the reader towards authoritative written and musical sources appropriate for further study. It will be of interest to a wide audience, including undergraduate and graduate students in universities and equivalent institutions, and amateur and professional musicians.
Author: ThomasForrest Kelly Publisher: Routledge ISBN: 1351572385 Category : History Languages : en Pages : 543
Book Description
The Latin liturgical music of the medieval church is the earliest body of Western music to survive in a more or less complete form. It is a body of thousands of individual pieces, of striking beauty and aesthetic appeal, which has the special quality of embodying, of giving voice to, the words of the liturgy itself. Plainchant is the music that underpins essentially all other music of the middle ages (and far beyond), and is the music that is most abundantly preserved. It is a subject that has engaged a great deal of research and debate in the last fifty years and the nature of the complex issues that have recently arisen in research on chant are explored here in an overview of current issues and problems.
Author: Adrian Vickers Publisher: KITLV Press ISBN: Category : History Languages : en Pages : 400
Book Description
From the late seventeenth century until the Dutch conquest of the early twentieth Century Bali was ruled by a set of competing kingdoms. This study of the Balinese text Kidung Malat is the first work in Indonesian historical studies to analyse the main ideology of these Balinese kingdoms. It does so by demonstrating how the performance and presentation of the text presented an image of the ideal prince to both rulers and subjects. The Kidung Malat exemplifies courtly ideology through its descriptions of the adventures of kings and princes from the era of the medieval kingdoms of East Java. It is one of the longest and most complex of a set of narratives called Pañji stories, which originated in East Java and spread throughout Southeast Asia. This book is also the first extensive historical analysis of a Pañji story, combining textual analysis with the study of the gambuh dance-drama in which the Malat is performed, and comparing these forms with paintings and other manifestations of the text.
Author: International Musicological Society. Congress
Author: International Musicological Society. Congress
Author: 
Author: Emma Hornby
Author: Jacqueline Waeber
Author: ThomasForrest Kelly
Author: Stanley Sadie
Author: Stanley Sadie
Author: International Musicological Society
Author: Adrian Vickers
Author: