Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
Book Description
La Modista Raggiratrice. A comic opera, in two acts [by G. B. Lorenzi]: as represented at the King's Theatre in the Haymarket, etc. Ital. & Eng
Cyclopedia of Music & Musicians
Author: John Denison Champlin
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 508
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 508
Book Description
Annals of Opera, 1597-1940
La Modista Raggiratrice. A comic opera, to be represented at the King's Theatre, etc. [By G. B. Lorenzi.] Ital. & Eng
La Cosa Rara; Or, Beauty and Virtue: a Comic Opera, in Two Acts. As Represented at the King's Theatre, in the Haymarket. The Music by the Celebrated Signor V. Martini
Disorderly Liberty
Author: Jerzy Lukowski
Publisher: A&C Black
ISBN: 144114580X
Category : History
Languages : en
Pages : 368
Book Description
The first detailed study of the history of Poland and its political development during the 18th century.
Publisher: A&C Black
ISBN: 144114580X
Category : History
Languages : en
Pages : 368
Book Description
The first detailed study of the history of Poland and its political development during the 18th century.
Morality and Viennese Opera in the Age of Mozart and Beethoven
Author: Martin Nedbal
Publisher: Taylor & Francis
ISBN: 1317094093
Category : Music
Languages : en
Pages : 260
Book Description
This book explores how the Enlightenment aesthetics of theater as a moral institution influenced cultural politics and operatic developments in Vienna between the mid-eighteenth and early nineteenth centuries. Moralistic viewpoints were particularly important in eighteenth-century debates about German national theater. In Vienna, the idea that vernacular theater should cultivate the moral sensibilities of its German-speaking audiences became prominent during the reign of Empress Maria Theresa, when advocates of German plays and operas attempted to deflect the imperial government from supporting exclusively French and Italian theatrical performances. Morality continued to be a dominant aspect of Viennese operatic culture in the following decades, as critics, state officials, librettists, and composers (including Gluck, Mozart, and Beethoven) attempted to establish and define German national opera. Viennese concepts of operatic didacticism and national identity in theater further transformed in response to the crisis of Emperor Joseph II’s reform movement, the revolutionary ideas spreading from France, and the war efforts in facing Napoleonic aggression. The imperial government promoted good morals in theatrical performances through the institution of theater censorship, and German-opera authors cultivated intensely didactic works (such as Die Zauberflöte and Fidelio) that eventually became the cornerstones for later developments of German culture.
Publisher: Taylor & Francis
ISBN: 1317094093
Category : Music
Languages : en
Pages : 260
Book Description
This book explores how the Enlightenment aesthetics of theater as a moral institution influenced cultural politics and operatic developments in Vienna between the mid-eighteenth and early nineteenth centuries. Moralistic viewpoints were particularly important in eighteenth-century debates about German national theater. In Vienna, the idea that vernacular theater should cultivate the moral sensibilities of its German-speaking audiences became prominent during the reign of Empress Maria Theresa, when advocates of German plays and operas attempted to deflect the imperial government from supporting exclusively French and Italian theatrical performances. Morality continued to be a dominant aspect of Viennese operatic culture in the following decades, as critics, state officials, librettists, and composers (including Gluck, Mozart, and Beethoven) attempted to establish and define German national opera. Viennese concepts of operatic didacticism and national identity in theater further transformed in response to the crisis of Emperor Joseph II’s reform movement, the revolutionary ideas spreading from France, and the war efforts in facing Napoleonic aggression. The imperial government promoted good morals in theatrical performances through the institution of theater censorship, and German-opera authors cultivated intensely didactic works (such as Die Zauberflöte and Fidelio) that eventually became the cornerstones for later developments of German culture.
Historians and Nationalism
Author: Monika Baár
Publisher: Oxford University Press
ISBN: 0199581185
Category : History
Languages : en
Pages : 353
Book Description
Monika Baár examines the work of five prominent East-Central European historians in the 19th century, analyzing and contrasting their body of work, their promotion of a national culture, and the contributions they made to European historiography.
Publisher: Oxford University Press
ISBN: 0199581185
Category : History
Languages : en
Pages : 353
Book Description
Monika Baár examines the work of five prominent East-Central European historians in the 19th century, analyzing and contrasting their body of work, their promotion of a national culture, and the contributions they made to European historiography.
National Theatres in a Changing Europe
Author: S. Wilmer
Publisher: Springer
ISBN: 0230582915
Category : Performing Arts
Languages : en
Pages : 271
Book Description
Examining the ways in which national theatres have formed and evolved over time, this new collection highlights the difficulties these institutions encounter today, in an environment where nationalism and national identity are increasingly contested by global, transnational and local agendas, and where economic forces create conflicting demands.
Publisher: Springer
ISBN: 0230582915
Category : Performing Arts
Languages : en
Pages : 271
Book Description
Examining the ways in which national theatres have formed and evolved over time, this new collection highlights the difficulties these institutions encounter today, in an environment where nationalism and national identity are increasingly contested by global, transnational and local agendas, and where economic forces create conflicting demands.
The Culture of Power and the Power of Culture
Author: T. C. W. Blanning
Publisher:
ISBN: 0198227450
Category : History
Languages : en
Pages : 511
Book Description
In this fascinating new account of Old Regime Europe, T.C.W. Blanning explores the cultural revolution which transformed eighteenth-century Europe. During this period the court culture exemplified by Louis XIV's Versailles was pushed from the centre to the margins by the emergence of a new kind of space - the public sphere. The author shows how many of the world's most important cultural institutions developed in this space: the periodical, the newspaper, the novel, the lending library,the coffee house, the voluntary association, the journalist, and the critic. It was here that public opinion staked its claim to be the ultimate arbiter of culture and politics. For the established order this new force was to prove both a challenge and an opportunity and the author's comparative study of power and culture shows how regimes sought to keep their balance as the ground moved beneath their feet. In the process he explains, among other things, why Britain won the 'Second HundredYears War' against France, how Prussia rose to become the dominant power in German-speaking Europe, and why the French monarchy collapsed.
Publisher:
ISBN: 0198227450
Category : History
Languages : en
Pages : 511
Book Description
In this fascinating new account of Old Regime Europe, T.C.W. Blanning explores the cultural revolution which transformed eighteenth-century Europe. During this period the court culture exemplified by Louis XIV's Versailles was pushed from the centre to the margins by the emergence of a new kind of space - the public sphere. The author shows how many of the world's most important cultural institutions developed in this space: the periodical, the newspaper, the novel, the lending library,the coffee house, the voluntary association, the journalist, and the critic. It was here that public opinion staked its claim to be the ultimate arbiter of culture and politics. For the established order this new force was to prove both a challenge and an opportunity and the author's comparative study of power and culture shows how regimes sought to keep their balance as the ground moved beneath their feet. In the process he explains, among other things, why Britain won the 'Second HundredYears War' against France, how Prussia rose to become the dominant power in German-speaking Europe, and why the French monarchy collapsed.