Author: Francesc
Publisher:
ISBN:
Category :
Languages : es
Pages : 330
Book Description
La Madre Dios según Sant Francesc de Sales o sea Sermones y fragmentos de sus obras sobre la Santísima Virgen María
La Madre de Dios según S. Francisco de Sales sermones y fragmentos
La Vírgen Madre segun S. Bernardo, abad de Claraval, ó sea, Homilias y sermones del Santo sobre la Santísima Virgen María
Author: Bernat (de Claravall, sant)
Publisher:
ISBN:
Category :
Languages : es
Pages : 247
Book Description
Publisher:
ISBN:
Category :
Languages : es
Pages : 247
Book Description
Hispania Vetus
Author: Susana Zapke
Publisher: Fundacion BBVA
ISBN: 8496515508
Category : Church music
Languages : es
Pages : 481
Book Description
Publisher: Fundacion BBVA
ISBN: 8496515508
Category : Church music
Languages : es
Pages : 481
Book Description
Sermones de la Santísima Virgen María, Madre de Dios y hombre verdadero y Señora Nuestra
Author: Agustin José de Burgos
Publisher:
ISBN:
Category :
Languages : es
Pages : 525
Book Description
Publisher:
ISBN:
Category :
Languages : es
Pages : 525
Book Description
Sermones sobre la Santísima Virgen Maria
Author: Ildefons (de Toledo, sant)
Publisher:
ISBN:
Category :
Languages : es
Pages : 182
Book Description
Publisher:
ISBN:
Category :
Languages : es
Pages : 182
Book Description
Jamey Aebersold Jazz -- Salsa Latin Jazz, Vol 64: Book & Online Audio
Author: Jamey Aebersold
Publisher: Jazz Play-A-Long for All Instr
ISBN: 9781562242220
Category : Music
Languages : en
Pages : 0
Book Description
Finally, an authentic collection of Salsa/Latin favorites. Complete with syncopations, voicings, and bass figures guaranteed to make you play in whole new ways and expand your musical awareness. There is no drumset on this recording. The percussion is purely Latin/American and the rhythm section is tight. This is like no other play-along in the series. Rhythm Section: Mark Levine (p); David Belove (b); John Santos, Timbales & Miscellaneous Percussion; Harold Muniz (Congas & Miscellaneous Percussion). Titles: Sabor * Linda Chicana * Mambo Inn * ii/V7/I Cha Cha * ii/V7/I Bolero * Afro Blue * Come Candela * Delirio * Manteca * Curacao * Philly Mambo * Mindanao * Picadillo.
Publisher: Jazz Play-A-Long for All Instr
ISBN: 9781562242220
Category : Music
Languages : en
Pages : 0
Book Description
Finally, an authentic collection of Salsa/Latin favorites. Complete with syncopations, voicings, and bass figures guaranteed to make you play in whole new ways and expand your musical awareness. There is no drumset on this recording. The percussion is purely Latin/American and the rhythm section is tight. This is like no other play-along in the series. Rhythm Section: Mark Levine (p); David Belove (b); John Santos, Timbales & Miscellaneous Percussion; Harold Muniz (Congas & Miscellaneous Percussion). Titles: Sabor * Linda Chicana * Mambo Inn * ii/V7/I Cha Cha * ii/V7/I Bolero * Afro Blue * Come Candela * Delirio * Manteca * Curacao * Philly Mambo * Mindanao * Picadillo.
The Medici's Painter
Author: Francesca Baldassari
Publisher: Davis Museum and Cultural Center at Well
ISBN: 9780300226881
Category :
Languages : en
Pages : 128
Book Description
Carlo Dolci (1616-1687), arguably the greatest painter in 17th-century Florence, was admired and patronized by the city's leading families. Best known for his half-length and single-figure devotional pictures, Dolci was also a gifted painter of altarpieces and portraits. Written by a team of distinguished scholars, The Medici's Painter offers new archival discoveries and insights and features cross-disciplinary approaches to Dolci's life and art and the cultural and political contexts in which he worked. The volume sheds new light on Dolci's significant and impressive body of work. The painter understood the power of his paintings to inspire contemporaries, and his works continue to compel individuals to look closely and feel deeply about art.
Publisher: Davis Museum and Cultural Center at Well
ISBN: 9780300226881
Category :
Languages : en
Pages : 128
Book Description
Carlo Dolci (1616-1687), arguably the greatest painter in 17th-century Florence, was admired and patronized by the city's leading families. Best known for his half-length and single-figure devotional pictures, Dolci was also a gifted painter of altarpieces and portraits. Written by a team of distinguished scholars, The Medici's Painter offers new archival discoveries and insights and features cross-disciplinary approaches to Dolci's life and art and the cultural and political contexts in which he worked. The volume sheds new light on Dolci's significant and impressive body of work. The painter understood the power of his paintings to inspire contemporaries, and his works continue to compel individuals to look closely and feel deeply about art.
With Voice and Pen
Author: Leo Treitler
Publisher:
ISBN: 019921476X
Category : Music
Languages : en
Pages : 537
Book Description
Leo Treitler's seventeen classic essays trace the creation and spread of song (cantus), sacred and secular, through oral tradition and writing, in the European Middle Ages. The author examines songs in particular - their design, their qualities and character, their expressive meanings, and their adaptation to their communal and ritual roles - and explores the chances for, and the obstacles to, our understanding of traditions that were alive a thousand years ago. Ranging from c. 900 (when the written transmission of medieval songs began) to 1200, Treitler shows how the earlier, purely oral traditions can be examined only through the lens of what has been captured in writing, and focuses on the invention and uses of writing systems for representing these oral traditions. Each of these seminally influential essays has been revised to take account of recent developments, and is prefaced with a new introduction to highlight the historical issues. The accompanying CD contains performances of much of the music discussed.
Publisher:
ISBN: 019921476X
Category : Music
Languages : en
Pages : 537
Book Description
Leo Treitler's seventeen classic essays trace the creation and spread of song (cantus), sacred and secular, through oral tradition and writing, in the European Middle Ages. The author examines songs in particular - their design, their qualities and character, their expressive meanings, and their adaptation to their communal and ritual roles - and explores the chances for, and the obstacles to, our understanding of traditions that were alive a thousand years ago. Ranging from c. 900 (when the written transmission of medieval songs began) to 1200, Treitler shows how the earlier, purely oral traditions can be examined only through the lens of what has been captured in writing, and focuses on the invention and uses of writing systems for representing these oral traditions. Each of these seminally influential essays has been revised to take account of recent developments, and is prefaced with a new introduction to highlight the historical issues. The accompanying CD contains performances of much of the music discussed.
The Theatre of Imagining
Author: Ulla Kallenbach
Publisher: Springer
ISBN: 3319763032
Category : Performing Arts
Languages : en
Pages : 330
Book Description
This book is the first comprehensive analysis of the fascinating and strikingly diverse history of imagination in the context of theatre and drama. Key questions that the book explores are: How do spectators engage with the drama in performance, and how does the historical context influence the dramaturgy of imagination? In addition to offering a study of the cultural history and theory of imagination in a European context including its philosophical, physiological, cultural and political implications, the book examines the cultural enactment of imagination in the drama text and offers practical strategies for analyzing the aesthetic practice of imagination in drama texts. It covers the early modern to the late modernist period and includes three in-depth case studies: William Shakespeare’s Macbeth (c.1606); Henrik Ibsen’s A Doll’s House (1879); and Eugène Ionesco’s The Killer (1957).
Publisher: Springer
ISBN: 3319763032
Category : Performing Arts
Languages : en
Pages : 330
Book Description
This book is the first comprehensive analysis of the fascinating and strikingly diverse history of imagination in the context of theatre and drama. Key questions that the book explores are: How do spectators engage with the drama in performance, and how does the historical context influence the dramaturgy of imagination? In addition to offering a study of the cultural history and theory of imagination in a European context including its philosophical, physiological, cultural and political implications, the book examines the cultural enactment of imagination in the drama text and offers practical strategies for analyzing the aesthetic practice of imagination in drama texts. It covers the early modern to the late modernist period and includes three in-depth case studies: William Shakespeare’s Macbeth (c.1606); Henrik Ibsen’s A Doll’s House (1879); and Eugène Ionesco’s The Killer (1957).