La Littérature chinoise au temps de la guerre de résistance contre le Japon (de 1937 à 1945) PDF Download

Author: Fondation Singer-Polignac
Publisher: Editions de La Fondation Singer-Polignac
ISBN:
Category : Literary Criticism
Languages : en
Pages : 414

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Author: Milena Doleželová-Velingerová
Publisher: BRILL
ISBN: 9004642943
Category : History
Languages : en
Pages : 256

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Author: Zbigniew Slupski
Publisher: BRILL
ISBN: 9004642951
Category : History
Languages : en
Pages : 314

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Author: Charles A. Laughlin
Publisher: Duke University Press
ISBN: 9780822329718
Category : Business & Economics
Languages : en
Pages : 358

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DIVExplores the origins of Chinese reportage (journalism) in the 1930s, 40s and 50s, and develops an understanding of the aesthetics that governed the creation of this literature./div

Author: Milena Doleželová-Velingerová
Publisher: BRILL
ISBN: 9789004078802
Category : Architecture
Languages : en
Pages : 268

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Author: Katerina Clark
Publisher: Harvard University Press
ISBN: 0674261100
Category : Literary Criticism
Languages : en
Pages : 465

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Book Description
A long-awaited corrective to the controversial idea of world literature, from a major voice in the field. Katerina Clark charts interwar efforts by Soviet, European, and Asian leftist writers to create a Eurasian commons: a single cultural space that would overcome national, cultural, and linguistic differences in the name of an anticapitalist, anti-imperialist, and later antifascist aesthetic. At the heart of this story stands the literary arm of the Communist International, or Comintern, anchored in Moscow but reaching Baku, Beijing, London, and parts in between. Its mission attracted diverse networks of writers who hailed from Turkey, Iran, India, and China, as well as the Soviet Union and Europe. Between 1919 and 1943, they sought to establish a new world literature to rival the capitalist republic of Western letters. Eurasia without Borders revises standard accounts of global twentieth-century literary movements. The Eurocentric discourse of world literature focuses on transatlantic interactions, largely omitting the international left and its Asian members. Meanwhile, postcolonial studies have overlooked the socialist-aligned world in favor of the clash between Western European imperialism and subaltern resistance. Clark provides the missing pieces, illuminating a distinctive literature that sought to fuse European and vernacular Asian traditions in the name of a post-imperialist culture. Socialist literary internationalism was not without serious problems, and at times it succumbed to an orientalist aesthetic that rivaled any coming from Europe. Its history is marked by both promise and tragedy. With clear-eyed honesty, Clark traces the limits, compromises, and achievements of an ambitious cultural collaboration whose resonances in later movements can no longer be ignored.

Author: Nils Göran David Malmqvist
Publisher: BRILL
ISBN: 9789004078819
Category : Literary Criticism
Languages : en
Pages : 320

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Author: Timothy Cheek
Publisher: Oxford University Press
ISBN: 9780198290667
Category : Biography & Autobiography
Languages : en
Pages : 470

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Book Description
This biography of Deng Tuo (1912-1966) is a social history of intellectuals as agents in China's socialist revolution. It places Deng Tuo's writings and ideas in the rich context of his social experience as a member of the Communist bureaucracy and as an elite artist and aesthete. The tension between service to politics and service to culture was ultimately disasterous for Deng and for China's revolution: his ghost haunts the halls of power in Beijing today.

Author: Yunzhong Shu
Publisher: SUNY Press
ISBN: 9780791444382
Category : Literary Criticism
Languages : en
Pages : 228

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Book Description
The first book-length study in English of an important but neglected school of dissident Chinese writers active around the time of the war against Japan (1937-45).

Author: Yan Geng
Publisher: Springer
ISBN: 3658208252
Category : Art
Languages : en
Pages : 234

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Book Description
In this book, Yan Geng examines Mao’s image from the perspective of its producers, focusing on four artists, chosen for both the diverse media they worked in and their diverse backgrounds. The book suggests an alternative perspective on the making of propaganda not only as a politically themed representation but also as an expression of artists’ subjectivities and their roles as pivotal agents in the transition of modern Chinese art history. Mao’s Image: Artists and China’s 1949 Transition demonstrates how artists portrayed Mao as the nation’s leader during the early People’s Republic and what such images reveal about Chinese artists’ experience during the Communist takeover of the country.