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La jeunesse des musées

La jeunesse des musées PDF Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 403

Book Description


La jeunesse des musées

La jeunesse des musées PDF Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 403

Book Description


La jeunesse des musées

La jeunesse des musées PDF Author: Musée d'Orsay
Publisher:
ISBN:
Category : Museum techniques
Languages : fr
Pages :

Book Description


La Jeunesse Des Musées: Les Musées de France Au XIX Siecle. Paris: Musée D'Orsay, 1994. [Review].

La Jeunesse Des Musées: Les Musées de France Au XIX Siecle. Paris: Musée D'Orsay, 1994. [Review]. PDF Author: Clive Wainwright
Publisher:
ISBN:
Category :
Languages : en
Pages :

Book Description


La Jeunesse des Musees. Les Musees. Les Musees de France Au XIX Siecle

La Jeunesse des Musees. Les Musees. Les Musees de France Au XIX Siecle PDF Author: Chantal Georgel
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0

Book Description


En octobre, les musées ouvrent leur coeur à la jeunesse

En octobre, les musées ouvrent leur coeur à la jeunesse PDF Author: France. Direction des musées
Publisher:
ISBN:
Category :
Languages : fr
Pages : 7

Book Description


Paris Primitive

Paris Primitive PDF Author: Sally Price
Publisher: University of Chicago Press
ISBN: 0226680703
Category : Art
Languages : en
Pages : 251

Book Description
In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the Mona Lisa. Then, in 2006, amidst a maelstrom of controversy and hype, Chirac presided over the opening of a new museum dedicated to primitive art in the shadow of the Eiffel Tower: the Musée du Quai Branly. Paris Primitive recounts the massive reconfiguration of Paris’s museum world that resulted from Chirac’s dream, set against a backdrop of personal and national politics, intellectual life, and the role of culture in French society. Along with exposing the machinations that led to the MQB’s creation, Sally Price addresses the thorny questions it raises about the legacy of colonialism, the balance between aesthetic judgments and ethnographic context, and the role of institutions of art and culture in an increasingly diverse France. Anyone with a stake in the myriad political, cultural, and anthropological issues raised by the MQB will find Price’s account fascinating.

"Sculptors and Design Reform in France, 1848 to 1895 "

Author: Claire Jones
Publisher: Routledge
ISBN: 1351549707
Category : Art
Languages : en
Pages : 245

Book Description
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.

Le Musée de la jeunesse. N° 1 [-3].

Le Musée de la jeunesse. N° 1 [-3]. PDF Author: Adrien Marie
Publisher:
ISBN:
Category :
Languages : fr
Pages :

Book Description


Museum education / Médiation culturelle - éducation muséale / Educación museal - mediación cultural

Museum education / Médiation culturelle - éducation muséale / Educación museal - mediación cultural PDF Author: Stéphanie Wintzerith
Publisher: BoD – Books on Demand
ISBN: 3752691131
Category : Language Arts & Disciplines
Languages : en
Pages : 388

Book Description
ICOM Education is the annual journal issued by CECA, the international Committee for Education and Cultural Action of the International Council of Museums (ICOM) network. The journal publishes papers written by museum professionals as well as academic researchers around the world in order to foster the reflection on the themes which are the committee's raison d'être: museum education, cultural action and audience research. This issue is dedicated to museum education, looking into the different meanings and understandings of the words as well as the various implementations in the museums all over the world.

Theophile Gautier, Orator to the Artists

Theophile Gautier, Orator to the Artists PDF Author: James Kearns
Publisher: Routledge
ISBN: 1351195859
Category : Foreign Language Study
Languages : en
Pages : 255

Book Description
"Theophile Gautier a envoye avec un feuilleton plus de trois mille personnes dans latelier de M. Ingres, wrote Champfleury in 1848. For artists, critics and readers alike, Gautier was the essential figure in French art journalism in the mid-nineteenth century. During the short-lived but pivotal period of the Second Republic, when the new administration was committed to reforming all the institutions of the fine arts, Gautier deployed the full resources of his brilliant, flexible and authoritative writing to support and direct these developments in ways compatible with his commitment to an idealist aesthetic, itself under growing pressure from alternative trends in an increasingly competitive art market. This first study of all Gautiers art journalism written during the Second Republic provides a long overdue reassessment of Gautiers importance in French nineteenth-century visual culture."