![La Gitanilla de Madrid. Comedia nueva, original, en tres actos y en verso, etc. [Based on the novel of that name by Cervantes.] PDF](https://books.google.com/books/content/images/frontcover/s2oP1OMFjjgC?fife=w80-h100)
Author: Gabriel EstrellaPublisher:
ISBN:
Category :
Languages : es
Pages : 92
Book Description
La Gitanilla de Madrid. Comedia nueva, original, en tres actos y en verso, etc. [Based on the novel of that name by Cervantes.]
General Catalogue of Printed Books
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 472
Book Description
General catalogue of printed books
Author: British museum. Dept. of printed booksPublisher:
ISBN:
Category :
Languages : en
Pages : 472
Book Description
La Gitanilla de Madrid, comedia. In three acts and in verse
Author: Antonio de SOLÍS Y RIBADENEYRAPublisher:
ISBN:
Category :
Languages : es
Pages : 84
Book Description
La Gitanilla
Author: Diego San JoséPublisher: Forgotten Books
ISBN: 9781396015762
Category : Drama
Languages : es
Pages : 58
Book Description
Excerpt from La Gitanilla: Comedia en un Prologo y Tres Jornadas, Compuesta en Prosa Sobre la Inmortal Novela Que Cervantes Escribió Con Igual Titulo; Estrenada en el Teatro de la Latina, la Noche del 7 de Enero de 1926 El viernes, el viernes, que hoy ya es tarde; pero, si vienen, miren que no se olviden de traer reales de plata o escudos de oro, que son como mano de santo. ¡vayan con Dios! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
La gitanilla
Author: La Gitanilla
Author: Diego San JoséBetween Ethics and Aesthetics
Author: Dorota GlowackaPublisher: State University of New York Press
ISBN: 0791489493
Category : Philosophy
Languages : en
Pages : 323
Book Description
This forum of current discussions of ethics and aesthetics addresses a cross-section of disciplines including literary theory, philosophy, women's studies, postcolonial theory, art history, Holocaust studies, theology, and others. Contributors, ranging from philosophers and literary critics to practicing artists and art curators, answer such questions as: In the age of the collapse of metaphysics, what is the relation between philosophical reflection and art? If we question the privilege accorded to the aesthetic, can ethics alone offer a solution to the crisis of representation? Is it possible and ethically viable to represent the other in speech and image? What happens at the conjunction of aesthetics and politics? Can one speak of aesthetic configurations of the space of community? Are the concepts of ethics and aesthetics gendered and repressive of sexual difference? Considering the many works that consider either ethics or aesthetics almost exclusively within the confines of particular disciplines, this collection crosses the boundaries and continues the debate outside the rigid parameters of specialized discourses.
Southern Thought and Other Essays on the Mediterranean
Author: Franco CassanoPublisher: Fordham Univ Press
ISBN: 0823233642
Category : History
Languages : en
Pages : 271
Book Description
Valerio Ferme is the Harold and Edythe Toso Endowed Chair professor in Italian Studies at Santa Clara University. --Book Jacket.
Cervantine Journeys
Author: Steven D. HutchinsonPublisher: Univ of Wisconsin Press
ISBN: 9780299134846
Category : Language Arts & Disciplines
Languages : en
Pages : 292
Book Description
Hutchinson focuses initially on movement as concept and metaphor, affirming its centrality in the conceptualization of all discursive activities. He draws on an array of authors including Heraclitus, Plato, Longinus, Rabelais, Nietzsche, Saussure, Frances Yates, Kristeva, Meschonnic, and Deleuze to demonstrate the "motion" of discourse and of those engaged in it. He then turns to Cervantes' novels to show how metaphors of movement and travel, appearing on nearly every page, dominate the conceptualization of the soul, the self, desire, love, and life processes. Viewing travel as a composite of concurrent modes of experience with differing content and rhythms, Hutchinson considers the concept of errancy, the nature of "place" and the traveler's shifting relations with it, and the values that travel may have as a motion, displacement, encounter, and goal. Of key importance are the means of improvisation developed en route. His re-examination of Bakhtin's "chronotope" in light of Cervante's novels reveals the dynamic character of time-spaces in which travelers move. He shows, moreover, that unlike typical Renaissance utopias the many worlds of Cervantes' novels have the principles of becoming and dissolution inscribed in them. Reflecting on the narrative of journeys both as memory and invention, Hutchinson concludes with an examination of the relations between travel experience and travel narrative and a discussion of the whereabouts of writers and readers in Cervantes' novels. The narration of journeys, he argues, necessitates and encourages improvisatory writing.