Encyclopedia of Literary Translation Into English: A-L PDF Download

Author: O. Classe
Publisher: Taylor & Francis
ISBN: 9781884964367
Category : Authors
Languages : en
Pages : 930

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Author: Georges Feydeau
Publisher: Samuel French, Inc.
ISBN: 9780573611377
Category : Drama
Languages : en
Pages : 76

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Farce / 5m, 4f, extras / Unit set A normally sober doctor awakens to find that he brought two things home from Maxim's last night: a hangover and a lady of the evening. His wife is diverted from discovering the tart by one of her famous visitations from a popular saint. The doctor's uncle returns after a long army tour in Africa and promptly mistakes the lady from Maxim's for his nephew's wife. Uncle's immediate business is marrying off a niece to a young soldier who turns out to be the true

Author: Jessica Milner Davis
Publisher: Routledge
ISBN: 1351520245
Category : Performing Arts
Languages : en
Pages : 204

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Farce has always been relegated to the lowest rung of the ladder of dramatic genres. Distinctions between farce and more literary comic forms remain clouded, even in the light of contemporary efforts to rehabilitate this type of comedy. Is farce really nothing more than slapstick-the "putting out of candles, kicking down of tables, falling over joynt-stools," as Thomas Shadwell characterized it in the seventeenth century? Or was his contemporary, Nahum Tate correct when he declared triumphantly that "there are no rules to be prescribed for that sort of wit, no patterns to copy; and 'tis altogether the creature of imagination"? Davis shows farce to be an essential component in both the comedic and tragic traditions. Farce sets out to explore the territory of what makes farce distinct as a comic genre. Its lowly origins date back to the classic Graeco-Roman theatre; but when formal drama was reborn by the process of elaboration of ritual within the mediaeval Church, the French term "farce" became synonymous with a recognizable style of comic performance. Taking a wide range of farces from the briefest and most basic of fair-ground mountebank performances to fully-fledged five-act structures from the late nineteenth century, the book reveals the patterns of comic plot and counter-plot that are common to all. The result is a novel classification of farce-plots, which serves to clarify the differences between farce and more literary comic forms and to show how quickly farce can shade into other styles of humor. The key is a careful balance between a revolt against order and propriety, and a kind of Realpolitik which ultimately restores the social conventions under attack. A complex array of devices in such things as framing, plot, characterization, timing and acting style maintain the delicate balance. Contemporary examples from the London stage bring the discussion u

Author:
Publisher: TheBookEdition
ISBN: 2954548983
Category :
Languages : en
Pages : 248

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Author: James Silk Buckingham
Publisher:
ISBN:
Category :
Languages : en
Pages : 856

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Author: Georges Feydeau
Publisher: A&C Black
ISBN: 1472517555
Category : Drama
Languages : en
Pages : 402

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Kenneth McLeish's definitive translations of the most successful French dramatist of the Belle Epoque Georges Feydau (1862-1921) was the most successful French dramatist of the belle epoque and is now widely regarded as one of the greatest of farce-writers. His series of dazzling hits match high-speed action and dialogue with ingenious plotting. Reaching the heights of farcical lunacy, his plays nevertheless contain touches of barbed social comment and allowed him to mention subjects which would have provoked outrage in the hands of more serious dramatists. This volume of new, sparkling translations by Kenneth McLeish contains his two masterpieces, Heart's Desire Hotel (L'Hôtel du libre échange) and Sauce For the Goose (Le Dindon), with three other plays from the peak of his career, The One That Got Away (Monsieur Chasse!), Now You See It (Le System Ribadier) and Pig in a Poke (Chat en poche).

Author:
Publisher:
ISBN:
Category : England
Languages : en
Pages : 856

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Author: Prof. Kelley Conway
Publisher: Univ of California Press
ISBN: 9780520938571
Category : Performing Arts
Languages : en
Pages : 284

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Long before Edith Piaf sang "La vie en rose," her predecessors took to the stage of the belle epoque music hall, singing of female desire, the treachery of men, the harshness of working-class life, and the rough neighborhoods of Paris. Icon of working-class femininity and the underworld, the realist singer signaled the emergence of new cultural roles for women as well as shifts in the nature of popular entertainment. Chanteuse in the City provides a genealogy of realist performance through analysis of the music hall careers and film roles of Mistinguett, Josephine Baker, Fréhel, and Damia. Above all, Conway offers a fresh interpretation of 1930s French cinema, emphasizing its love affair with popular song and its close connections to the music hall and the café-concert. Conway uncovers an important tradition of female performance in the golden era of French film, usually viewed as a cinema preoccupied with masculinity. She shows how—in films such as Pépé le Moko, Le Crime de Monsieur Lange, and Zouzou—the realist chanteuse addresses female despair at the hopelessness of love. Conway also sheds light on the larger cultural implications of the shift from the intimate café-concert to the spectacular music hall, before the talkies displaced both kinds of live performance altogether.

Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0

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Author: Eric Ambler
Publisher: Open Road Media
ISBN: 150408974X
Category : True Crime
Languages : en
Pages : 227

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The renowned thriller author turns his attention to true crime—while also taking shots at spies, Hollywood writers, and other subjects—in this collection of essays. Known for timeless thrillers including Epitaph for a Spy and Journey into Fear, Eric Ambler was a keen observer of rogues and rule-breakers of all kinds. In The Ability to Kill, he delves into some of the most intriguing and disturbing criminal cases of the last few hundred years. These include nineteenth-century Edinburgh’s Burke and Hare, who supplied a medical school with ill-gotten cadavers; Victorian London’s infamous Jack the Ripper; the Frenchman Henri Désiré Landru, an early twentieth-century serial killer; and the Californian doctor Bernard Finch and his lover Carole Tregoff, who conspired to murder his wife in 1961. Rounding out the collection are a few pieces on lighter topics such as spies and how to spot them, and novelists in Hollywood. Though his subjects are often grim, Ambler’s deft touch makes this examination of homicide and other matters a pure pleasure to read.