Author: Dante AlighieriPublisher:
ISBN:
Category :
Languages : it
Pages : 656
Book Description
La Commedia secondo l'antica vulgata
Author: Dante AlighieriLa Commedia secondo l'antica vulgata
Author: Dante AlighieriLa commedia
Author: Dante AlighieriLa Commedia
Author: Dante AlighieriLa Commedia
Author: Dante (Alighieri)La commedia secondo l'antica vulgata
Author: Dante (Alighieri)Poetry in Dialogue in the Duecento and Dante
Author: David BowePublisher: Oxford University Press
ISBN: 0192589423
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
Poetry in Dialogue in the Duecento and Dante provides a new perspective on the highly networked literary landscape of thirteenth- and fourteenth-century Italy. It demonstrates the fundamental role of dialogue between and within texts in the works of four poets who represent some of the major developments in early Italian literature: Guittone d'Arezzo, Guido Guinizzelli, Guido Cavalcanti, and Dante. Rather than reading the cultural landscape through the lens of Dante's works, significant though they may be, the first part of this study reconstructs the rich network of literary, especially poetic dialogue that was at the heart of medieval writing in Italy. The second part uses this reconstruction to demonstrate Dante's engagement with, and indebtedness to, the dynamics of exchange that characterised the practice of medieval Italian poets. The overall argument—for the centrality of dialogic processes to the emerging Italian literary tradition—is underpinned by a conceptualisation of dialogue in relation to medieval and modern literary theory and philosophy of language. By triangulating between Brunetto Latini's Rettorica, Mikhail Bakhtin's 'dialogism', and as sense of 'performative' speech adapted from J. L. Austin, Poetry in Dialogue shows the openness of its corpus to new dialogues and interpretations, highlighting the instabilities of even the most apparently fixed, monumental texts.
La divina commedia, ital. La commedia secondo l'antica vulgata
Author: Dante (Alighieri.)The Divine Comedy, I. Inferno, Vol. I. Part 2
Author: DantePublisher: Princeton University Press
ISBN: 0691238294
Category : Poetry
Languages : en
Pages : 696
Book Description
Charles S. Singleton's edition of the Divine Comedy, of which this is the first part, provides the English-speaking reader with everything he needs to read and understand Dante’s great masterpiece. The Italian text here is in the edition of Giorgio Petrocchi, the leading Italian editor of Dante. Professor Singleton’s prose translation, facing the Italian in a line-for-line arrangement on each page, is smooth and literate. The companion volume, the Commentary, marshals every point of information the reader may require: vocabulary; grammar; identification of Dante’s characters; historical sources of some of the incidents and, where pertinent, excerpts from those sources in their original languages and in translation; profound clear analysis of the Divine Comedy’s basic allegory. There is a complete bibliography of every aspect of Dante studies. This first part of the Divine Comedy which is illustrated with maps of Italy and the region Dante knew especially, diagrams of the circles of Hell, and plates showing some of the historic sites mentioned by Dante in his poem.
Dante and Epicurus
Author: George CorbettPublisher: Routledge
ISBN: 1351191691
Category : Literary Criticism
Languages : en
Pages : 349
Book Description
"Dante and Epicurus seem poles apart. Dante, a committed Christian, depicted in the Commedia a vision of the afterlife and God's divine justice. Epicurus, a pagan philosopher, taught that the soul is mortal and that all religion is vain superstition. And yet Epicurus is, for Dante, not only the quintessential heretic but an ethical ally. The key to this apparent paradox lies in the heterodox dualism - between man's two goals of secular felicity and spiritual beatitude - at the heart of Dante's ethical, political and theological thought. Corbett's full-length treatment of Dante's reception and polemical representation of Epicurus addresses a major gap in the scholarship. Furthermore the study's focus on fault lines in Dante's vision of the afterlife- where the theological tensions implicit in his dualism surface - opens a new way to read the Commedia as a whole in dualistic terms."