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L' Atlas de l'Art Egyptien

L' Atlas de l'Art Egyptien PDF Author: E. Prisse d'Avennes
Publisher: French & European Publications Incorporated
ISBN: 9780785937104
Category :
Languages : en
Pages : 405

Book Description


L' Atlas de l'Art Egyptien

L' Atlas de l'Art Egyptien PDF Author: E. Prisse d'Avennes
Publisher: French & European Publications Incorporated
ISBN: 9780785937104
Category :
Languages : en
Pages : 405

Book Description


Atlas of Egyptian Art

Atlas of Egyptian Art PDF Author: Prisse D'Avennes
Publisher: American Univ in Cairo Press
ISBN: 9789774161209
Category : Art
Languages : en
Pages : 180

Book Description
This enchanted tour of Egyptian art by one of its early explorers is one of the most beautiful modern works on ancient Egyptian art. Prisse d'Avennes' monumental work, first published in Paris over a ten-year period between 1868 and 1878, includes the only surviving record of many lost artifacts. ''None of Prisse's contemporaries had the skill or endurance to bring such an endeavor to such a brilliant end. He was far ahead of his time in his awareness of the vulnerability of the monuments and the need to protect them and to record them. His were the first reliable drawings of Egyptian architecture and ornaments and the first plans and sections of constructions newly excavated. He returned to Paris [in 1860] with a rich harvest of 300 drawings, 400 meters of squeezes, and 150 photographs.'' - Maarten J. Raven, Curator of the Egyptian Department, the Rijksmuseum van Oudheden, Leiden. Now reissued in a handy new hardbound reference format.

Prisse d’Avennes : Atlas of Egyptian Art

Prisse d’Avennes : Atlas of Egyptian Art PDF Author: Prisse d'Avennes
Publisher: American Univ in Cairo Press
ISBN: 9789774245848
Category : Art
Languages : en
Pages : 204

Book Description
Annotation. This enchanted tour of Egyptian art by one of its early explorers is one of the most beautiful modern works on ancient Egyptian art. Prisse d'Avennes' monumental work, first published in Paris over a ten-year period between 1868 and 1878, includes the only surviving record of many lost artifacts.

The Egyptian World

The Egyptian World PDF Author: Toby Wilkinson
Publisher: Routledge
ISBN: 1136753761
Category : History
Languages : en
Pages : 455

Book Description
Authoritative and up-to-date, this key single-volume work is a thematic exploration of ancient Egyptian civilization and culture as it was expressed down the centuries.Including topics rarely covered elsewhere as well as new perspectives, this work comprises thirty-two original chapters written by international experts. Each chapter gives an overvi

A History of Art in Ancient Egypt (1&2)

A History of Art in Ancient Egypt (1&2) PDF Author: Georges Perrot
Publisher: DigiCat
ISBN:
Category : Art
Languages : en
Pages : 708

Book Description
A History of Art in Ancient Egypt in two volumes is a study of Egyptian arts and of their connection with the national religion and civilization written by French archeologists and historians Georges Perrot and Charles Chipiez. The aim of the work was to trace the course of the great evolution which culminated in the age of Pericles and came to an end in that of Marcus Aurelius. That evolution forms a complete entirety – an unbroken chain of cause and effect uniting the two eras. Using carefully selected examples authors prove that the art of the Egyptians went through the same process of development as those of other nationalities, earlier and later ones, and that the unique quality of the sculptures and paintings of the Nile Valley was a persistent affinity to simplification, which comes in part from the habit created by writing the hieroglyphic and in part from the materials used.

Atlas de l'Art Égyptien

Atlas de l'Art Égyptien PDF Author: Prisse d'Avennes
Publisher:
ISBN:
Category :
Languages : it
Pages : 0

Book Description


A history of art in ancient Egypt

A history of art in ancient Egypt PDF Author: Georges Chipiez, Charles Perrot
Publisher: BoD – Books on Demand
ISBN: 3734038073
Category : Fiction
Languages : en
Pages : 457

Book Description
Reproduction of the original: A history of art in ancient Egypt by Georges Perrot, Charles Chipiez

Egyptian Art

Egyptian Art PDF Author: Jean Capart
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248

Book Description


Eternal Egypt

Eternal Egypt PDF Author: Edna R. Russmann
Publisher: Univ of California Press
ISBN: 0520230868
Category : Art
Languages : en
Pages : 295

Book Description
The book is published in conjunction with a traveling exhibition organized by the American Federation of Arts and The British Museum and drawn exclusively from the collection of The British Museum, which is among the finest in the world. Illustrated with images of the works in the exhibition, as well as comparative materials, Eternal Egypt is that rare book of interest and value to the general and scholarly audience alike."--BOOK JACKET.

A history of art in ancient Egypt Vol.2 (of 2) (Illustrations)

A history of art in ancient Egypt Vol.2 (of 2) (Illustrations) PDF Author: Georges Perrot
Publisher: A. C. ARMSTRONG AND SON
ISBN:
Category : History
Languages : en
Pages : 292

Book Description
The successful interpretation of the ancient writings of Egypt, Chaldæa, and Persia, which has distinguished our times, makes it necessary that the history of antiquity should be rewritten. Documents that for thousands of years lay hidden beneath the soil, and inscriptions which, like those of Egypt and Persia, long offered themselves to the gaze of man merely to excite his impotent curiosity, have now been deciphered and made to render up their secrets for the guidance of the historian. By the help of those strings of hieroglyphs and of cuneiform characters, illustrated by paintings and sculptured reliefs, we are enabled to separate the truth from the falsehood, the chaff from the wheat, in the narratives of the Greek writers who busied themselves with those nations of Africa and Asia which preceded their own in the ways of civilization. Day by day, as new monuments have been discovered and more certain methods of reading their inscriptions elaborated, we have added to the knowledge left us by Herodotus and Diodorus Siculus, to our acquaintance with those empires on the Euphrates and the Nile which were already in old age when the Greeks were yet struggling to emerge from their primitive barbarism. Even in the cases of Greece and Rome, whose histories are supplied in their main lines by their classic writers, the study of hitherto neglected writings discloses many new and curious details. The energetic search for ancient inscriptions, and the scrupulous and ingenious interpretation of their meaning, which we have witnessed and are witnessing, have revealed to us many interesting facts of which no trace is to be found in Thucydides or Xenophon, in Livy or Tacitus; enabling us to enrich with more than one feature the picture of private and public life which they have handed down to us. In the effort to embrace the life of ancient times as a whole, many attempts have been made to fix the exact place in it occupied by art, but those attempts have never been absolutely successful, because the comprehension of works of art, of plastic creations in the widest significance of that word, demands an amount of special knowledge which the great majority of historians are without; art has a method and language of its own, which obliges those who wish to learn it thoroughly to cultivate their taste by frequenting the principal museums of Europe, by visiting distant regions at the cost of considerable trouble and expense, by perpetual reference to the great collections of engravings, photographs, and other reproductions which considerations of space and cost prevent the savant from possessing at home. More than one learned author has never visited Italy or Greece, or has found no time to examine their museums, each of which contains but a small portion of the accumulated remains of antique art. Some connoisseurs do not even live in a capital, but dwell far from those public libraries, which often contain valuable collections, and sometimes—when they are not packed away in cellars or at the binder's—allow them to be studied by the curious.[2] The study of art, difficult enough in itself, is thus rendered still more arduous by the obstacles which are thrown in its way. The difficulty of obtaining materials for self-improvement in this direction affords the true explanation of the absence, in modern histories of antiquity, of those laborious researches which have led to such great results since Winckelmann founded the science of archæology as we know it. To be continue in this ebook...