L'Art Et L'argent PDF Download

Author: Paris (France). Banque nationale
Publisher:
ISBN:
Category : Money in art
Languages : en
Pages : 144

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Author: Banque nationale de Paris
Publisher:
ISBN:
Category : Money in art
Languages : en
Pages : 114

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Author: B.G. Sage
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author:
Publisher: BoD – Books on Demand
ISBN: 3385057388
Category :
Languages : en
Pages : 582

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 546

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 144

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Author: René Agostini
Publisher: Cambridge Scholars Publishing
ISBN: 1443882313
Category : Art
Languages : en
Pages : 365

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The conviction that the development and promotion of the arts, humanities and culture through the study of literature and the aesthetic are the fundamental constituents of any progress in society is at the heart of this volume. The essays gathered here explore the role of the imagination and aesthetic awareness in an age when the corporatization of knowledge is in the process of transforming literary studies, and political commitment is in danger of disappearing behind a supposedly post-ideological late-capitalist consensus. The main focus of the volume is the mutual implication of aesthetics and ideology and the status and value of different types of art within the political arena. Challenging issues in contemporary aesthetics are examined within the wider framework of current debates on the disappearance of the real, the crisis in representation, and the use of new media. The wide range of examples collected here, stretching from experimental poetry in post-war Germany, political commitment in twentieth-century French theatre, and countercultural Rumanian theatre under Ceaușescu, to Neo-Victorian fiction, Verbatim theatre in the UK, and political theatre for the masses in Estonia, vouchsafe unique insights into the intersection of aesthetics and ideology and the practical consequences thereof. As such, the volume opens up a space for a meaningful engagement with authentic forms of art from inside and outside the Anglosphere, and, ultimately, uses these examples as a platform from which to imagine some form of “aesthethics”, representing an ideal union of aesthetics and ideology. This concept, first coined by the French philosopher Philippe Lacoue-Labarthe, will prove to be relevant both within the parameters of the examples discussed here, but also beyond, for the contributors to this volume are unanimous in refusing to believe that aesthetics and ideology can exist one without the other, and in recognizing the centrality of ethics in any discussion of these notions.

Author: Paul Signac
Publisher: Metropolitan Museum of Art
ISBN: 0870999982
Category : Neo-impressionism (Art)
Languages : en
Pages : 354

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This book, the catalogue of the first retrospective of the work of the French Neoimpressionist artist Paul Signac to be held in nearly forty years, accompanies the 2001 exhibition organised by the Reunion des Musees Nationaux/Musee d'Orsay, Paris, the Van Gogh Museum, Amsterdam, and The Metropolitan Museum of Art, New York. This long overdue tribute to Signac's power of expression and artistic influence features some two hundred paintings, drawings, watercolours, and prints from public and private collections worldwide. Fully illustrated in colour and discussed in individual entries, these works offer an unprecedented overview of Signac's fifty-year career. Signac's artistic development began with the luminous plein air paintings he made in the early 1880s which reveal the lessons he absorbed from Monet, Guillaumin, and other leading Impressionists. From 1884 until 1891 Signac's close association with Georges Seurat encouraged his explorations of colour harmony, contrasts, and Neoimpressionist technique. In the scintillating works of his maturity the rigours of Pointillism gave way to richly patterned, decorative colour surfaces. In a series of essays the exhibition's curators disc

Author: Edith Balas
Publisher: American Philosophical Society
ISBN: 9780871692306
Category : Art
Languages : en
Pages : 270

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Joseph Csaky (1888-1971), a neglected pioneer of early Modernism, was a native of Hungary who became a dedicated member of the Parisian avant-garde. He took part in the 1912 Section d'Or Exhibition, considered by many to mark the high point of the Cubist movement. He was an intimate friend of such innovative giants as Picasso, Braque, & Lager. One of the first artists to apply Cubist principles to sculpture, Csaky produced a substantial body of work comparable in quality to that of Brancusi & Archipenko; yet he spent the last 30 years of his life in obscurity & was virtually destitute at his death. This ground breaking study includes a detailed discussion of his career, over 100 illus. of his major sculpture, & a translation of the artist's autobio. that provides a wealth of new info. about the early Parisian avant-garde.

Author: Claudio Jannet
Publisher: Lulu.com
ISBN: 024421784X
Category :
Languages : en
Pages : 740

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