Author: Antonio ScandelloPublisher:
ISBN:
Category :
Languages : de
Pages : 145
Book Description
Newe Teutsche Liedlein mit Vier vnd Fünff Stimmen, welche gantz lieblich zu singen, vnd auff allerley Jnstrumenten zugebrauchen
Author: Antonio ScandelloNewe Teutsche Lieder, mit dreyen Stimmen, welche gantz lieblich zu singen, auch auff allerley Jnstrumenten zu gebrauchen
Author: Anton GosswinNewe Teutsche Lieder, mit viern, fünff, vnd sechs stimmen, wölche gantz lieblich zusingen, vnd auff allerley Jnstrumenten zugebrauchen
Author: Ivo de VentoNewe Teütsche Liedlein mit Fünff Stimmen, welche gantz lieblich zu singen, vnd auff allerley Jnstrumenten zugebrauchen
Author: Orlando di LassoNewe Teutsche Lieder Mit dreyen stimmen, wölche lieblich zu singen, vnd auff allerley Jnstrumenten zugebrauchen
Author: Ivo de VentoNeue kurtzweilige Teutsche Lieder, mit fünff Stimmen, welche gantz lieblich zu singen, und auff allerley Instrumenten zugebrauchen
Author: Newe teutsche Lieder, mit dreyen Stimmen
Author: Anton GosswinEuropean Music, 1520-1640
Author: James HaarPublisher: Boydell Press
ISBN: 9781843832003
Category : Music
Languages : en
Pages : 606
Book Description
The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others. The thirty chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain); genre studies (Mass, motet, madrigal, chanson, instrumental music, opera); and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of 'Renaissance' and 'Baroque'). It thus provides a complete overview of the music and its context. Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O'REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS, DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK
The Royal Chapel in the Time of the Habsburgs
Author: Juan José Carreras LópezPublisher: Boydell Press
ISBN: 9781843831396
Category : Architecture
Languages : en
Pages : 424
Book Description
Focusing on the royal chapel established by Philip II in Madrid, the essays in this richly illustrated volume offer a series of different perspectives on the development of the main court chapels of Europe. English version edited by Tess Knighton The royal chapel, in Europe as a whole and in Spain in particular, was a cultural institution where court ceremonial, politics, music and the arts were brought together in terms of space and function. The ramifications for the patronage and cultivation of the arts and the dynamic between music and the arts and the concept of kingship form the focus of the text. The phenomenon of groupings of singers, chaplainsand musicians at the service of the different European monarchies is of great significance both for the history of music, and the political and cultural history of the court in general. The royal chapel established by Philip II in Madrid was the central religious and musical institution of royal power until well into the eighteenth century, and using this as a focus, the essays in this richly illustrated volume offer a series of different perspectives onthe development of the main court chapels of Europe. These papers were delivered at the international seminar, 'La Real Capilla de Palacio en la época de los Austrias', under the auspices of the Fundación Carlos de Amberes,Madrid from 14 to 16 December, 2000. The volume is edited by Tess Knighton, Juan José Carreras and Bernardo García García, and translated by Yolanda Acker.
Music in the Collective Experience in Sixteenth-century Milan
Author: Christine Suzanne GetzPublisher: Ashgate Publishing, Ltd.
ISBN: 9780754651215
Category : Music
Languages : en
Pages : 340
Book Description
Using archival documents, music prints, manuscripts and contemporary writing, Getz examines the musical culture of sixteenth-century Milan. The book investigates the musician's role as an actor and a functionary in the political, religious, and social spectacles produced by the Milanese church, state and aristocracy within the city's diverse urban spaces. Furthermore, it establishes a context for the numerous motets, madrigals, and lute intabulations composed and printed in sixteenth-century Milan by examining their function within the urban milieu in which they were first performed.