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Author: Megan R. Luke Publisher: University of Chicago Press ISBN: 022609037X Category : Art Languages : en Pages : 353
Book Description
German artist Kurt Schwitters (1887–1948) is best known for his pioneering work in fusing collage and abstraction, the two most transformative innovations of twentieth-century art. Considered the father of installation art, Schwitters was also a theorist, a Dadaist, and a writer whose influence extends from Robert Rauschenberg and Eva Hesse to Thomas Hirschhorn. But while his early experiments in collage and installation from the interwar period have garnered much critical acclaim, his later work has generally been ignored. In the first book to fill this gap, Megan R. Luke tells the fascinating, even moving story of the work produced by the aging, isolated artist under the Nazi regime and during his years in exile. Combining new biographical material with archival research, Luke surveys Schwitters’s experiments in shaping space and the development of his Merzbau, describing his haphazard studios in Scandinavia and the United Kingdom and the smaller, quieter pieces he created there. She makes a case for the enormous relevance of Schwitters’s aesthetic concerns to contemporary artists, arguing that his later work provides a guide to new narratives about modernism in the visual arts. These pieces, she shows, were born of artistic exchange and shaped by his rootless life after exile, and they offer a new way of thinking about the history of art that privileges itinerancy over identity and the critical power of humorous inversion over unambiguous communication. Packed with images, Kurt Schwitters completes the narrative of an artist who remains a considerable force today.
Author: Megan R. Luke Publisher: University of Chicago Press ISBN: 022609037X Category : Art Languages : en Pages : 353
Book Description
German artist Kurt Schwitters (1887–1948) is best known for his pioneering work in fusing collage and abstraction, the two most transformative innovations of twentieth-century art. Considered the father of installation art, Schwitters was also a theorist, a Dadaist, and a writer whose influence extends from Robert Rauschenberg and Eva Hesse to Thomas Hirschhorn. But while his early experiments in collage and installation from the interwar period have garnered much critical acclaim, his later work has generally been ignored. In the first book to fill this gap, Megan R. Luke tells the fascinating, even moving story of the work produced by the aging, isolated artist under the Nazi regime and during his years in exile. Combining new biographical material with archival research, Luke surveys Schwitters’s experiments in shaping space and the development of his Merzbau, describing his haphazard studios in Scandinavia and the United Kingdom and the smaller, quieter pieces he created there. She makes a case for the enormous relevance of Schwitters’s aesthetic concerns to contemporary artists, arguing that his later work provides a guide to new narratives about modernism in the visual arts. These pieces, she shows, were born of artistic exchange and shaped by his rootless life after exile, and they offer a new way of thinking about the history of art that privileges itinerancy over identity and the critical power of humorous inversion over unambiguous communication. Packed with images, Kurt Schwitters completes the narrative of an artist who remains a considerable force today.
Author: Linda Patricia Cleary Publisher: ISBN: 9781320549431 Category : Languages : en Pages :
Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Author: Gwendolen Webster Publisher: ISBN: Category : Art Languages : en Pages : 482
Book Description
One of the masters of collage and the inventor of 'Merz' - art from rubbish - Kurt Schwitters has been hailed successively as the great precursor of Pop Art and Happenings, the grandfather of Concept Art, Fluxus and multimedia art, and the visionary herald of Postmodernism. Kurt Merz Schwitters not only examines the remarkable life of the artist but also explores the background to some of his greatest works, including his huge and enigmatic Cathedral of Erotic Misery, and places him in his historical context, one of a select group who for over a decade fought a courageous battle against the encroaching Nazi dictatorship. He died in exile in England in 1948, poverty-stricken, but, as he foresaw, his pictures now fetch vast sums and are exhibited in the world's leading art galleries.
Author: Kurt Schwitters Publisher: ISBN: 9780226129396 Category : Art Languages : en Pages : 656
Book Description
"The first anthology in English of the critical and theoretical writings of the great German artist Kurt Schwitters, considered by scholars, museums, devotees, and collectors alike to be one of the most important "thinking artists" of the twentieth century, surpassed only by Marcel Duchamp in his influence on subsequent generations. Throughout his life Schwitters wrote and published in many genres-and across genres. His children's stories and his poetry and fiction have been translated into English, as have a handful of essays. But most of his critical writing has never been translated into English, and this volume even includes material that has never been published in any language--until now. Schwitters was a prolific writer, lecturer, and critic who penned important works about architecture and design, "the problem of painting" (before it was fashionable to do so), media, aesthetics, style, abstraction, concrete writing, politics, and more. Issuing this book will be a major publishing event in the history of modern art and in the history of this extraordinary artist. The translations are superb, making the volume an extraordinary resource for art historians, curators, critics, and artists. Megan Luke's introduction is accessible, and for the first time, a large field of Schwitters's writing is available not just to Anglophone readers but to readers of numerous nationalities who consider English the lingua franca of their work"--
Author: Graham Bader Publisher: Yale University Press ISBN: 0300257082 Category : Art Languages : en Pages : 241
Book Description
A definitive resource, full of fresh insights and new revelations, on one of the most influential interwar artists This richly illustrated book offers a definitive new assessment of the oeuvre of Kurt Schwitters (1887-1948), a central figure of the interwar European avant-garde. Active as an artist, designer, publisher, performer, critic, poet, and playwright, Schwitters is best known for intimately scaled, materially rich collages and assemblages made from found objects--often refuse--that the artist described as having lost all contact with their role and history in the world at large. Considering works reaching from Schwitters's earliest collage-based pieces of 1918-19, through his 1920s advertising designs, to his seminal environmental installation the Merzbau, Graham Bader carefully unpacks the meaning behind such projects and sheds new light on the tumultuous historical conditions in which they were made. In the process, he reveals a new Schwitters--aesthetically committed and politically astute--for our time. This authoritative account reframes our understanding of Schwitters's multifaceted artistic practice and explores the complex entwinement of art, politics, and history in the modern period.
Author: Elizabeth Burns Gamard Publisher: Princeton Architectural Press ISBN: 9781568981369 Category : Architecture Languages : en Pages : 252
Book Description
The Building Studies series examines important buildings through original documents, detailed text, photography, and drawings in an affordable format.
Author: Robert Motherwell Publisher: Harvard University Press ISBN: 9780674185005 Category : Art Languages : en Pages : 466
Book Description
Presents a collection of essays, manifestos, and illustrations that provide an overview of the Dada movement in art, describing its convictions, antics, and spirit, through the words and art of its principal practitioners.
Author: Megan R. Luke
Author: Megan R. Luke
Author: Linda Patricia Cleary
Author: Gwendolen Webster
Author: Kurt Schwitters
Author: Colin Morton
Author: Graham Bader
Author: Deborah Wye
Author: Kurt Schwitters
Author: Elizabeth Burns Gamard
Author: Robert Motherwell