Kuntaka's Vakrokti and Literary Criticism PDF Download

Author: Shikaripura Krishnamurthy
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 208

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Author: Suryanarayana Hegde
Publisher: Readworthy
ISBN: 9350181517
Category : Literary Criticism
Languages : en
Pages : 101

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In the whole range of Sanskrit poetics, the term vakrokti took altogether a new significance and the highest position as the all pervading poetic concept in Kuntaka's Vakroktijivita. He revived the concept from more verbal poetic figure to the lessons of poetry. He not only explains but also explores the multi-dimensional aspects of Vakrokti. But unfortunately, no comprehensive study of Vakrokti has been done in a systematic way. This book is an effort in this direction. Presenting the major schools of Sanskrit poetics, the book gives general definition of vakrokti and its multi-dimensional implications. Further taking a close look at the views of different theorists on vakrokti, it exposes in detail kuntaka's theory of vakrokti and makes its critical analysis in relation to various literary concepts- alankara, svabhavokti, rasavadalankara, marga and rasa. Finally, it deals with the striking similarities between dhvani and vakrokti, and brings out the fundamental aspects of practical criticism as shown by kuntaka.

Author: G. N. Devy
Publisher: Orient Blackswan
ISBN: 9788125020226
Category : Literary Criticism
Languages : en
Pages : 458

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Literary criticism produced by Indian scholars from the earliest times to the present age is represented in this book. These include Bharatamuni, Tholkappiyar, Anandavardhana, Abhinavagupta, Jnaneshwara, Amir Khusrau, Mirza Ghalib, Rabindranath Tagore, Sri Aurobindo, B.S. Mardhekar, Ananda Coomaraswamy, and A.K. Ramanujam and Sudhir Kakar among others. Their statements have been translated into English by specialists from Sanskrit, Persian and other languages.

Author: Suryanarayana Hegde
Publisher: Readworthy
ISBN: 9788189973933
Category : Poetics
Languages : en
Pages : 0

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Book Description
In the whole range of Sanskrit poetics, the term vakrokti took altogether a new significance and the highest position as the all pervading poetic concept in Kuntaka's Vakroktijivita. He revived the concept from more verbal poetic figure to the lessons of poetry. He not only explains but also explores the multi-dimensional aspects of Vakrokti. But unfortunately, no comprehensive study of Vakrokti has been done in a systematic way. This book is an effort in this direction. Presenting the major schools of Sanskrit poetics, the book gives general definition of vakrokti and its multi-dimensional implications. Further taking a close look at the views of different theorists on vakrokti, it exposes in detail kuntaka's theory of vakrokti and makes its critical analysis in relation to various literary concepts- alankara, svabhavokti, rasavadalankara, marga and rasa. Finally, it deals with the striking similarities between dhvani and vakrokti, and brings out the fundamental aspects of practical criticism as shown by kuntaka.

Author: Ashima Shrawan
Publisher: Cambridge Scholars Publishing
ISBN: 1527533565
Category : Literary Criticism
Languages : en
Pages : 184

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There is a marked awareness about the language of literature and its meaning both in Indian and Western aesthetic thinking. The aestheticians of both schools hold that the language of literature embodies a significant aspect of human experience, and represents a creative pattern of verbal structure to impart meaning effectively. Modern Western aesthetic thinking, which includes theories like formalism, new criticism, stylistics, structuralism, post-structuralism, deconstruction, discourse analysis, semiotics and dialogic criticism, in one way or another emphasizes the study of the language of literature in order to understand its meaning. Similarly, there is a distinct focus on the language of literature and its meaning in Indian literary theories which include the theory of rasa (aesthetic experience), alaṁkāra (the poetic figure), rīti (diction), dhvani (suggestion), vakrokti (oblique expression) and aucitya (propriety). This book explores how the language of literature and its meaning have been dealt with in both Indian and Western aesthetic thinking. In doing so, the study concentrates on Kuntaka’s theory of vakrokti and Ānandavardhana’s theory of dhvani in Indian aesthetic thinking and Russian formalism and deconstruction in Western thinking. The book categorically focuses on the intersection between the theory of vakrokti and Russian formalism and the meeting-point between the theory of dhvani and deconstruction.

Author: Ramaranjan Mukherji
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 590

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Author: Dr. Ujjwala Kakarla
Publisher: Zorba Books
ISBN: 9386407590
Category : Education
Languages : en
Pages : 127

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The book Indian and Western Aesthetics in Sri Aurobindo’s Criticism is a comparative study of Indian and western aesthetics. It depicts the beauty of evolution of multiplicity of theories to vastness of concepts postulated by different literary theoreticians. Moreover, it gives a keen insight into Sri Aurobindo’s aesthetics. His criticism has given the complete synthesis of Indian poetic theories which have striking parallels to modern Western literary theories. He is one of the greatest literary critics who recovered the salient principles of ancient Indian aesthetics and their potentialities. His aesthetics accommodated many modern trends on the foundation of Indian culture that is going to be the mantra of new civilization.

Author: Ānandavardhana
Publisher: Harvard University Press
ISBN: 9780674202788
Category : History
Languages : en
Pages : 854

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For nearly a thousand years the brilliant analysis of aesthetic experience set forth in the Locana of Abhinavagupta, India's founding literary critic, has dominated traditional Indian theory on poetics and aesthetics. The Locana, presented here in English translation for the first time, is a commentary on the ninth-century Dhvanyaloka of Anandavardhana, which is itself the pivotal work in the history of Indian poetics. The Dhvanyaloka revolutionized Sanskrit literary theory by proposing that the main goal of good poetry is the evocation of a mood or "flavor" (rasa) and that this process can be explained only by recognizing a semantic power beyond denotation and metaphor, namely, the power of suggestion. On the basis of this analysis the Locana develops a theory of the psychology of aesthetic response. This edition is the first to make the two most influential works of traditional Sanskrit literary and aesthetic theory fully accessible to readers who want to know more about Sanskrit literature. The editorial annotations furnish the most complete exposition available of the history and content of these works. In addition, the verses presented as examples by both authors (offered here in verse translation) form an anthology of some of the finest Sanskrit and Prakrit poetry.

Author: K. Meenakshi
Publisher:
ISBN:
Category : Sanskrit Language
Languages : en
Pages : 164

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Author: Mohit Kumar Ray
Publisher: Sarup & Sons
ISBN: 9788176258500
Category : Indic poetry
Languages : en
Pages : 228

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