Author: Museum van Hedendaagse Kunst Antwerpen
Publisher:
ISBN:
Category : Art and technology
Languages : en
Pages : 106
Book Description
Kunst en Technologie in Japan
Author: Museum van Hedendaagse Kunst Antwerpen
Publisher:
ISBN:
Category : Art and technology
Languages : en
Pages : 106
Book Description
Publisher:
ISBN:
Category : Art and technology
Languages : en
Pages : 106
Book Description
Explorations in Art and Technology
Author: Linda Candy
Publisher: Springer Science & Business Media
ISBN: 1447101979
Category : Computers
Languages : en
Pages : 308
Book Description
Explorations in Art and Technology presents the explorations in Art and Technology of the Creativity & Cognition Research Studios. The Studios were created to bring together the visions and expertise of people working at the boundaries of art and digital media. The book explores the nature of intersection and correspondence across these disciplinary boundaries, practices and conceptual frameworks through artists' illustrated contributions and studies of work in progress. These experiences are placed within the context of recent digital art history and the innovations of early pioneers.
Publisher: Springer Science & Business Media
ISBN: 1447101979
Category : Computers
Languages : en
Pages : 308
Book Description
Explorations in Art and Technology presents the explorations in Art and Technology of the Creativity & Cognition Research Studios. The Studios were created to bring together the visions and expertise of people working at the boundaries of art and digital media. The book explores the nature of intersection and correspondence across these disciplinary boundaries, practices and conceptual frameworks through artists' illustrated contributions and studies of work in progress. These experiences are placed within the context of recent digital art history and the innovations of early pioneers.
Bibliographic Guide to Art and Architecture
Author: New York Public Library. Art and Architecture Division
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 520
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 520
Book Description
Fusing Lab and Gallery
Author: Sarah M. Schlachetzki
Publisher: transcript Verlag
ISBN: 3839420261
Category : Art
Languages : en
Pages : 263
Book Description
Why do Japanese artists team up with engineers in order to create so-called »Device Art«? What is a nanoscientist's motivation in approaching the artworld? In the past few years, there has been a remarkable increase in attempts to foster the exchange between art, technology, and science - an exchange taking place in academies, museums, or even in research laboratories. Media art has proven especially important in the dialogue between these cultural fields. This book is a contribution to the current debate on »art & science«, interdisciplinarity, and the discourse of innovation. It critically assesses artistic positions that appear as the ongoing attempt to localize art's position within technological and societal change - between now and the future.
Publisher: transcript Verlag
ISBN: 3839420261
Category : Art
Languages : en
Pages : 263
Book Description
Why do Japanese artists team up with engineers in order to create so-called »Device Art«? What is a nanoscientist's motivation in approaching the artworld? In the past few years, there has been a remarkable increase in attempts to foster the exchange between art, technology, and science - an exchange taking place in academies, museums, or even in research laboratories. Media art has proven especially important in the dialogue between these cultural fields. This book is a contribution to the current debate on »art & science«, interdisciplinarity, and the discourse of innovation. It critically assesses artistic positions that appear as the ongoing attempt to localize art's position within technological and societal change - between now and the future.
Rhetorics and Technologies
Author: Stuart A. Selber
Publisher: Univ of South Carolina Press
ISBN: 1611172349
Category : Language Arts & Disciplines
Languages : en
Pages : 359
Book Description
Electric discussions of the interplay between technological innovation and communication Recognizing an increasingly technological context for rhetorical activity, the thirteen contributors to this volume illuminate the challenges and opportunities inherent in successfully navigating intersections between rhetoric and technology in existing and emergent literacy practices. Edited by Stuart A. Selber, Rhetorics and Technologies positions technology as an inevitable aspect of the rhetorical situation and as a potent force in writing and communication activities. Taking a broad approach, this volume is not limited to discussion of particular technological systems (such as new media or wikis) or rhetorical contexts (such as invention or ethics). The essays instead offer a comprehensive treatment of the rhetoric-technology nexus. The book's first section considers the ways in which the social and material realities of using technology to support writing and communication activities have altered the borders and boundaries of rhetorical studies. The second section explores the discourse practices employed by users, designers, and scholars of technology when communicating in technological contexts. In the final section, projects and endeavors that illuminate the ways in which discourse activities can evolve to reflect emerging sociopolitical realties, technologies, and educational issues are examined. The resulting text bridges past and future by offering new understandings of traditional canons of rhetoric—invention, arrangement, style, memory, and delivery—as they present themselves in technological contexts without discarding the rich history of the field before the advent of these technological innovations. Rhetorics and Technologies includes a foreword by Carolyn R. Miller and essays by John M. Carroll, Marilyn M. Cooper, Paul Heilker, Johndan Johnson-Eilola, Debra Journet, M. Jimmie Killingsworth, Jason King, James E. Porter, Stuart A. Selber, Geoffrey Sirc, Susan Wells, and Anne Frances Wysocki.
Publisher: Univ of South Carolina Press
ISBN: 1611172349
Category : Language Arts & Disciplines
Languages : en
Pages : 359
Book Description
Electric discussions of the interplay between technological innovation and communication Recognizing an increasingly technological context for rhetorical activity, the thirteen contributors to this volume illuminate the challenges and opportunities inherent in successfully navigating intersections between rhetoric and technology in existing and emergent literacy practices. Edited by Stuart A. Selber, Rhetorics and Technologies positions technology as an inevitable aspect of the rhetorical situation and as a potent force in writing and communication activities. Taking a broad approach, this volume is not limited to discussion of particular technological systems (such as new media or wikis) or rhetorical contexts (such as invention or ethics). The essays instead offer a comprehensive treatment of the rhetoric-technology nexus. The book's first section considers the ways in which the social and material realities of using technology to support writing and communication activities have altered the borders and boundaries of rhetorical studies. The second section explores the discourse practices employed by users, designers, and scholars of technology when communicating in technological contexts. In the final section, projects and endeavors that illuminate the ways in which discourse activities can evolve to reflect emerging sociopolitical realties, technologies, and educational issues are examined. The resulting text bridges past and future by offering new understandings of traditional canons of rhetoric—invention, arrangement, style, memory, and delivery—as they present themselves in technological contexts without discarding the rich history of the field before the advent of these technological innovations. Rhetorics and Technologies includes a foreword by Carolyn R. Miller and essays by John M. Carroll, Marilyn M. Cooper, Paul Heilker, Johndan Johnson-Eilola, Debra Journet, M. Jimmie Killingsworth, Jason King, James E. Porter, Stuart A. Selber, Geoffrey Sirc, Susan Wells, and Anne Frances Wysocki.
Art, Trade, and Cultural Mediation in Asia, 1600–1950
Author: Raquel A. G. Reyes
Publisher: Springer
ISBN: 113757237X
Category : History
Languages : en
Pages : 142
Book Description
This Palgrave Pivot explores the social and cultural impact of global trade at a micro-level from around 1600 to 1950. Bringing together the collaborative skills of cultural, social, economic, and art historians, it examines how the diffusion of trade, goods and objects affected people’s everyday lives. The authors tell several stories: of the role played by a host of intermediaries – such as apothecaries, artisans and missionaries who facilitated the process; of objects such as Japanese export lacquer-ware and paintings; of how diverse artistic influences came to be expressed in colonial church architecture in the Philippines; of revolutionary changes wrought on quotidian tastes and preferences, as shown in the interior decoration of private homes in the Dutch East Indies; and of transformations in the smoking and drinking habits of Southeast Asians. The chapters consider the conditions from which emerged new forms of artistic production and transfer, fresh cultural interpretations, and expanded markets for goods, objects and images.
Publisher: Springer
ISBN: 113757237X
Category : History
Languages : en
Pages : 142
Book Description
This Palgrave Pivot explores the social and cultural impact of global trade at a micro-level from around 1600 to 1950. Bringing together the collaborative skills of cultural, social, economic, and art historians, it examines how the diffusion of trade, goods and objects affected people’s everyday lives. The authors tell several stories: of the role played by a host of intermediaries – such as apothecaries, artisans and missionaries who facilitated the process; of objects such as Japanese export lacquer-ware and paintings; of how diverse artistic influences came to be expressed in colonial church architecture in the Philippines; of revolutionary changes wrought on quotidian tastes and preferences, as shown in the interior decoration of private homes in the Dutch East Indies; and of transformations in the smoking and drinking habits of Southeast Asians. The chapters consider the conditions from which emerged new forms of artistic production and transfer, fresh cultural interpretations, and expanded markets for goods, objects and images.
ダムタイプ:ヴォヤージュ
Author:
Publisher: NTT出版
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 84
Book Description
本書は、NTTインターコミュニケーション・センター(ICC)の企画展「ダムタイプ“Voyages(ヴォヤージュ)”」のカタログである。ダムタイプとは、1984年京都市立芸術大学の学生を中心に、演劇、ダンス、映像、美術、音楽、デザイン、建築など異なる領域の出身者によって結成され、現在、国際的にも高い評価を得ているアーティスト・グループである。
Publisher: NTT出版
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 84
Book Description
本書は、NTTインターコミュニケーション・センター(ICC)の企画展「ダムタイプ“Voyages(ヴォヤージュ)”」のカタログである。ダムタイプとは、1984年京都市立芸術大学の学生を中心に、演劇、ダンス、映像、美術、音楽、デザイン、建築など異なる領域の出身者によって結成され、現在、国際的にも高い評価を得ているアーティスト・グループである。
Mastering Japanese Cooking
Author: KENJI SMITH JR
Publisher: KENJI SMITH JR
ISBN:
Category : Cooking
Languages : en
Pages : 212
Book Description
This comprehensive guide to Japanese cuisine explores the rich history and philosophy behind Washoku, highlighting key ingredients, seasonings, and essential cooking techniques. From knife skills and various cooking methods to detailed instructions on preparing rice and other grains, this book provides a thorough understanding of traditional and modern Japanese cooking. It covers a wide range of dishes including sushi, sashimi, yakitori, ramen, and more, along with insights into kaiseki and street foods. Special sections focus on kitchen layout, cookware, and dietary considerations such as vegetarian, vegan, and gluten-free options. Additionally, the book delves into menu planning, seasonal ingredients, and contemporary trends in Japanese culinary arts.
Publisher: KENJI SMITH JR
ISBN:
Category : Cooking
Languages : en
Pages : 212
Book Description
This comprehensive guide to Japanese cuisine explores the rich history and philosophy behind Washoku, highlighting key ingredients, seasonings, and essential cooking techniques. From knife skills and various cooking methods to detailed instructions on preparing rice and other grains, this book provides a thorough understanding of traditional and modern Japanese cooking. It covers a wide range of dishes including sushi, sashimi, yakitori, ramen, and more, along with insights into kaiseki and street foods. Special sections focus on kitchen layout, cookware, and dietary considerations such as vegetarian, vegan, and gluten-free options. Additionally, the book delves into menu planning, seasonal ingredients, and contemporary trends in Japanese culinary arts.
MediaArtHistories
Author: Oliver Grau
Publisher: MIT Press
ISBN: 0262514982
Category : Art
Languages : en
Pages : 489
Book Description
Leading scholars take a wider view of new media, placing it in the context of art history and acknowledging the necessity of an interdisciplinary approach in new media art studies and practice. Digital art has become a major contemporary art form, but it has yet to achieve acceptance from mainstream cultural institutions; it is rarely collected, and seldom included in the study of art history or other academic disciplines. In MediaArtHistories, leading scholars seek to change this. They take a wider view of media art, placing it against the backdrop of art history. Their essays demonstrate that today's media art cannot be understood by technological details alone; it cannot be understood without its history, and it must be understood in proximity to other disciplines—film, cultural and media studies, computer science, philosophy, and sciences dealing with images. Contributors trace the evolution of digital art, from thirteenth-century Islamic mechanical devices and eighteenth-century phantasmagoria, magic lanterns, and other multimedia illusions, to Marcel Duchamp's inventions and 1960s kinetic and op art. They reexamine and redefine key media art theory terms—machine, media, exhibition—and consider the blurred dividing lines between art products and consumer products and between art images and science images. Finally, MediaArtHistories offers an approach for an interdisciplinary, expanded image science, which needs the "trained eye" of art history. Contributors Rudlof Arnheim, Andreas Broeckmann, Ron Burnett, Edmond Couchot, Sean Cubitt, Dieter Daniels, Felice Frankel, Oliver Grau, Erkki Huhtamo, Douglas Kahn, Ryszard W. Kluszczynski, Machiko Kusahara, Timothy Lenoir, Lev Manovich, W.J.T. Mitchell, Gunalan Nadarajan, Christiane Paul, Louise Poissant, Edward A. Shanken, Barbara Maria Stafford, and Peter Weibel
Publisher: MIT Press
ISBN: 0262514982
Category : Art
Languages : en
Pages : 489
Book Description
Leading scholars take a wider view of new media, placing it in the context of art history and acknowledging the necessity of an interdisciplinary approach in new media art studies and practice. Digital art has become a major contemporary art form, but it has yet to achieve acceptance from mainstream cultural institutions; it is rarely collected, and seldom included in the study of art history or other academic disciplines. In MediaArtHistories, leading scholars seek to change this. They take a wider view of media art, placing it against the backdrop of art history. Their essays demonstrate that today's media art cannot be understood by technological details alone; it cannot be understood without its history, and it must be understood in proximity to other disciplines—film, cultural and media studies, computer science, philosophy, and sciences dealing with images. Contributors trace the evolution of digital art, from thirteenth-century Islamic mechanical devices and eighteenth-century phantasmagoria, magic lanterns, and other multimedia illusions, to Marcel Duchamp's inventions and 1960s kinetic and op art. They reexamine and redefine key media art theory terms—machine, media, exhibition—and consider the blurred dividing lines between art products and consumer products and between art images and science images. Finally, MediaArtHistories offers an approach for an interdisciplinary, expanded image science, which needs the "trained eye" of art history. Contributors Rudlof Arnheim, Andreas Broeckmann, Ron Burnett, Edmond Couchot, Sean Cubitt, Dieter Daniels, Felice Frankel, Oliver Grau, Erkki Huhtamo, Douglas Kahn, Ryszard W. Kluszczynski, Machiko Kusahara, Timothy Lenoir, Lev Manovich, W.J.T. Mitchell, Gunalan Nadarajan, Christiane Paul, Louise Poissant, Edward A. Shanken, Barbara Maria Stafford, and Peter Weibel