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Author: Sheila D. Muller Publisher: Routledge ISBN: 1135495742 Category : Social Science Languages : en Pages : 664
Book Description
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.
Author: Sheila D. Muller Publisher: Routledge ISBN: 1135495742 Category : Social Science Languages : en Pages : 664
Book Description
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.
Author: Charlotte Ashby Publisher: Bloomsbury Publishing ISBN: 1350061166 Category : Design Languages : en Pages : 283
Book Description
Art Nouveau presents a new overview of the international Art Nouveau movement. Art Nouveau represented the search for a new style for a new age, a sense that the conditions of modernity called for fundamentally new means of expression. Art Nouveau emerged in a world transformed by industrialisation, urbanisation and increasingly rapid means of transnational exchange, bringing about new ways of living, working and creating. This book is structured around key themes for understanding the contexts behind Art Nouveau, including new materials and technologies, colonialism and imperialism, the rise of the 'modern woman', the rise of the professional designer and the role of the patron-collector. It also explores the new ideas that inspired Art Nouveau: nature and the natural sciences, world arts and world religions, psychology and new visions for the modern self. Ashby explores the movement through 41 case studies of artists and designers, buildings, interiors, paintings, graphic arts, glass, ceramics and jewellery, drawn from a wide range of countries.
Author: Giles Scott-Smith Publisher: Peter Lang ISBN: 9789052012568 Category : History Languages : en Pages : 528
Book Description
Exchange programmes have been a part of US foreign relations since the nineteenth century, but it was only during and after World War II that they were applied by the US government on a large scale to influence foreign publics in support of strategic objectives. This book looks at the background, organisation, and goals of the Department of State's most prestigious activity in this field, the Foreign Leader Program. The Program (still running as the International Visitor Leadership Program) enabled US Embassies to select and invite talented, influential 'opinion leaders' to visit the United States, meet their professional counterparts, and gain a broad understanding of American attitudes and opinions from around the country. By tracking the operation of the Program in three key transatlantic allies of the United States a full picture is given of who was selected and why, and how the target groups changed over time in line with a developing US-European relationship. The book therefore takes a unique in-depth look at the importance of exchanges for the extension of US 'informal empire' and the maintenance of the transatlantic alliance during the Cold War.
Author: Pieter Boons Publisher: Leuven University Press ISBN: 9462702365 Category : Political Science Languages : en Pages : 272
Book Description
One hundred years after the founding of the École Coloniale Supérieure in Antwerp, the adjacent Middelheim Museum invites Sandrine Colard, researcher and curator, to conceive an exhibition that probes silenced histories of colonialism in a site-specific way. For Colard, the term Congoville encompasses the tangible and intangible urban traces of the colony, not on the African continent but in 21st-century Belgium: a school building, a park, imperial myths, and citizens of African descent. In the exhibition and this adjoining publication, the concept Congoville is the starting point for 15 contemporary artists to address colonial history and ponder its aftereffects as black flâneurs walking through a postcolonial city. Due to the multitude of perspectives and voices, this book is both a catalogue and a reference work comprised of artistic and academic contributions. Together, the participating artists and invited authors unfold the blueprint of Congoville, an imaginary city that still subconsciously affects us, but also encourages us to envision a decolonial utopia. Een eeuw na de oprichting van de École Coloniale Supérieure in Antwerpen nodigt het naburige Middelheimmuseum onderzoeker en curator Sandrine Colard uit om een tentoonstelling te creëren die sitespecifiek peilt naar de stille geschiedenissen van het kolonialisme. Congoville duidt op de zichtbare en onzichtbare stedelijke sporen van de kolonie, niet op het Afrikaanse continent, maar pal in het België van vandaag: een schoolgebouw, een park, imperialistische mythes en burgers van Afrikaanse origine. Doorheen de tentoonstelling en deze bijhorende publicatie is Congoville de context waarbinnen 15 hedendaagse kunstenaars, als zwarte flâneurs op pad in een postkoloniale stad, het koloniale verleden en de impact ervan adresseren. Door de veelheid aan perspectieven en stemmen is dit boek tegelijk een catalogus en een naslagwerk met zowel academische als artistieke bijdragen. Samen ontvouwen de betrokken kunstenaars en auteurs de blauwdruk van Congoville, een imaginaire stad die ons nog steeds onbewust in haar greep houdt, maar ons ook aanspoort om na te denken over een de-koloniaal utopia. With contributions by/Met bijdragen van: Pieter Boons, Sandrine Colard, Filip De Boeck, Bas De Roo, Nadia Yala Kisukidi, Sorana Munsya & Léonard Pongo, Herman Van Goethem, Sara Weyns, Nabilla Ait Daoud Participating artists/Deelnemende kunstenaars: Sammy Baloji, Bodys Isek Kingelez, Maurice Mbikayi, Jean Katambayi, KinAct Collective, Simone Leigh, Hank Willis Thomas, Zahia Rahmani, Ibrahim Mahama, Ângela Ferreira, Kapwani Kiwanga, Sven Augustijnen, Pascale Marthine Tayou, Elisabetta Benassi, Pélagie Gbaguidi For more information, visit www.middelheimmuseum.be/nl/activiteit/congoville
Author: Auke Van Der Woud Publisher: Routledge ISBN: 1351785613 Category : Social Science Languages : en Pages : 567
Book Description
This title was first published in 2002: In the second half of the 18th century, philosophy provided the fundamental characteristics of architechture. The architects of the 19th century then introduced the empirical comparative study of buildings. This phenomenon has usually been regarded exclusively in terms of historicism, but this is to underestimate the fact that they were architects. The problems for which they sought solutions did not belong to the past, but were part of their own age or the future. The architecture of the past was, to the 19th-century architect, significant to a large degree as a silent witness of a bygone era - a representation of beauty. Historical architecture provided study material for their inquiries into the aesthetic "laws" that they hoped would give the 19th century a splendid contemporary architecture. The art of building, as a way of visibly edifying society, was the most important of all the arts, with architectural theory showing the way to this lofty purpose. This book takes this as a starting point. Focusing on place as well as time, the text discusses the Dutch architects who contributed to this idea, discussing several of the most important, but ultimately seeing their activities, not as the cause, but the expression of movements that continuously changed the face of architecture. The particularly "Dutch" nature of architecture took "visual beauty" to result from the visible success of technical intelligence and creativity rather than philosophy and aesthetics. The grand-19th century themes discussed in the book are, the author suggests, somewhat "un-Dutch", originating as they did from an idealist, intellectual tradition.
Author: Sheila D. Muller
Author: Sheila D. Muller
Author: Jan Middendorp
Author: Charlotte Ashby
Author: Hans Oldewarris
Author: Walter Crane
Author: Giles Scott-Smith
Author: Pieter Boons![Ca[talogus]. PDF](https://books.google.com/books/content/images/frontcover/dnLrAAAAMAAJ?fife=w80-h100)
Author: Amsterdam (Netherlands). Dienst der Gemeentemusea
Author: Auke Van Der Woud
Author: Erik Odijk