Kufic Inscriptions of the Historic Grand Mosque of Shoushtar PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Kufic Inscriptions of the Historic Grand Mosque of Shoushtar PDF full book. Access full book title Kufic Inscriptions of the Historic Grand Mosque of Shoushtar by S. M. V. Mousavi Jazayeri. Download full books in PDF and EPUB format.
Author: S. M. V. Mousavi Jazayeri Publisher: Blautopf Publishing ISBN: 151153799X Category : Art Languages : en Pages : 236
Book Description
The authors of this book have taken a rare opportunity to bring together the many factors crucial to an adequate understanding of architectural inscriptions, and they have done so in relation to those in an important but sadly under-published historic mosque. The grand mosque of Shoushtar contains many historic inscriptions installed over time for documentary purposes, but the four monumental Kufic texts are integral parts of its design and meaning. They are here studied calligraphically, hermeneutically and phenomenologically, and in relation to the structure of the mosque itself, the whole being set against an outline of Shoushtar’s history and the features of the mosque. Begun in the ninth century CE, the grand mosque of Shoushtar is one of the earliest hypostyle mosques in Iran. It was built in “the city of scholars” when its residents included two great Sufis, Sahl Ibn Abdullah Tostari and Mansur Hallaj. This scholarly, mystical emphasis is reflected in the mosque itself and it is tempting to wonder whether the eleventh Shiite Imam, Hassan al-Askari, under house arrest at the time of building, had anything to do with its design. This mosque is idiosyncratic and much modified and now presents a complex interpretational challenge. This book is an important and long overdue contribution to our knowledge of Shoushtar and the historic application of monumental Kufic inscriptions. Its high quality illustrations allow personal study of all four Kufic inscriptions of the city’s grand mosque: Surat Ya-Sin which was once encircling the entire prayer hall, the dedicatory inscription above the secondary internal mihrab, its fascia inscription containing the last two verses of Surat al-Isra’ whose content parallels the fourth inscription of Surat al-Ikhlas (al-Tawhid) on the external mihrab.
Author: S. M. V. Mousavi Jazayeri Publisher: Blautopf Publishing ISBN: 151153799X Category : Art Languages : en Pages : 236
Book Description
The authors of this book have taken a rare opportunity to bring together the many factors crucial to an adequate understanding of architectural inscriptions, and they have done so in relation to those in an important but sadly under-published historic mosque. The grand mosque of Shoushtar contains many historic inscriptions installed over time for documentary purposes, but the four monumental Kufic texts are integral parts of its design and meaning. They are here studied calligraphically, hermeneutically and phenomenologically, and in relation to the structure of the mosque itself, the whole being set against an outline of Shoushtar’s history and the features of the mosque. Begun in the ninth century CE, the grand mosque of Shoushtar is one of the earliest hypostyle mosques in Iran. It was built in “the city of scholars” when its residents included two great Sufis, Sahl Ibn Abdullah Tostari and Mansur Hallaj. This scholarly, mystical emphasis is reflected in the mosque itself and it is tempting to wonder whether the eleventh Shiite Imam, Hassan al-Askari, under house arrest at the time of building, had anything to do with its design. This mosque is idiosyncratic and much modified and now presents a complex interpretational challenge. This book is an important and long overdue contribution to our knowledge of Shoushtar and the historic application of monumental Kufic inscriptions. Its high quality illustrations allow personal study of all four Kufic inscriptions of the city’s grand mosque: Surat Ya-Sin which was once encircling the entire prayer hall, the dedicatory inscription above the secondary internal mihrab, its fascia inscription containing the last two verses of Surat al-Isra’ whose content parallels the fourth inscription of Surat al-Ikhlas (al-Tawhid) on the external mihrab.
Author: S. M. V. Mousavi Jazayeri Publisher: Blautopf Publishing ISBN: 099817274X Category : Art Languages : en Pages : 298
Book Description
A comprehensive textbook of the early Arabic Kufic script, written as a complete reference book for calligraphers, designers, and students of art history and the history of Arabic language and scripts. This beautiful and powerful script was derived from the earlier Hijazi Mashq style of Mecca and Medina, which was invented by early Muslim scribes to record the Quran. Today, the many historical manuscripts displayed in numerous museums around the world can attest to development and evolution of this remarkable and versatile script. Authored by master calligrapher, Mousavi Jazayeri, this book is the only book written in English that is solely dedicated to the study, learning and revival of the fascinating script behind the first mature Arabic calligraphic style, which was the official script of the Islamic Near East for centuries, before being replaced by the modern Naskh style. In this handbook, Mousavi Jazayeri who had discovered the lost art of cutting the qalam (pen) for early Kufic more than twenty years ago, explains with detailed, clear illustrations how to write early Kufic using a calligraphic pen and even a regular pen. He guides students patiently through the process involved in creating amazing, modern monograms. With clear, ample examples taken from the old Quranic manuscripts, art history students, font designers, and scholars of the history of the Arabic language and scripts can use this reference book to learn the key aspects of the early Kufic script as a writing system. Mr. Mousavi Jazayeri is joined by two co-authors, Perette E. Michelli, a multi-disciplinary historian of medieval and later art, and Saad D. Abulhab, a known Arabic type designer and independent scholar of the history of Arabic language and scripts. The two co-authors are members of the first international group dedicated to the study and revival of the early Kufic script, Kuficpedia, which was formed a few years ago around the historical achievements of Mr. Mousavi.
Author: Publisher: Createspace Independent Publishing Platform ISBN: 9781517104931 Category : Ceramics Languages : en Pages : 290
Book Description
This catalog contains a selected collection of Mousavi Jazayeri's works from 1993 until 2015. It includes a rich gallery of his manuscript and ceramic calligraphy works, his calligraphic art paintings, and his numerous logotype designs. Seyed Mohammad Vahid Mousavi Jazayeri is an established Iranian calligrapher, researcher, graphic designer and expert in early Arabic Kufic script. He has introduced groundbreaking achievements since his rediscovery of the lost art for cutting the qalam (pen) for early Kufic, twenty years ago. Born in 1969, Vahid holds a Bachelor of Art in Graphics. He has published extensively and held numerous workshops on reviving the early Quranic Kufic calligraphic style. Vahid started his career studying the Thulth and Naskh scripts in 1982 and after nearly ten years of training he began teaching in Tehran art schools from 1991. Within a year, he was producing significant work in two additional fields: historical calligraphy research in a range of media (ceramics, coins, plaster and stone, as well as manuscripts) and contemporary type design.
Author: S. M. V. Mousavi Jazayeri Publisher: Blautopf Publishing ISBN: 0984984321 Category : Art Languages : en Pages : 255
Book Description
This reference book studies the script, art, and culture of the early Arabic Kufic calligraphy. It presents around hundred historical stone inscriptions, coins, and manuscripts from early-Islamic Persia. In their book, the primary author and famed Iranian early Kufic expert and calligrapher, S.M.V. Mousavi Jazayeri, and his fellow co-authors read and analyze with meticulous detail the calligraphy, script, and art work of thirty-seven Kufic gravestone inscriptions, mainly from the Yazd providence of Iran. The carefully-selected inscriptional sample in this book illustrates the remarkable power and versatility of this early script, and the extent of the global role played by it in shaping societies and cultures of a vast area extending from China to Spain.
Author: Lloyd Robert Laing Publisher: ISBN: Category : Art Languages : en Pages : 232
Book Description
This book surveys the full richness of Celtic art and discusses the settlements, social structure, cultural backgrounds, foreign contacts and the technological and spiritual developments that created it. Taking into account the archaeological and historical contexts as well as the art-historical, the authors attempt to get closer to the art through the people who created, ordered, paid for and enjoyed the many treasures illustrated here, such as the Tara Brooch and the Monymusk Reliquary as well as countless less well-known items some discovered as recently as 1994.
Author: Saad D. Abulhab Publisher: Blautopf Publishing ISBN: 1466391464 Category : Education Languages : en Pages : 253
Book Description
This book is a comprehensive reference on the history of Arabic Language and script, which goes beyond the sole discussion of technical matters. It studies objectively the evidence presented by modern-day western archeological discoveries together with the evidence presented by the indispensable scholarly work and research of the past Islamic Arab civilization era. The book scrutinizes modern western theories about the history of the Arabs and Arabic language and script in connection with the roles played by Western Near East scholarship, religion and colonial history in the formation of current belief system vs. Arab history and language, which is an essential step to study this correlated and complex topic objectively. In his book, the author explores the relevant facts of history and geography as crucial defining factors in the study of history of Arabic language and script. He offers a brief balanced account on the important topic of Muhammad leadership and Islam in the formation of Arabia, and investigates the Quran as a key evidence and reference of the Arabic language and script. As a research tool, this book presents in-depth tracings and readings of the most relevant inscriptions and the findings accumulated by the author over one and a half year of research. Particularly, it presents new comprehensive readings of the important Umm al-Jimal and al-Namarah Nabataean Arabic inscriptions. The al-Namarah stone which was discovered by French archeologist Dussaud in 1901 (displayed today on a wall in the Louvre Museum of Paris) was assumed for more than a century to be the tombstone of the prominent pre-Islamic Arab king, Umru' al-Qays bin 'Amru. After re-tracing and re-reading its complex inscription, the author concluded it was actually about a previously unknown personality named 'Akdi, possibly a high ranking Arab soldier in the Roman army or an Arab tribal leader, not the burial stone of King Umru' al-Qays or even about him. Similarly, the author proves beyond doubt that the important Umm al-Jimal Nabataean Arabic inscription was not the burial stone of Faihru bin Sali, but Faru' bin Sali. The two inscriptions are among only four Nabataean inscriptions believed by Western scholars to be written in the old Arabic language. These are referenced heavily today as evidence linking the Arabic script to the Nabataean Aramaic script. Utilizing classic Arabic and grammar tools and challenging their accuracy at times, the author findings in this book could potentially amend several historical and linguistic facts as told today by history textbooks. In his book, the author, a known Arabic type designer, studies with an investigative expert eye the early shapes of the pre-Islamic Arabic script and compares them to those of Musnad Arabic and late Nabataean Aramaic inscriptions, in addition to those of the early Islamic Arabic manuscripts and papyri. He concludes that the early Arabic script was not an evolved Nabataean script, but likely an independently derived script of the old Musnad Arabic script, with clear Nabataean influence. Although this book is conceived as a reference tool for scholars and researchers, other readers may find its topics and captivating arguments valid enough to debate and to study further. All chapters can be read independently. There are more than 40 figures and illustrations to aid the reader throughout the book. The first two chapters are intended as introductory essays regarding the history of Arabia (people and language) and the role of Western scholarship. To facilitate the selective and independent reading of the last three chapters, which presents the author research findings and conclusions, the book included (in addition to the chapter-specific references already offered throughout the whole book) chapter-specific introductions and conclusions.
Author: Farideh Jahandideh Publisher: Lr Price Publications Limited ISBN: 9781916887473 Category : Languages : en Pages : 170
Book Description
Join the Little Traveller as he journey's across worlds to get back to his planet and his rose. Along the way he will get meet many people including The Gardner Prince.
Author: Tūraǧ Daryāyī Publisher: ISBN: 9780985498115 Category : Languages : en Pages : 98
Book Description
Cyrus is among the most impressive characters in the ancient world. From the Old Testament to Xenophon's Cyropaedia, ancient texts have made him to an example of tolerance and just kingship. Hailing from a small principality in southwest Iran, he rapidly rose to power, creating a world empire. The five articles included here, along with the English and the Persian translation of his cylinder, provide a scholarly and readable exposition of one of the great figures of antiquity. Cyrus the Great's political career, monuments, religious practices and literary remains are all discussed in this concise and informative book.
Author: Saad D. Abulhab Publisher: Blautopf Publishing ISBN: 0998172723 Category : Literary Collections Languages : en Pages : 389
Book Description
The pioneering work presented in this book introduces the earliest known literary and mythology work in the world, the Epic of Gilgamesh, in its actual language: early Classical Arabic. It provides a more accurate translation and understanding of the important story of the flood, one of the key stories of the monotheistic religions. In this book, the author, a known Arabic type designer and an independent scholar of Nabataean, Musnad, and early Arabic scripts, was able to decipher the actual meanings and pronunciations of several important names of ancient Mesopotamian gods, persons, cities, mountains, and other entities. He was able to uncover the evolution path of the concept of god and the background themes behind the rise of the monotheistic religions. Utilizing a generous text sample from the Akkadian and Sumerian languages, this book is an excellent reference textbook for scholars and students of Arabic and Assyriology who are interested in translating these ancient languages through both, the historical Arabic etymological references and the deciphering tools of Assyriology. To illustrate his breakthrough Arabic-based deciphering methodology, the author used a sample text consisting of more than 900 lines from three tablets of the Standard and Old Babylonian editions of the Epic of Gilgamesh. By “digging out” the actual language of the epic, he was not only able to resurrect the actual word soundings and linguistic literary style of its original text, but also to provide more accurate and coherent translations. Following his three years of research, he was able to demonstrate through undisputed linguistic evidence that the epic was in fact written in a beautiful, powerful early Classical Arabic language! And the so-called Sumerian and Akkadian languages that the epic was recorded with, which we are told today are unrelated languages, were in fact one evolving early Arabic language, written with one evolving writing system, passing through two major time periods. Although this book is primarily written as a reference textbook for scholars, it is equally suitable for anyone interested in reading the translation of the Epic of Gilgamesh, a fascinating Mesopotamian Arab mythology work documenting eloquently some of the most important and lasting ancient myths invented by humankind.