Krieg und Literatur/War and Literature Vol. XIV, 2008 PDF Download

Author: Claudia Junk
Publisher: V&R Unipress
ISBN: 3862340856
Category : Literary Criticism
Languages : en
Pages : 183

View

Book Description
Augenzeugenberichte zum 11. September 2001 und zu den Kriegen des 17. Jahrhunderts spannen den Bogen der Beiträge des vorliegenden Bandes. Eine Untersuchung der massenmedialen Darstellung der »Taten« des Kreuzers Emden im Ersten Weltkrieg – eine der zeitgenössischen Mythen – steht neben Analysen von Max Frischs »Die Chinesische Mauer« und den Schriften Pat Barkers. Der Band zeichnet sich durch eine Vielfalt von Ansätzen aus und repräsentiert dennoch nur ein kleines Spektrum der Bandbreite möglicher Themen. Ergänzt werden die Beiträge durch Rezensionen zu einschlägigen Neuerscheinungen sowie durch eine Bibliographie wissenschaftlicher Publikationen aus dem Jahr 2005.

Author: A. Fuchs
Publisher: Springer
ISBN: 0230589723
Category : Political Science
Languages : en
Pages : 266

View

Book Description
Phantoms of War in Contemporary German Literature, Films and Discourse offers an up-to-date and comprehensive analysis of fundamental shifts in German cultural memory. Focusing on the resurgence of family stories in fiction, autobiography and in film, this study challenges the institutional boundaries of Germany's memory culture that have guided and arguably limited German identity debates. Essays on contemporary German literature are complemented by explorations of heritage films and museum discourse. Together these essays put forward a compelling theory of family narratives and a critical evaluation of generational discourse.

Author:
Publisher:
ISBN:
Category : War and literature
Languages : de
Pages : 796

View

Book Description

Author: Brian Murdoch
Publisher: Routledge
ISBN: 1317128443
Category : History
Languages : en
Pages : 320

View

Book Description
The period immediately following the end of the First World War witnessed an outpouring of artistic and literary creativity, as those that had lived through the war years sought to communicate their experiences and opinions. In Germany this manifested itself broadly into two camps, one condemning the war outright; the other condemning the defeat. Of the former, Erich Maria Remarque’s All Quiet on the Western Front remains the archetypal example of an anti-war novel, and one that has become synonymous with the Great War. Yet the tremendous and enduring popularity of Remarque’s work has to some extent eclipsed a plethora of other German anti-war writers, such as Hans Chlumberg, Ernst Johannsen and Adrienne Thomas. In order to provide a more rounded view of German anti-war literature, this volume offers a selection of essays published by Brian Murdoch over the past twenty years. Beginning with a newly written introduction, providing the context for the volume and surveying recent developments in the subject, the essays that follow range broadly over the German anti-war literary tradition, telling us much about the shifting and contested nature of the war. The volume also touches upon subjects such as responsibility, victimhood, the problem of historical hiatus in the production and reception of novels, drama, poetry, film and other literature written during the war, in the Weimar Republic, and in the Third Reich. The collection also underlines the potential dangers of using novels as historical sources even when they look like diaries. One essay was previously unpublished, two have been augmented, and three are translated into English for the first time. Taken together they offer a fascinating insight into the cultural memory and literary legacy of the First World War and German anti-war texts.

Author: Claudia Glunz
Publisher: V&R unipress GmbH
ISBN: 3847100408
Category : Religion
Languages : de
Pages : 288

View

Book Description
The Swiss Sonderbund War, the German colonial wars, the First World War up until denazification and re-education after the Second World War - these and other themes are the topics of the contributions to this volume. They are all concerned with war experiences and attitudes to war as dealt with in literature and film. They thereby focus on authors and directors such as Shakespeare and his contemporaries, Adda Freifrau von Liliencron, Georg Kaiser, Fritz Lang, but also almost forgotten bestseller authors, such as Heinrich Wandt, who take a critical stance on war. The contributions are supplemented by critiques of pertinent new publications and a bibliography of studies from the disciplines of literature, linguistics, history and cinematographical and art studies from the year 2008.

Author: Christoph Cornelissen
Publisher: Berghahn Books
ISBN: 1800737270
Category : History
Languages : en
Pages : 516

View

Book Description
From the Treaty of Versailles to the 2018 centenary and beyond, the history of the First World War has been continually written and rewritten, studied and contested, producing a rich historiography shaped by the social and cultural circumstances of its creation. Writing the Great War provides a groundbreaking survey of this vast body of work, assembling contributions on a variety of national and regional historiographies from some of the most prominent scholars in the field. By analyzing perceptions of the war in contexts ranging from Nazi Germany to India’s struggle for independence, this is an illuminating collective study of the complex interplay of memory and history.

Author: Internationales Symposion Krieg und Literatur im 20. Jahrhundert
Publisher:
ISBN:
Category :
Languages : de
Pages : 476

View

Book Description

Author: Christoph Cornelissen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311070739X
Category : History
Languages : en
Pages : 368

View

Book Description
During the First World War, mass media achieved an enormous and continuously growing importance in all belligerent countries. Newspaper, illustrated magazines, comics, pamphlets, and instant books, fi ctional works, photography, and the new-born “theater of imagery”, the cinema, were crucial in order to create a heroic vision of the events, to mobilize and maintain the consensus on the war. But their role was pivotal also in creating the image of the war’s end and fi nally, together with a widespread, new literary genre, the war memoirs, to shape the collective memory of the confl ict for the next generations. Even before November 1918, the media raised high expectations for a multifaceted peace: a new global order, the beginning of a peaceful era, the occasion for a regenerating apocalypse. Likewise, in the following decades, particularly war literature and cinema were pivotal to reverse the icon of the Great War as an epic crusade and a glorious chapter of the national history and to create the hegemonic image of a senseless carnage. The Mediatization of War and Peace focalizes on the central role played by mass media in the tortuous transition to the post-war period as well as on the profound disenchantment generated by their prophesies.

Author: Justine McConnell
Publisher: Bloomsbury Publishing
ISBN: 1472579399
Category : Literary Criticism
Languages : en
Pages : 320

View

Book Description
Ancient Greek Myth in World Fiction since 1989 explores the diverse ways that contemporary world fiction has engaged with ancient Greek myth. Whether as a framing device, or a filter, or via resonances and parallels, Greek myth has proven fruitful for many writers of fiction since the end of the Cold War. This volume examines the varied ways that writers from around the world have turned to classical antiquity to articulate their own contemporary concerns. Featuring contributions by an international group of scholars from a number of disciplines, the volume offers a cutting-edge, interdisciplinary approach to contemporary literature from around the world. Analysing a range of significant authors and works, not usually brought together in one place, the book introduces readers to some less-familiar fiction, while demonstrating the central place that classical literature can claim in the global literary curriculum of the third millennium. The modern fiction covered is as varied as the acclaimed North American television series The Wire, contemporary Arab fiction, the Japanese novels of Haruki Murakami and the works of New Zealand's foremost Maori writer, Witi Ihimaera.

Author: Benjamin Ziemann
Publisher: Bloomsbury Publishing
ISBN: 1474239595
Category : History
Languages : en
Pages : 265

View

Book Description
Translated into English as the Winner of the Geisteswissenschaften International Translation Prize for Work in the Humanities and Social Sciences 2015. During the Great War, mass killing took place on an unprecedented scale. Violence and the German Soldier in the Great War explores the practice of violence in the German army and demonstrates how he killing of enemy troops, the deaths of German soldiers and their survival were entwined. As the war reached its climax in 1918, German soldiers refused to continue killing in their droves, and thus made an active contribution to the German defeat and ensuing revolution. Examining the postwar period, the chapters of this book also discuss the contested issue of a 'brutalization' of German society as a prerequisite of the Nazi mass movement. Biographical case studies on key figures such as Ernst Jünger demonstrate how the killing of enemy troops by German soldiers followed a complex set of rules. Benjamin Ziemann makes a wealth of extensive archival work available to an Anglophone audience for the first time, enhancing our understanding of the German army and its practices of violence during the First World War as well as the implications of this brutalization in post-war Germany. This book provides new insights into a crucial topic for students of twentieth-century German history and the First World War.