Author: Publisher:
ISBN:
Category : Semiotics
Languages : en
Pages : 408
Book Description
Code
Author: Semiotics
Author: Roland PosnerPublisher: Walter de Gruyter
ISBN: 3110179628
Category : Language Arts & Disciplines
Languages : en
Pages : 550
Book Description
This series of HANDBOOKS OF LINGUISTICS AND COMMUNICATION SCIENCE is designed to illuminate a field which not only includes general linguistics and the study of linguistics as applied to specific languages, but also covers those more recent areas which have developed from the increasing body of research into the manifold forms of communicative action and interaction. For "classic" linguistics there appears to be a need for a review of the state of the art which will provide a reference base for the rapid advances in research undertaken from a variety of theoretical standpoints, while in the more recent branches of communication science the handbooks will give researchers both an verview and orientation. To attain these objectives, the series will aim for a standard comparable to that of the leading handbooks in other disciplines, and to this end will strive for comprehensiveness, theoretical explicitness, reliable documentation of data and findings, and up-to-date methodology. The editors, both of the series and of the individual volumes, and the individual contributors, are committed to this aim. The languages of publication are English, German, and French. The main aim of the series is to provide an appropriate account of the state of the art in the various areas of linguistics and communication science covered by each of the various handbooks; however no inflexible pre-set limits will be imposed on the scope of each volume. The series is open-ended, and can thus take account of further developments in the field. This conception, coupled with the necessity of allowing adequate time for each volume to be prepared with the necessary care, means that there is no set time-table for the publication of the whole series. Each volume will be a self-contained work, complete in itself. The order in which the handbooks are published does not imply any rank ordering, but is determined by the way in which the series is organized; the editor of the whole series enlist a competent editor for each individual volume. Once the principal editor for a volume has been found, he or she then has a completely free hand in the choice of co-editors and contributors. The editors plan each volume independently of the others, being governed only by general formal principles. The series editor only intervene where questions of delineation between individual volumes are concerned. It is felt that this (modus operandi) is best suited to achieving the objectives of the series, namely to give a competent account of the present state of knowledge and of the perception of the problems in the area covered by each volume.
Improvisation as Art
Author: Edgar LandgrafPublisher: Bloomsbury Publishing USA
ISBN: 162892957X
Category : Literary Criticism
Languages : en
Pages : 176
Book Description
Improvisation as Art traces how modernity's emphasis on inventiveness has changed the meaning of improvisation; and how the ideals and laws that led improvisation to be banned from "high art" in the eighteenth century simultaneously enabled the inventive reintegration of improvisation into modernism. After an in-depth exploration of contemporary theoretical contentions surrounding improvisation, Landgraf examines how the new emphasis on inventiveness affects the understanding of improvisation in the emerging aesthetic and anthropological discourses of the late 18th and early 19th centuries. He first focuses on accounts of improvisational performances by Moritz, Goethe, and Fernow and reads them alongside the aesthetics of autonomy as it develops at the same time. In its second half, the book investigates how the problem of "planning" art receives a different treatment in German Romanticism. The final chapter focuses on the writings of Heinrich von Kleist where improvisation presents a central aesthetic principle. Kleist's figurations of improvisation recognize the anthropological predicament of the self in modern society and the social constraints that invite and often force individuals to improvise.
Crowd and Rumour in Shakespeare
Author: Kai WiegandtPublisher: Routledge
ISBN: 1317156889
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
In this study, the author offers new interpretations of Shakespeare's works in the context of two major contemporary notions of collectivity: the crowd and rumour. The plays illustrate that rumour and crowd are mutually dependent; they also betray a fascination with the fact that crowd and rumour make individuality disappear. Shakespeare dramatizes these mechanisms, relating the crowd to class conflict, to rhetoric, to the theatre and to the organization of the state; and linking rumour to fear, to fame and to philosophical doubt. Paying attention to all levels of collectivity, Wiegandt emphasizes the close relationship between the crowd onstage and the Elizabethan audience. He argues that there was a significant - and sometimes precarious - metatheatrical blurring between the crowd on the stage and the crowd around the stage in performances of crowd scenes. The book's focus on crowd and rumour provides fresh insights on the central problems of some of Shakespeare's most contentiously debated plays, and offers an alternative to the dominant tradition of celebrating Shakespeare as the origin of modern individualism.
Künstler-Bilder
Author: Publisher: BRILL
ISBN: 9004334513
Category : Literary Criticism
Languages : en
Pages : 217
Book Description
Bereits in der Antike entwickelte sich eine Metakunst, die die Kunst und das Künstlertum selber zum Objekt von Kunstäusserungen machte. In der Zeit der Postmoderne ist die Thematisierung realer Kunst und realer Künstlergestalten in der Kunst nicht mehr wegzudenken. Künstler-Bilder vereint zehn Aufsätze, die sich mit literarischen Werken befassen, in denen der Autor sich historischen Künstlergestalten zuwendet, um sich so in ihnen zu spiegeln. Objekt der Darstellung sind Musiker, bildende Künstler und, vor allem, Dichter. Zeitlich reicht das Spektrum von Jakob Michael Reinhold Lenz’ Umgang mit Goethe als verehrtem Vorbild im 18. bis zu Hanns-Josef Ortheils eigenwilliger Sicht aus dem späten 20. Jahrhunderts auf die römischen Abenteuer Goethes. Ihm treten Mörike und Mozart, Stefan Zweig und Balzac, Hodler und Pedretti, Bernhard und Freumbichler, Härtling und Hölderlin, Kühn und Schumann sowie Grass und Fontane, um nur einige zu nennen, an die Seite. Nur selten ist die historische Künstlergestalt Gegenstand der Verehrung oder der Idealisierung. Vereinnahmung, Vergegenwärtigung, Problematisierung oder gar Ironisierung waren und sind in der Auseinandersetzung mit ihr nicht weniger ergiebig. Die Vielfalt der Möglichkeiten im produktiven Umgang mit historischem Schöpfertum will der vorliegende Band aufscheinen lassen.
Jacques Derrida (Routledge Revivals)
Author: William SchultzPublisher: Routledge
ISBN: 1315470241
Category : Philosophy
Languages : en
Pages : 945
Book Description
First published in 1992, this book represents the first major attempt to compile a bibliography of Derrida’s work and scholarship about his work. It attempts to be comprehensive rather than selective, listing primary and secondary works from the year of Derrida’s Master’s thesis in 1954 up until 1991, and is extensively annotated. It arranges under article type a huge number of works from scholars across numerous fields — reflecting the interdisciplinary and controversial nature of Deconstruction. The substantial introduction and annotations also make this bibliography, in part, a critical guide and as such will make a highly useful reference tool for those studying his philosophy.
The Routledge Handbook of Language and Media
Author: Colleen CotterPublisher: Routledge
ISBN: 1317375246
Category : Language Arts & Disciplines
Languages : en
Pages : 851
Book Description
The Routledge Handbook of Language and Media provides an accessible and comprehensive overview of state-of-the-art research in media linguistics. This handbook analyzes both language theory and practice, demonstrating the vital role of this research in understanding language use in society. With over thirty chapters contributed by leading academics from around the world, this handbook: addresses issues of language use, form, structure, ideology, practice, and culture in the context of both traditional and new communication media; investigates mediated language use in public spheres, organizations, and personal communication, including newspaper journalism, broadcasting, and social media; examines the interplay of language and media from both linguistic and media perspectives, discussing auditory and visual media and graphic modes, as well as language and gender, multilingualism, and language change; analyzes the advantages and shortcomings of current approaches within media linguistics research and outlines avenues for future research. The Routledge Handbook of Language and Media is a must-have survey of this key field, and is essential reading for those interested in media linguistics.
The Authority of the Word
Author: Celeste BrusatiPublisher: BRILL
ISBN: 9004215158
Category : History
Languages : en
Pages : 773
Book Description
This book examines scriptural authority and its textual and visual instruments, asking how words and images interacted to represent and by representing to constitute authority, both sacred and secular, in Northern Europe between 1400 and 1700.
Wise Words (RLE Folklore)
Author: Wolfgang MiederPublisher: Routledge
ISBN: 1317549236
Category : Social Science
Languages : en
Pages : 464
Book Description
The twenty essays that comprise this book, which was first published in 1994, were written by leading paremiologists and folklorists from Africa, Canada, Great Britain, Germany and the US. They represent the best scholarship on proverbs in the English language, and together they give an impressive overview of the fascinating advances in the field of paremiology.
The Poetry of Juan Ramón Jiménez.
Author: Julio Hans C. JensenPublisher: Museum Tusculanum Press
ISBN: 8763536471
Category : Literary Criticism
Languages : en
Pages : 223
Book Description
The Spanish poet Juan Ramón Jiménez (1881–1958; Nobel laureate 1956) wrote at a key moment in literary history. Since Jiménez’s lyrical output covers the poetic tradition from Romanticism through Symbolism to the Avant-Gardes, his work can be regarded as a condensation of the modern paradigm. Julio Jensen investigates the lyrical subject appearing in Jiménez’s poetry as exemplary of the notion of modern subjectivity. He does so by assuming a historical correlation between literature and philosophy in the sense that if philosophical discourse conceptualizes the prevailing understanding of the human being at a given moment, literary discourse represents it. Modern thought does not accept any other foundation than subjectivity. At the same time, the awareness of the subject’s finitude engenders pessimism with respect to its status as world-generating principle. One of the primary aims of this study, then, is to show how Jiménez poignantly enacts this vacillation between self-enthronement and self-eradication. With insightful readings of Jiménez’s poetry, the author opens a rich vein in the work of a writer who would serve as a central reference for later Spanish-language poets such as Federico Garcá Lorca, Pablo Neruda and Octavio Paz.