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Author: Dan Williams Publisher: Springer ISBN: 1137471980 Category : Performing Arts Languages : en Pages : 236
Book Description
This book explores connections between the diverse ideas of Melanie Klein, Jean-Paul Sartre and Ingmar Bergman. These ideas are explored in relation to their shared focus on imagination and through detailed readings of a number of Bergman's key films.
Author: Dan Williams Publisher: Springer ISBN: 1137471980 Category : Performing Arts Languages : en Pages : 236
Book Description
This book explores connections between the diverse ideas of Melanie Klein, Jean-Paul Sartre and Ingmar Bergman. These ideas are explored in relation to their shared focus on imagination and through detailed readings of a number of Bergman's key films.
Author: Erik Hedling Publisher: Manchester University Press ISBN: 9198557726 Category : Performing Arts Languages : en Pages : 239
Book Description
This unique collection focuses on the work of legendary Swedish filmmaker Ingmar Bergman. Written in the wake of the centenary of Bergman’s birth in 2018, the volume aims to combine new approaches to Bergman’s films and writings with more traditional analyses. Established themes such as Bergman’s interest in philosophy and psychology are addressed, but also less familiar topics, notably his relationship with Hollywood and his elaborate use of film music and autobiographical writing that characterised his later work. There are new analyses of aspects of Bergman’s most famous films, including Smiles of a Summer Night and Fanny and Alexander, but also insightful readings of lesser-known works, such as Saraband and Sawdust and Tinsel.
Author: Jean-Paul Sartre Publisher: Routledge ISBN: 041577618X Category : Literary Criticism Languages : en Pages : 232
Book Description
First published in French in 1936, L'Imagination is a pivotal early work by Jean-Paul Sartre. This major new translation makes a classic work of philosophy available to a new audience.
Author: Jean-Paul Sartre Publisher: Psychology Press ISBN: 9780415287555 Category : Imagination Languages : en Pages : 244
Book Description
The Imaginary marks the first attempt to introduce Husserl's work into the English-speaking world. This new translation rectifies flaws in the 1948 translation and recaptures the essence of Sartre's phenomenology.
Author: Jean-Paul Sartre Publisher: Routledge ISBN: 1134445032 Category : Philosophy Languages : en Pages : 241
Book Description
The Imaginary marks the first attempt to introduce Husserl's work into the English-speaking world. This new translation rectifies flaws in the 1948 translation and recaptures the essence of Sartre's phenomenology.
Author: Austin Hayden Smidt Publisher: ISBN: 9781786677679 Category : Authors, French Languages : en Pages : 287
Book Description
There are perpetual debates about the extent of freedom in politics. Are we free to choose? Are we overdetermined by our material conditions? Some hybrid between the two? In this text, Austin Hayden Smidt analyzes an oft-overlooked text by Jean-Paul Sartre in order to ground a logical framework for exploring this problem. -- Provided by publisher
Author: Erland Josephson Publisher: Taschen ISBN: 9783836568661 Category : Performing Arts Languages : en Pages : 0
Book Description
From the archives at the Bergman Foundation comes an homage to the Swedish auteur and consummate explorer of the human condition. This re-edition brings back TASCHEN's award-winning publication, produced with many of Ingmar Bergman's close collaborators. Charting the director's entire working life in film, it features rare material and film...
Author: Thomas Elsaesser Publisher: Routledge ISBN: 1317581148 Category : Performing Arts Languages : en Pages : 290
Book Description
What is the relationship between cinema and spectator? This is the key question for film theory, and one that Thomas Elsaesser and Malte Hagener put at the center of their insightful and engaging book, now revised from its popular first edition. Every kind of cinema (and every film theory) first imagines an ideal spectator, and then maps certain dynamic interactions between the screen and the spectator’s mind, body and senses. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from its beginnings to the present—from neo-realist and modernist theories to psychoanalytic, ‘apparatus,’ phenomenological and cognitivist theories, and including recent cross-overs with philosophy and neurology. This new and updated edition of Film Theory: An Introduction through the Senses has been extensively revised and rewritten throughout, incorporating discussion of contemporary films like Her and Gravity, and including a greatly expanded final chapter, which brings film theory fully into the digital age.
Author: Dan Williams
Author: Dan Williams
Author: Erik Hedling
Author: Jean-Paul Sartre
Author: Jean-Paul Sartre
Author: Jean-Paul Sartre
Author: Jean-Paul Sartre
Author: Charles B. Ketcham
Author: Austin Hayden Smidt
Author: Erland Josephson
Author: Thomas Elsaesser