Klavierwerke: Images. Set I. Reflets dans l'eau ; Hommage à Rameau ; Mouvement PDF Download

Author: Eberhardt Klemm
Publisher:
ISBN:
Category : Ballades (Instrumental music)
Languages : en
Pages : 80

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Author: Claude Debussy
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 36

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Book Description

Author: Claude Debussy
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 32

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Author: Library of Congress
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 714

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Author:
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 480

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Book Description

Author: Joseph Banowetz
Publisher: Indiana University Press
ISBN: 0253066751
Category : Music
Languages : en
Pages : 321

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Book Description
" . . . a most precious book which every serious pianist and teacher must own." —Journal of the American Liszt Society Joseph Banowetz and four distinguished contributors provide practical suggestions and musicological insights on the pedaling of keyboard works from the 18th to the 20th century.

Author: Roy Howat
Publisher: Cambridge University Press
ISBN: 9780521311458
Category : Music
Languages : en
Pages : 264

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Book Description
An analysis that accounts precisely for the nature of Debussy's musical forms and how forms of different works are related. Geometric systems found here throw new light on Debussy's intense interest in the other arts and provide links with artists he admired in other fields.

Author: Daniel Gregory Mason
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 660

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Author: Gustav Mahler
Publisher: Boston : Northeastern University Press
ISBN:
Category : Music
Languages : fr
Pages : 256

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Book Description
Verzameling brieven van de Oostenrijkse componist (1860-1911).

Author: Roy Howat
Publisher: Yale University Press
ISBN: 0300159773
Category : Music
Languages : en
Pages : 417

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Book Description
An essential resource for scholars and performers, this study by a world-renowned specialist illuminates the piano music of four major French composers, in comparative and reciprocal context. Howat explores the musical language and artistic ethos of this repertoire, juxtaposing structural analysis with editorial and performing issues. He also relates his four composers historically and stylistically to such predecessors as Chopin, Schumann, Liszt, the French harpsichord school, and Russian and Spanish music. Challenging long-held assumptions about performance practice, Howat elucidates the rhythmic vitality and invention inherent in French music. In granting Fauré and Chabrier equal consideration with Debussy and Ravel, he redresses a historic imbalance and reshapes our perceptions of this entire musical tradition. Outstanding historical documentation and analysis are supported by Howat’s direct references to performing traditions shaped by the composers themselves. The book balances accessibility with scholarly and analytic rigor, combining a lifetime’s scholarship with practical experience of teaching and the concert platform