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Author: Klaus Heinrich Thomas Mann Publisher: Plunkett Lake Press ISBN: Category : Biography & Autobiography Languages : en Pages : 263
Book Description
In this second installment of his autobiography (following Kind dieser Zeit), Klaus Mann describes his childhood in the family of Thomas Mann and his circle, his adolescence in the Weimar Republic, and his experiences as a young homosexual and early opponent of Nazism. He also describes how, after the Reichstag elections of September 1930, friends and family began to discuss the looming prospect of emigration and exile. When Stefan Zweig published an article claiming that democracy was ineffective, Klaus replied: “I want to have nothing, nothing at all to do with this perverse kind of ‘radicalism.’” After hearing one of his working-class lovers in a storm trooper’s uniform say, “They are going to be the bosses and that’s all there is to it,” Klaus fled to Paris in March of 1933. He became one of one hundred thousand German refugees in France, losing his publisher, friends and associates, and readers in the process. He describes finding a German Jewish publisher in Amsterdam and the difficulties of starting a journal of émigré writing. In 1934, his German passport expired and he was forced to renew temporary travel documents every six months. The President of Czechoslovakia offered citizenship to the entire Mann family in 1936 but then Hitler invaded that country and Klaus emigrated to the United States. Despite statelessness, bouts of syphilis and drug abuse, neither his pace of travel nor publication slowed. His novel Der Vulkan is among the most famous books about German exiles during World War II but it sold only 300 copies. Klaus stopped reading and writing German in the U.S. “The writer must not cling with stubborn nostalgia to his mother tongue,” he writes in The Turning Point. He must “find a new vocabulary, a new set of rhythms and devices, a new medium to articulate his sorrow and emotions, his protests and his prayers.” This extraordinary memoir, an eyewitness account of the rise of Nazism by an out gay man, was Klaus Mann’s first book written in English. “A highly civilized child of the twentieth century is trying to make peace with his times, trying to find a place to belong... The decay of France, the paranoia of Germany, the coming disasters, the shining myth of Europe... are now compelling concerns... A sensitive, cultivated European looks at his world, his life, and describes them in apt and telling phrase. Toward both his attitude is not so strong as despair, but rather one of alienation. His book is a commentary upon evil times...” — Lorinne Pruette, The New York Times “Klaus Mann... has written an intensely engaging autobiography... This is Klaus Mann’s own story; it is also the story of many young intellectuals in a darkening Europe; and it is the story of a son of a famous man... an eloquent book... a lavish document.” — Winfield Townley Scott, The American Mercury “[Klaus Mann’s] autobiography [is] certainly one of the great autobiographies of the century and probably the definitive one of the life of a German exile… Not only very good reading but also essential in the literature of twentieth-century exile.” — Carl Zuckmayer, Bloomsbury Review “A delightful, modern-romantic group portrait of the Manns en famille.” — The New Yorker “The portrait of the Mann family is excellent. Klaus Mann is at his best describing his childhood and the family life... The value and the interest of this book lies in the intimate impressions and memories of many celebrities who crossed the path of Klaus Mann during his wanderings through the whole world.” — The Saturday Review of Literature “The book moves with passion and conviction in a stirring tempo worthy of the son of Thomas Mann. The years in exile are superbly written.” — The New York Post “This autobiography by the son of Thomas Mann has a double value: first as a distinguished autobiography, a sensitive portrait of a young man growing up in between-wars Germany, second as a loving intimate portrait of his father. A vivid picture of what the first war meant to a child, with its violent patriotism, its deprivations; then the moral disorder of Berlin youth in the 20s and his attempts to express himself against the rising tide of fascism, one of the reasons for the family exile.” — Kirkus Reviews
Author: Klaus Heinrich Thomas Mann Publisher: Plunkett Lake Press ISBN: Category : Biography & Autobiography Languages : en Pages : 263
Book Description
In this second installment of his autobiography (following Kind dieser Zeit), Klaus Mann describes his childhood in the family of Thomas Mann and his circle, his adolescence in the Weimar Republic, and his experiences as a young homosexual and early opponent of Nazism. He also describes how, after the Reichstag elections of September 1930, friends and family began to discuss the looming prospect of emigration and exile. When Stefan Zweig published an article claiming that democracy was ineffective, Klaus replied: “I want to have nothing, nothing at all to do with this perverse kind of ‘radicalism.’” After hearing one of his working-class lovers in a storm trooper’s uniform say, “They are going to be the bosses and that’s all there is to it,” Klaus fled to Paris in March of 1933. He became one of one hundred thousand German refugees in France, losing his publisher, friends and associates, and readers in the process. He describes finding a German Jewish publisher in Amsterdam and the difficulties of starting a journal of émigré writing. In 1934, his German passport expired and he was forced to renew temporary travel documents every six months. The President of Czechoslovakia offered citizenship to the entire Mann family in 1936 but then Hitler invaded that country and Klaus emigrated to the United States. Despite statelessness, bouts of syphilis and drug abuse, neither his pace of travel nor publication slowed. His novel Der Vulkan is among the most famous books about German exiles during World War II but it sold only 300 copies. Klaus stopped reading and writing German in the U.S. “The writer must not cling with stubborn nostalgia to his mother tongue,” he writes in The Turning Point. He must “find a new vocabulary, a new set of rhythms and devices, a new medium to articulate his sorrow and emotions, his protests and his prayers.” This extraordinary memoir, an eyewitness account of the rise of Nazism by an out gay man, was Klaus Mann’s first book written in English. “A highly civilized child of the twentieth century is trying to make peace with his times, trying to find a place to belong... The decay of France, the paranoia of Germany, the coming disasters, the shining myth of Europe... are now compelling concerns... A sensitive, cultivated European looks at his world, his life, and describes them in apt and telling phrase. Toward both his attitude is not so strong as despair, but rather one of alienation. His book is a commentary upon evil times...” — Lorinne Pruette, The New York Times “Klaus Mann... has written an intensely engaging autobiography... This is Klaus Mann’s own story; it is also the story of many young intellectuals in a darkening Europe; and it is the story of a son of a famous man... an eloquent book... a lavish document.” — Winfield Townley Scott, The American Mercury “[Klaus Mann’s] autobiography [is] certainly one of the great autobiographies of the century and probably the definitive one of the life of a German exile… Not only very good reading but also essential in the literature of twentieth-century exile.” — Carl Zuckmayer, Bloomsbury Review “A delightful, modern-romantic group portrait of the Manns en famille.” — The New Yorker “The portrait of the Mann family is excellent. Klaus Mann is at his best describing his childhood and the family life... The value and the interest of this book lies in the intimate impressions and memories of many celebrities who crossed the path of Klaus Mann during his wanderings through the whole world.” — The Saturday Review of Literature “The book moves with passion and conviction in a stirring tempo worthy of the son of Thomas Mann. The years in exile are superbly written.” — The New York Post “This autobiography by the son of Thomas Mann has a double value: first as a distinguished autobiography, a sensitive portrait of a young man growing up in between-wars Germany, second as a loving intimate portrait of his father. A vivid picture of what the first war meant to a child, with its violent patriotism, its deprivations; then the moral disorder of Berlin youth in the 20s and his attempts to express himself against the rising tide of fascism, one of the reasons for the family exile.” — Kirkus Reviews
Author: M. Halliwell Publisher: Springer ISBN: 0230502733 Category : Fiction Languages : en Pages : 266
Book Description
Modernism and Morality discusses the relationship between artistic and moral ideas in European and American literary modernism. Rather than reading modernism as a complete rejection of social morality, this study shows how early twentieth-century writers like Conrad, Faulkner, Gide, Kafka, Mann and Stein actually devised new aesthetic techniques to address ethical problems. By focusing on a range of decadent, naturalist, avant-garde and expatriate writers between 1890 and the late 1930s this book reassesses the moral trajectory of transatlantic fiction.
Author: George Ferzoco Publisher: Routledge ISBN: 135115110X Category : Literary Criticism Languages : en Pages : 277
Book Description
Since Ovid, the concept of metamorphosis has been an irresistible temptation for writers, not only as a metaphor for shifting personal identity but as a way of exploring ideas of cultural and political transition. The essays in this volume show how authors from Ovid, Chaucer, and Shakespeare to Thomas Mann, Karen Blixen, and 20th-century science fiction writers, have used this pervasive concept to raise fundamental questions about the nature and agency of radical change. Among the broad topics addressed are how shifts in scientific understanding intersect with and even effect transformations in literary expression; the differing values attached to the language of metamorphosis over time; and the connection between these values and structures of power, particularly gender relations. In addition to the editors, the contributors are Darko Suvin, Alessandro Perutelli, Elsa Linguanti, Douglas Burnham, Enrico Giaccherini, Lia Pacinotti, Michael St John, Rocco Coronato, Silvia Bruti, Elisabetta Cori, Judith Rorai Milanesi, Catherine Burgass, Luca Biagiotti, Stefania Magnoni, Daniel Weavis, Julian North, Ashley Chantler, Martin Halliwell, Patrick Quinn, Roberta Ferrari, Silvia Bigliazzi, and Nicoletta Caputo.
Author: Brian K. Goodman Publisher: Harvard University Press ISBN: 0674983378 Category : Authors, American Languages : en Pages : 363
Book Description
The Cold War was an era of surprising connections between American and Czech literary cultures. Major writers met behind the Iron Curtain, while others smuggled, translated, and adapted works from the other side. Brian K. Goodman explores the artistic and political consequences, arguing that the movement of literature inspired new forms of dissent.
Author: Laura Fermi Publisher: Plunkett Lake Press ISBN: Category : Social Science Languages : en Pages : 318
Book Description
“Migration from Europe has occurred without interruption since the time America was discovered. There have always been some intellectuals, educated abroad, whose presence and work enriched our culture. Laura Fermi, however, analyzes a new and unique phenomenon in the history of immigration, the wave of intellectuals from continental Europe that from 1930 to 1941 brought to these shores well over 20,000 professional refugees. Most immigrant intellectuals were pushed out of the European continent by the dictatorships of that period; they were ‘the men and women who came to America fully made, with their Ph.D.’s or diplomas from art academies or music conservatories in their pocket, and who continue to engage in intellectual pursuits in this country.’ Among them we find Franz Alexander, Bruno Bettelheim, Enrico Fermi, Hannah Arendt, Albert Einstein, Igor Stravinsky, John von Neumann, Paul Tillich and a long sequence of Nobel Prize winners and exceptional scholars. Their contribution to American life continues to the present. Working with a sample of about 1,900 names and relying on personal contacts, interviews, memoirs, newspaper accounts, obituaries, and similar sources, Mrs. Fermi succeeds in conveying the significance of the intellectual immigration and the areas of its impact on America. She describes the personal trials and the successes of these persons caught up in the web of persecution and peregrinations leading to higher institutions of learning in the United States... the delightful style of the book, the new light it throws on the period studied from a participant observer’s position, and the insight it brings forth concerning the mutual enrichment of American and European intellectual communities make it enjoyable and instructive reading.” — Silvano M. Tomasi, The International Migration Review “Illustrious Immigrants is an honest and informative book; it is well-organized, well-informed, well-balanced... crammed with information, with illuminating anecdotes, often moving incidents and revealing statistics.” — Peter Gay, The New York Times “[R]ich in personal anecdote and communication which make delightful reading... in so many ways a splendid and useful book, tackling with imagination, industry, and a rare combination of personal concern and emotional detachment a subject that would frighten — indeed thus far has frightened — professional social historians by its magnitude and complexity.” — Alice Kimball Smith, Science “[Laura Fermi has] made an effort to bring together materials that exist nowhere else and to juxtapose them so as to reveal patterns that would otherwise be invisible. For this, we should be grateful... Mrs Fermi’s work is earnest and responsible.” — Harriet Zuckerman, Physics Today “[Laura Fermi is] an immensely knowledgeable, discerning, and unpretentious guide to the influx [of the intellectual migration from Fascist Europe], as well as a personal example of its lustrous quality... this engaging book... will prove to be indispensable to all students of transatlantic interactions.” — Cushing Strout, The Annals of the American Academy of Political and Social Science “This is an optimistic book, a contribution to a singular chapter in the history of American science and learning.” — Philip Morrison, Scientific American
Author: Paul Scheffer Publisher: John Wiley & Sons ISBN: 150954092X Category : Political Science Languages : en Pages : 148
Book Description
There are few issues more contentious today than the nature and purpose of borders. Migration flows and the refugee crisis have propelled the issue of borders into the centre of political debate and revealed our moral unease more clearly than ever. Who are we to deny others access to our territory? Is not freedom of movement a basic human right, one that should be defended above all others? In this book Paul Scheffer takes a different view. Rather than thinking of borders as obstacles to freedom, he argues that borders make freedom possible. Democracy and redistributive justice are only possible with the regulation of access to territories and rights. When liberals ignore an open society’s need for borders, people with authoritarian inclinations will begin to erect them. In the context of Europe, the project of removing internal borders can therefore only be successful if Europe accepts responsibility for its external border. This timely and important book challenges conventional ways of thinking and will be of interest to everyone concerned with the great social and political issues of our time.
Author: Harlow Robinson Publisher: Plunkett Lake Press ISBN: Category : Biography & Autobiography Languages : en Pages : 524
Book Description
Sergei Prokofiev: A Biography traces the career of one of the most significant — and most popular — composers of the twentieth century. Using materials from previously closed archives in the USSR, from archives in Paris and London, and interviews with family members and musicians who knew and worked with Prokofiev, the biography illuminates the life and music of the prolific creator of such classics as Peter and the Wolf, Romeo and Juliet, Cinderella, the “Classical” Symphony, the Alexander NevskyCantata, and the Lieutenant Kizhe Suite. Prokofiev (1891-1953) lived a life complicated and enriched by the momentous political and social transformation of his homeland in the aftermath of the 1917 Bolshevik Revolution. Born to a middle-class family in rural Ukraine, he demonstrated amazing music talent at a very early age. In 1904, he began serious musical study at St. Petersburg Conservatory. For graduation, he composed (and performed) his audacious Piano Concerto No.1, which helped to make his name as the “Bad Boy of Russian Music.” As one of the most accomplished pianists of his time, Prokofiev composed many works for the instrument which remain today an important fixture of the concert repertory. Prokofiev fled the chaos following the 1917 Bolshevik Revolution for the United States, where he lived and worked for several years, producing his comic opera The Love for Three Oranges and his very popular Third Piano Concerto. But he found American taste too underdeveloped, and moved to Paris in 1923 where he collaborated on ballets with Sergei Diaghilev’s Ballets Russes (including Prodigal Son) and wrote several more operas (The Gambler, The Fiery Angel). Prokofiev also toured widely as a concert pianist, reaching nearly all major European capitals and returning several times to the United States, where his music was promoted by Serge Koussevitsky, conductor of the Boston Symphony Orchestra. During his Paris years, he began returning regularly on tours to the USSR, greeted with ecstatic enthusiasm. Dissatisfied with his music’s reception in Paris, and homesick for Russia, Prokofiev in 1936 made the controversial decision to move with his wife and two sons to Moscow, just as Josef Stalin’s purges were intensifying. Until 1938 he continued to tour abroad. In Moscow and Leningrad, Prokofiev worked with brilliant artists, including film director Sergei Eisenstein (for whom he wrote the scores toAlexander Nevsky and Ivan the Terrible), pianist Sviatoslav Richter, cellist Mstislav Rostropovich and ballerina Galina Ulanova (who danced the role of Juliet in Romeo and Juliet). But life was difficult: during World War II, Prokofiev and his second wife were evacuated to Central Asia. Even so, he managed to compose his gigantic opera War and Peace, his epic Fifth Symphony and many other seminal works of Soviet and world music. After suffering a stroke in 1945, Prokofiev’s health worsened. At the same time, his music was attacked as “formalist” by Stalin’s cultural officials in 1948, when his first wife was arrested and sent to a labor camp. Ironically, Prokofiev died on the very same day as Stalin, March 5, 1953. “One is grateful for Harlow Robinson’s Sergei Prokofiev: A Biography... which is about as good as a musical biography gets: Robinson illuminates the artist’s character, penetrates the human significance of the music, demonstrates an easy command of Russian political and cultural history, and writes with clarity and vigor. Anyone thinking about Prokofiev is deeply in his debt.” — Algis Valiunas, The Weekly Standard “Harlow Robinson’s biography of the composer is the fullest account to date, a thoughtful study of a puzzling personality in and out of music and a comprehensive history of the East-West cultural curtain as it constrained the life and work of the one major artist who had been active on both of its sides... The biographer is fair-minded, generous to Prokofiev but by no means an apologist... the best-written biography of a modern composer.” — Robert Craft, The Washington Post “An indefatigably productive composer who achieved considerable success during his lifetime, Prokofiev seldom seemed satisfied, as he restlessly sought ever-greater recognition. Mr. Robinson explores the darkest corners of this labyrinthine life and brings clarity to some of its more puzzling twists and turns... [he] skillfully relates Prokofiev’s life to greater political and cultural currents.” — Carol J. Oja, The New York Times “[Robinson] tells us more than anyone hitherto about the composer’s life as well as much about the origins and qualities of the music... The first full biography published in English to avoid the pitfalls of cold-war politics... [A] book of many virtues. [Robinson] gives us more facts about Prokofiev’s life than any previous biographer, and he weaves them into a story of politics, art, and romance that marvelously gathers momentum... Robinson writes with the skill of a novelist; but the story, in this instance, is true.” — George Martin, The Opera Quarterly “A splendid life, by a Slavic-studies specialist who is also a musician, of one of our century’s most popular composers... Mr. Robinson’s account of the musical development of his monomaniacal hero is first-rate.” — The New Yorker “[A] well-written, scholarly, and very detailed book...” — April FitzLyon, The Times Literary Supplement “Certainly, there is nothing in English to rival Robinson’s book in scope and detail...” — Richard Dyer, The Boston Globe “[Prokofiev] has long been in need of the full, impressively researched, congenially written study that Robinson gives us.” — Gary Schmidgall, Opera News “[A] fluent, readable and detailed biography of Prokofiev from the perspective of a musically informed cultural historian... Robinson has made a complicated and contradictory life accessible to the western reader... Robinson has performed the important first step of chronicling for the general reader one of the twentieth century’s major musical personalities – and his biography will stitch music into the Russian cultural scene for many professional Slavists as well.” — Caryl Emerson, The Russian Review “The manner in which [Stravinsky and Prokofiev] pursued their careers in tandem for a while is one of the subjects generously described by Harlow Robinson with his flair for interesting and relevant information in his absorbing new biography of Prokofiev.” — Arthur Berger, The New York Review of Books “More detailed and comprehensive, and less politically partisan, than previous biographies, this readable account... deals objectively but compassionately with the life and work of a major Russian composer.” — Publishers Weekly “This is the best biography in English to date on Prokofiev... Robinson candidly exposes Prokofiev’s flaws, from his musical capriciousness and opportunism to his unpardonable social tactlessness... Throughout, the writing is intended for the lay reader — crisp, fast-paced, and unencumbered by technical jargon. Highly recommended.” — Library Journal
Author: Lisa Fittko Publisher: Plunkett Lake Press ISBN: Category : Biography & Autobiography Languages : en Pages : 182
Book Description
“This memoir documents the fate of German expatriates, Jews, antifascists and socialists before and immediately following France’s defeat in World War II. Escape Through the Pyrenees is set in a concentration camp called Gurs and in the various border checkpoints in southern France, along the coast and in the Pyrenees. Fascism is shown not to be a monopoly of any people. If the Germans excelled at it, Lisa Fittko shows, many French officials occasionally outdid them. Against a backdrop of chaos as refugees flee the Gestapo, the gap between law and any true code of honor becomes glaringly evident. Ms. Fittko and her husband, Hans, were socialists, and their commitment to sharing impelled them to risk their lives to lead refugees, including the critic Walter Benjamin, over the Pyrenees to Spain. The author takes delight in describing the people she met — the 70-year-old female hobo, for example, whom Ms. Fittko encountered in the death ward of a French hospital and who read Baudelaire and sang the Marseillaise at the top of her voice. This woman was a rebel not against fascism but against institutionalization of any sort. It is in portraits like this that Escape Through the Pyrenees, well translated from the German by David Koblick, transcends the documentary formula and captures the poetry of human character.” — Freema Gottlieb, The New York Times “[A] worthy account of French wartime cowardice and xenophobia and of the brave souls who defied officialdom.” — Publishers Weekly “Lisa Fittko had no room for self-pity. Their campaigns against terror were pure struggles; [her] accounts, even allowing for the retouching of memory, are pure too.” — Smithsonian “[T]his memoir [...] is unique in the literature of the resistance... the book truly reads as a suspense novel... The author made a valuable contribution to the literature of the persecuted in World War II.” — Vera Laska, International Journal on World Peace “[T]he story of a little-known dimension of the fight against Hitler.” — Shofar “[A] gripping book.” — Alfred G. Frei, The Journal of Modern History
Author: Sebastian Haffner Publisher: Plunkett Lake Press ISBN: Category : Biography & Autobiography Languages : en Pages : 100
Book Description
Written in the tradition of Stefan Zweig’s biographical studies, Haffner’s Churchill is a concise, effective, warts-and-all analysis of one of the giants of the twentieth century. Beginning with a brief history of the Churchill family, Haffner examines the future Prime Minister’s childhood; his early failures in school and in politics; his indomitable energy and drive; how he managed to become an inspirational figure to anti-Nazis all over the world; and how he managed to seize success from the jaws of defeat over and over again. Compact, elegant and incisive, this is the one book about Churchill that is a must-read. “One of the most brilliant things of any length written about Churchill.” — The Times Literary Supplement “Fast-moving and perceptive.” — The (London) Times “A wonderful portrait of Churchill.” — Die Zeit “A ravishing biography.” — Der Spiegel “[A] fascinating psychological study of Britain’s greatest war leader... a pleasure to put on your bookshelf” — Tribune “His Meaning of Hitler published in 1978 remains a masterpiece of historiography. His Churchill biography gives the first indication of his great talent for brief, wonderfully graphic insights.” — Süddeutsche Zeitung “Of all [Haffner’s] books, this is the one that stays in my memory.” — Marcel Reich-Ranicki “[Haffner] was an ‘admirer of great men’ and among all the biographies of Winston Churchill his brief sketch of the man who ‘risked Britain in order to defeat Hitler’ is a model of historically empathetic veneration.” — Joachim Fest “Astute, short, analytical, like all Haffner’s work. Cuts away anything that is not bare essential, what remains stays with you for a lifetime.” — J. AB Sennef, Quora “What distinguishes this brilliant biography is its partisanship. It does not list facts in order and evaluate them. Every sentence is witness to the fact that the biographer loves this man with all his failings.” — Wolfgang Franssen, Belletristik Couch “A jewel. Haffner lived through the decisive years in Britain and gives a convincing description the fragile atmosphere in which Churchill fought his battles.” — Tarzan von Aquin “[Haffner was] one of the great historians and journalists of the last century.” —Andrew Roberts
Author: Klaus Heinrich Thomas Mann
Author: Klaus Heinrich Thomas Mann
Author: Klaus Mann
Author: M. Halliwell
Author: George Ferzoco
Author: Brian K. Goodman
Author: Laura Fermi
Author: Paul Scheffer
Author: Harlow Robinson
Author: Lisa Fittko
Author: Sebastian Haffner