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Author: Odd Nerdrum Publisher: Schibsted Forlag ISBN: 9788251636384 Category : Kitsch Languages : en Pages : 0
Book Description
Kitsch is Odd Nerdrum's luxuriously produced apologia for the enduring relevance of the old master style. Containing writings and interviews by and with Nerdrum alongside hefty plate sections of both Nerdrum's own paintings and those by painters he sees as exemplars of a certain kind of figurative art, it is a bold attack on the foundations of modernism. In Nerdrum's view, what we call "kitsch" art is a consequence of modernism's "make it new" ethic. For Nerdrum, this insistence on novelty has permeated the thinking of institutions, critics, artists and the public, and has effectively suppressed what Nerdrum most values in a work of art: sentimentality, passion, pathos and the self-evident skill and emotion of sheer craft. By this latter value in particular, the kitsch painter is able to work according to knowable standards that painting prior to modernism has established--standards that are "more than art," for, as Nerdrum puts it, "the kitsch painter commits himself to the eternal: love, death and the sunrise." Kitsch is a manifesto that recruits figurative painters both old and new, such as William Dyce, Paul Fenniak, Sampo Kaikkonen, Isaac Levitan, Osiris Rain, Ilya Repin, Giovanni Segantini, Valentin Serov, George Tooker, George Frederick Watts and Anders Zorn, and situates their work alongside more than 70 of Nerdrum's recent paintings. Alongside essays, poems and plays by the artist, Kitsch contains an extended dialogue on the topic between Nerdrum and Maria Kreyn.
Author: Odd Nerdrum Publisher: Schibsted Forlag ISBN: 9788251636384 Category : Kitsch Languages : en Pages : 0
Book Description
Kitsch is Odd Nerdrum's luxuriously produced apologia for the enduring relevance of the old master style. Containing writings and interviews by and with Nerdrum alongside hefty plate sections of both Nerdrum's own paintings and those by painters he sees as exemplars of a certain kind of figurative art, it is a bold attack on the foundations of modernism. In Nerdrum's view, what we call "kitsch" art is a consequence of modernism's "make it new" ethic. For Nerdrum, this insistence on novelty has permeated the thinking of institutions, critics, artists and the public, and has effectively suppressed what Nerdrum most values in a work of art: sentimentality, passion, pathos and the self-evident skill and emotion of sheer craft. By this latter value in particular, the kitsch painter is able to work according to knowable standards that painting prior to modernism has established--standards that are "more than art," for, as Nerdrum puts it, "the kitsch painter commits himself to the eternal: love, death and the sunrise." Kitsch is a manifesto that recruits figurative painters both old and new, such as William Dyce, Paul Fenniak, Sampo Kaikkonen, Isaac Levitan, Osiris Rain, Ilya Repin, Giovanni Segantini, Valentin Serov, George Tooker, George Frederick Watts and Anders Zorn, and situates their work alongside more than 70 of Nerdrum's recent paintings. Alongside essays, poems and plays by the artist, Kitsch contains an extended dialogue on the topic between Nerdrum and Maria Kreyn.
Author: Thomas Kulka Publisher: Penn State Press ISBN: 0271074183 Category : Philosophy Languages : en Pages : 148
Book Description
What is kitsch? What is behind its appeal? More important, what is wrong with kitsch? Though central to our modern and postmodern culture, kitsch has not been seriously and comprehensively analyzed; its aesthetic worthlessness has been generally assumed but seldom explained. Kitsch and Art seeks to give this phenomenon its due by exploring the basis of artistic evaluation and aesthetic value judgments. Tomas Kulka examines kitsch in the visual arts, literature, music, and architecture. To distinguish kitsch from art, Kulka proposes that kitsch depicts instantly identifiable, emotionally charged objects or themes, but that it does not substantially enrich our associations relating to the depicted objects or themes. He then addresses the deceptive nature of kitsch by examining the makeup of its artistic and aesthetic worthlessness. Ultimately Kulka argues that the mass appeal of kitsch cannot be regarded as aesthetic appeal, but that its analysis can illuminate the nature of art appreciation.
Author: Odd Nerdrum Publisher: Kagge ISBN: Category : Antiques & Collectibles Languages : en Pages : 116
Book Description
Kitsch has long been viewed as fine art's poor relation, aping its form while failing utterly to achieve its depth of meaning. In "On Kitsch" Odd Nerdrum and others discuss the meaning and value of kitsch in today's world, and its relationship to art. For the first time in this volume, English-speaking fans have the chance to read the writings of Odd Nerdrum, Norway's most famous contemporary artist, or kitch painter, as he would refer to himself. This printing of a variety of writings by Nerdrum and others includes speeches, essays, and humorous pieces such as "The Kitch Questionnaire," and "Kitch Aphorisms." This book is an opportunity to discover the thought process of one of the world's most unique and compelling artists.
Author: Aleksa Čelebonović Publisher: ABRAMS ISBN: Category : Art Languages : en Pages : 208
Book Description
Some Call it Kitsch revives the delightful and evocative art our parents and grandparents cherished. These Victorian and Edwardian masterworks were the pride of great museums around the world, and a lightly disguised source of erotic stimulation to their viewers. But after the victory of Impressionism over Academic painting and the rise of "modern" art, these eloquent narrative depicting historical events, mythological scenes, religious tableaux, adn erotic landscapes gradually sank into total disfavor and were relegated to dusty storage bins and dismissed as Kitsch - the epitome of oversentimentality, pretentiousness, and bad taste. Today these paintings are once again taken seriously for their imaginative content and technical brilliance as well as for their nostalgic and often sensual charm. Prices are skyrocketing and exhibitions draw large and enthusiastic crows. Some Call It Kitsch is the first full-scale exploration of Bourgeois Realist painting in terms of present-day critical standards. Among the artists represented are Alma-Tadema (Greek and Roman scenes of splendor and debauchery), Tissot (upper-middle-class high life), Lord Leighton (icily Classical but thoroughly erotic nudes), and Boldini (portraits of Edwardian aesthetes and titled beauties). The author, Aleksa C̆elebonović, is Yogoslavia's leading book publisher and a distinguished art historian. Writing with great perception and wit, he brings to life a group of fascinating painters, some well known today, others forgotten for more than a century. French, German, Italian, English, Hungarian, Polish, Russian, and American artists are represented, the majority for the first time in full color. A valuable feature of the volume is a section devoted to brief biographies of the artists. -- from dust jacket.
Author: Daniel Tiffany Publisher: JHU Press ISBN: 1421411458 Category : Literary Criticism Languages : en Pages : 312
Book Description
Reveals the hidden origins of kitsch in poetry from the eighteenth century. Taking its title from John Keats, My Silver Planet contends that the problem of elite poetry’s relation to popular culture bears the indelible mark of its turbulent incorporation of vernacular poetry—a legacy shaped by nostalgia, contempt, and fraudulence. Daniel Tiffany reactivates and fundamentally redefines the concept of kitsch, freeing it from modernist misapprehension and ridicule, by tracing its origin to poetry’s alienation from the emergent category of literature. Tiffany excavates the forgotten history of poetry’s relation to kitsch, beginning with the exuberant revival of archaic (and often spurious) ballads in Britain in the early eighteenth century. In these controversial events of poetic imposture, Tiffany identifies a submerged pact—in opposition to the bourgeois values of literature—between elite and vernacular poetries. Tiffany argues that the ballad revival—the earliest explicit formation of what we now call popular culture—sparked a perilous but seemingly irresistible flirtation (among elite audiences) with poetic forgery that endures today in the ambiguity of the kitsch artifact: Is it real or fake, art or kitsch? He goes on to trace the genealogy of kitsch in texts ranging from nursery rhymes and poetic melodrama to the lyric commodities of Baudelaire. He scrutinizes the fascist “paradise” inscribed in Ezra Pound’s Cantos as well as the avant-garde poetry of the New York School and its debt to pop and “plastic” art. By exposing and elaborating the historical poetics of kitsch, My Silver Planet transforms our sense of kitsch as a category of material culture.
Author: Anthony White Publisher: MIT Press (MA) ISBN: 9780262015929 Category : Art and society Languages : en Pages : 0
Book Description
In 1961, a solo exhibition by Argentine-Italian artist Lucio Fontana met with a scathing critical response from New York art critics. Fontana (1899--1968), well known in Europe for his series of slashed monochrome paintings, offered New York ten canvases slashed and punctured, thickly painted in luridly brilliant hues and embellished with chunks of colored glass. One critic described the work as "halfway between constructivism and costume jewelry," unwittingly putting his finger on the contradiction at the heart of these paintings and much of Fontana's work: the cut canvases suggest avant-garde iconoclasm, but the glittery ornamentation evokes outmoded forms of kitsch. In Lucio Fontana, Anthony White examines a selection of the artist's work from the 1930s to the 1960s, arguing that Fontana attacked the idealism of twentieth-century art by marrying modernist aesthetics to industrialized mass culture, and attacked modernism's purity in a way that anticipated both pop art and postmodernism. Fontana painted expressionist and abstract sculptures in the pinks and golds of mass-produced knick-knacks, saturated architectural installations with fluorescent paint and ultraviolet light, and encrusted candy-colored monochrome canvases with glitter. In doing so, White argues, he challenged Clement Greenberg's dictum that avant-garde and kitsch are diametrically opposed. Relating Fontana's art to the political and social context in which he worked, White shows how Fontana used the materials and techniques of mass culture to comment on the fate of the avant-garde under Italian fascism and the postwar "economic miracle." At a time when Fontana's work is commanding record prices, this new interpretation of the work assures that it has unprecedented critical relevance.
Author: Menene Gras Balaguer Publisher: Somogy Art Publishing ISBN: 9782757213001 Category : Painting, Philippine Languages : en Pages : 0
Book Description
"This new book on Manuel Ocampo (Manila, 1965), Fear of a Kitsch Existence (1989-2017), deals with more than three decades of the artist’s career, since the late eighties up to now. 'Fear of a Kitsch Existence' is the statement given by him to refer to it as an indicator of how he thinks his artwork should be read or considered, although he leaves it open not wanting to guide in any case its perception or its interpretation. The sentence entails a rough outline of what he feels and tries to avoid, although it is not the first time he puts that into words. As it usually happens once and again with these kinds of propositions that are written on his paintings, one is reminded of the significance of all the verbal signs that show up together with the featured image like symptoms of what he wants to communicate. Gathering Ocampo’s work in this publication has been possible due to the artist collaboration and willingness. You will find around three hundred images of his artworks since the beginning of his career until 2017, some of which have been rescued before being lost and others as key representations of a postcolonial discourse that it is clearly explicit through all his work"--Publisher's website.
Author: Jo Packham Publisher: Sterling Publishing Company, Inc. ISBN: 9781402717543 Category : Crafts & Hobbies Languages : en Pages : 140
Book Description
"It's fun, it's retro?and it's back in style. Take a fond look back at the kitschy crafts of the 40s, 50s, 60s, 70s, and 80s, from crocheted doilies to shell-art nightlights. All these nostalgic creations appear in appropriately fashioned period settings that will captivate browsers, and come with instructions for those who just can't resist creating their own string-art pictures, pink flamingo items, far-out tie dyes, kooky candles, macrame; plant hangers, and the one-time must-have on every coffee table: a resin-cast grape cluster. And, of course, who can live without the hottest toy of all? The Sock Monkey Doll. Everyone will have a blast poring over these?even those who have never made a craft in their lives"--Publisher's description.
Author: Inger Schjoldager Publisher: Arvinius & Orfeus ISBN: 9789187543043 Category : Art Languages : en Pages : 0
Book Description
Not many artists of today s art world create an additional footprint through his or hers great number of pupils. Odd Nerdrum founded a school that was common for master painters in earlier centuries but not of today. His followers have a direct influence in their art from their master. This book shows how The Nerdrum School is an important part of the international art scene in our time.0The author of the preface, the art critic Richard Vine describes Nerdrum like this: For the last four decades, Odd Nerdrum has been, in that sense, a necessary artist not because he towers at the forefront of world acclaim or because his work engages contemporary issues in distinctly contemporary visual terms. On the contrary, he has been by his own account and in keeping with his own wish the odd man out. Most viewers and most art-world professionals have regarded him as simply too talented and too famous to ignore, and yet too contrarian to embrace. In his long rough gown, Nerdrum has stood at the door of art s Temple, so to speak, like a prophet reminding us of our artistic derelictions and sins. 0.
Author: Odd Nerdrum
Author: Odd Nerdrum
Author: Thomas Kulka
Author: Odd Nerdrum
Author: Aleksa Čelebonović
Author: Daniel Tiffany
Author: Anthony White
Author: Eva Pataki
Author: Menene Gras Balaguer
Author: Jo Packham
Author: Inger Schjoldager