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Author: Richard Pearce Publisher: University of Arizona Press ISBN: 0816599823 Category : Art Languages : en Pages : 125
Book Description
Ledger art has traditionally been created by men to recount the lives of male warriors on the Plains. During the past forty years, this form has been adopted by Native female artists, who are turning previously untold stories of women’s lifestyles and achievements into ledger-style pictures. While there has been a resurgence of interest in ledger art, little has been written about these women ledger artists. Women and Ledger Art calls attention to the extraordinary achievements of these strong women who have chosen to express themselves through ledger art. Author Richard Pearce foregrounds these contributions by focusing on four contemporary women ledger artists: Sharron Ahtone Harjo (Kiowa), Colleen Cutschall (Oglala Lakota), Linda Haukaas (Sicangu Lakota), and Dolores Purdy Corcoran (Caddo). Pearce spent six years in continual communication with the women, learning about their work and their lives. Women and Ledger Art examines the artists and explains how they expanded Plains Indian history. With 46 stunning images of works in various mediums—from traditional forms on recovered ledger pages to simulated quillwork and sculpture, Women in Ledger Art reflects the new life these women have brought to an important transcultural form of expression.
Author: Richard Pearce Publisher: University of Arizona Press ISBN: 0816599823 Category : Art Languages : en Pages : 125
Book Description
Ledger art has traditionally been created by men to recount the lives of male warriors on the Plains. During the past forty years, this form has been adopted by Native female artists, who are turning previously untold stories of women’s lifestyles and achievements into ledger-style pictures. While there has been a resurgence of interest in ledger art, little has been written about these women ledger artists. Women and Ledger Art calls attention to the extraordinary achievements of these strong women who have chosen to express themselves through ledger art. Author Richard Pearce foregrounds these contributions by focusing on four contemporary women ledger artists: Sharron Ahtone Harjo (Kiowa), Colleen Cutschall (Oglala Lakota), Linda Haukaas (Sicangu Lakota), and Dolores Purdy Corcoran (Caddo). Pearce spent six years in continual communication with the women, learning about their work and their lives. Women and Ledger Art examines the artists and explains how they expanded Plains Indian history. With 46 stunning images of works in various mediums—from traditional forms on recovered ledger pages to simulated quillwork and sculpture, Women in Ledger Art reflects the new life these women have brought to an important transcultural form of expression.
Author: Michael Paul Jordan Publisher: University of Oklahoma Press ISBN: 080616073X Category : Art Languages : en Pages : 293
Book Description
The largest known collection of ledger art ever acquired by one individual is Mark Lansburgh’s diverse assemblage of more than 140 drawings, now held by the Hood Museum of Art at Dartmouth College and catalogued in this important book. The Cheyennes, Crows, Kiowas, Lakotas, and other Plains peoples created the genre known as ledger art in the mid-nineteenth century. Before that time, these Indians had chronicled the heroic achievements of their warriors and chiefs on rock, buffalo robes, and tipi covers. As they came into increasing contact with American traders, the artists recorded their experiences in pencil and crayon drawings on paper bound in ledger or account books. The drawings became known as ledger art. This volume presents in full color the Lansburgh collection in its entirety. The drawings are narratives depicting Plains lifeways through Plains eyes. They include landscapes and scenes of battle, hunting, courting, ceremony, incarceration, and travel by foot, horse, train, and boat. Ledger art also served to prompt memories of horse raids and heroic exploits in battle. In addition to showcasing the Lansburgh collection, Ledger Narratives augments the growing literature on this art form by providing seven new essays that suggest some of the many stories the drawings contain and that look at them from innovative perspectives. The authors—scholars of art history, anthropology, history, and Native American studies—touch on such themes as gender, social status, sovereignty, tribal and intertribal politics, economic exchange, and confinement and space in a changing world. The Lansburgh collection includes some of the most arresting examples of Plains Indian art, and the essays in this volume help us see and hear the multiple narratives these drawings relate.
Author: Phillip Earenfight Publisher: ISBN: Category : Art Languages : en Pages : 252
Book Description
Presents the sketchbook made by Kiowa warrior artist Etahdleuh Doanmoe at Fort Marion in 1877, with other drawings and photographs, and essays about the U.S. Army's exile of Arapaho, Comanche, Cheyenne, and Kiowa Native Americans from Oklahoma to Florida and subsequent Westernization and assimilation of the prisoners.
Author: Jennifer Graber Publisher: Oxford University Press ISBN: 019027963X Category : Religion Languages : en Pages : 304
Book Description
During the nineteenth century, white Americans sought the cultural transformation and physical displacement of Native people. Though this process was certainly a clash of rival economic systems and racial ideologies, it was also a profound spiritual struggle. The fight over Indian Country sparked religious crises among both Natives and Americans. In The Gods of Indian Country, Jennifer Graber tells the story of the Kiowa Indians during Anglo-Americans' hundred-year effort to seize their homeland. Like Native people across the American West, Kiowas had known struggle and dislocation before. But the forces bearing down on them-soldiers, missionaries, and government officials-were unrelenting. With pressure mounting, Kiowas adapted their ritual practices in the hope that they could use sacred power to save their lands and community. Against the Kiowas stood Protestant and Catholic leaders, missionaries, and reformers who hoped to remake Indian Country. These activists saw themselves as the Indians' friends, teachers, and protectors. They also asserted the primacy of white Christian civilization and the need to transform the spiritual and material lives of Native people. When Kiowas and other Native people resisted their designs, these Christians supported policies that broke treaties and appropriated Indian lands. They argued that the gifts bestowed by Christianity and civilization outweighed the pains that accompanied the denial of freedoms, the destruction of communities, and the theft of resources. In order to secure Indian Country and control indigenous populations, Christian activists sanctified the economic and racial hierarchies of their day. The Gods of Indian Country tells a complex, fascinating-and ultimately heartbreaking-tale of the struggle for the American West.
Author: Brad D. Lookingbill Publisher: University of Oklahoma Press ISBN: 9780806137391 Category : History Languages : en Pages : 296
Book Description
War Dance at Fort Marion tells the powerful story of Kiowa, Cheyenne, Comanche, and Arapaho chiefs and warriors detained as prisoners of war by the U.S. Army. Held from 1875 until 1878 at Fort Marion in Saint Augustine, Florida, they participated in an educational experiment, initiated by Captain Richard Henry Pratt, as an alternative to standard imprisonment. This book, the first complete account of a unique cohort of Native peoples, brings their collective story to life and pays tribute to their individual talents and achievements. Throughout their incarceration, the Plains Indian leaders followed Pratt’s rules and met his educational demands even as they remained true to their own identities. Their actions spoke volumes about the sophistication of their cultural traditions, as they continued to practice Native dances and ceremonies and also illustrated their history and experiences in the now-famous ledger drawing books. Brad D. Lookingbill’s War Dance at Fort Marion draws on numerous primary documents, especially Native American accounts, to reconstruct the war prisoners’ story. The author shows that what began as Pratt’s effort to end the Indians’ resistance to their imposed exile transformed into a new vision to mold them into model citizens in mainstream American society, though this came at the cost of intense personal suffering and loss for the Indians.
Author: Candace S. Greene Publisher: University of Oklahoma Press ISBN: 9780806133072 Category : History Languages : en Pages : 372
Book Description
Plains Indians were artists as well as warriors, and Silver Horn (1860-1940), a Kiowa artist from the early reservation period, may well have been the most prolific Plains Indian artist of all time. Known also as Haungooah, his Kiowa name, Silver Horn was a man of remarkable skill and talent. Working in graphite, colored pencil, crayon, pen and ink, and watercolor on hide, muslin, and paper, he produced more than one thousand illustrations between 1870 and 1920. Silver Horn created an unparalleled visual record of Kiowa culture, from traditional images of warfare and coup counting to sensitive depictions of the sun dance, early Peyote religion, and domestic daily life. At the turn of the century, he helped translate nearly the entire corpus of Kiowa shield designs into miniaturized forms on buckskin models for Smithsonian ethnologist James Mooney. Born in 1860 when huge bison herds still roamed the southern plains, Silver Horn grew up in southwestern Oklahoma. Son of a chief and member of an artistically gifted family, he witnessed traumatic changes as his people went from a free-roaming, buffalo-hunting culture to reservation life and, ultimately, to forced assimilation into white society. Although perceived as a troublemaker in midlife because of his staunch resistance to the forces of civilization, Silver Horn became to many a romantic example of the "real old-time Indian." In this presentation of Silver Horn’s work, showcasing 43 color and 116 black-and-white illustrations, Candace S. Greene provides a thorough biographical portrait of the artist and, through his work, assesses the concepts and roles of artists in Kiowa culture.
Author: Moira F. Harris Publisher: ISBN: 9780961776732 Category : Art Languages : en Pages : 148
Book Description
Art historian Moira F. Harris analyzes the known Fort Marion drawings attributed to Wo-Haw, Kiowa warrior and artist (1855-1924), in relationship to then contemporary events.. Her work shows how Kiowa Indian painting developed from its traditional beginnings to the preset day.
Author: Candace S. Greene Publisher: U of Nebraska Press ISBN: 0803219407 Category : History Languages : en Pages : 287
Book Description
"Weaving together information from archival sources, community memories, and a close reading of the pictures themselves, the author frames and clarifies this uniquely Native American perspective on Southern Plains history during an era of great political, economic, and cultural pressures. A rare window on a century of Kiowa life, One Hundred Summers is also an invaluable contribution to the indigenous history of North America. The volume includes appendices featuring a wealth of unpublished primary source material on other Kiowa calendars and a glossary by a native Kiowa speaker."--BOOK JACKET.
Author: Richard Henry Pratt Publisher: University of Oklahoma Press ISBN: 0806192801 Category : Biography & Autobiography Languages : en Pages : 414
Book Description
General Richard Henry Pratt, best known as the founder and longtime superintendent of the influential Carlisle Indian School in Pennsylvania, profoundly shaped Indian education and federal Indian policy at the turn of the twentieth century. Pratt’s long and active military career included eight years of service as an army field officer on the western frontier. During that time he participated in some of the signal conflicts with Indians of the southern plains, including the Washita campaign of 1868-1869 and the Red River War of 1874-1875. He then served as jailor for many of the Indians who surrendered. His experiences led him to dedicate himself to Indian education, and from 1879 to 1904, still on active military duty, he directed the Carlisle school, believing that the only way to save Indians from extinction was to remove Indian youth to nonreservation settings and there inculcate in them what he considered civilized ways. Pratt’s memoirs, edited by Robert M. Utley and with a new foreword by David Wallace Adams, offer insight into and understanding of what are now highly controversial turn-of-the-century Indian education policies.
Author: Richard Pearce
Author: Richard Pearce
Author: Michael Paul Jordan
Author: Phillip Earenfight
Author: Jane Catherine Berlo
Author: Jennifer Graber
Author: Brad D. Lookingbill
Author: Candace S. Greene
Author: Moira F. Harris
Author: Candace S. Greene
Author: Richard Henry Pratt