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Author: Kati Bach Publisher: GRIN Verlag ISBN: 363820460X Category : Literary Collections Languages : en Pages : 24
Book Description
Seminar paper from the year 2002 in the subject English Language and Literature Studies - Linguistics, grade: 2 (B), Martin Luther University (Anglistics), course: Shakespear's Plays, language: English, abstract: King Lear was first published in 1608 and is one of the numerous tragedies written by William Shakespeare. However, it is not just any of his tragedies, the tragedy of King Lear “stands like a colossus at the centre of Shakespeare’s achievement as the grandest effort of imagination”, says Foakes who is the Editor of the Arden Edition (Foakes 1997, 1). “In its social range it encompasses a whole society, from king to beggar, and invites us to move in our imagination between a royal palace and a hovel on a bare heath” (Foakes 1997, 1). Nevertheless, “complications have been kept to a minimum” (Brown 2001, 229) by Shakespeare. Still, this tragedy “is as demanding as any of the others – in some ways, it is the most epic of them all” (Brown 2001, 229). Between all the commotion in the plot, Lear’s story “is the one clear and indisputable element” (Brown 2001, 229). From the beginning to the end, “Lear’s story is presented in stark and unavoidably physical terms” (Brown 2001, 231). The threefold dignity of a king, an old man, and a father, is dishonored by the cruel ingratitude of his unnatural daughters; the old king, who out of a foolish tenderness has given away everything, is driven out into the world a homeless beggar; the childish imbecility to which he was fast advancing changes into the wildest insanity, and when he is rescued from the destitution to which he was abandoned, it is too late. (Bates 1906)) In a way that was new to himself and almost unknown in the theatre of his time, Shakespeare constantly drew attention to what his hero undergoes in body as well as in mind, in his senses as well as in his thoughts and feelings, achievements, and relations with other people. (Brown 2001, 231) In this paper I am trying to follow Lear’s state of mind and thought. The King goes from power to madness and from royalty to peasantry. But how does he articulate his deep thoughts and feelings through language? How can the reader understand his change in mood? The following pages will give some insight on these topics and will help to a better understanding of the character of King Lear.
Author: Kati Bach Publisher: GRIN Verlag ISBN: 363820460X Category : Literary Collections Languages : en Pages : 24
Book Description
Seminar paper from the year 2002 in the subject English Language and Literature Studies - Linguistics, grade: 2 (B), Martin Luther University (Anglistics), course: Shakespear's Plays, language: English, abstract: King Lear was first published in 1608 and is one of the numerous tragedies written by William Shakespeare. However, it is not just any of his tragedies, the tragedy of King Lear “stands like a colossus at the centre of Shakespeare’s achievement as the grandest effort of imagination”, says Foakes who is the Editor of the Arden Edition (Foakes 1997, 1). “In its social range it encompasses a whole society, from king to beggar, and invites us to move in our imagination between a royal palace and a hovel on a bare heath” (Foakes 1997, 1). Nevertheless, “complications have been kept to a minimum” (Brown 2001, 229) by Shakespeare. Still, this tragedy “is as demanding as any of the others – in some ways, it is the most epic of them all” (Brown 2001, 229). Between all the commotion in the plot, Lear’s story “is the one clear and indisputable element” (Brown 2001, 229). From the beginning to the end, “Lear’s story is presented in stark and unavoidably physical terms” (Brown 2001, 231). The threefold dignity of a king, an old man, and a father, is dishonored by the cruel ingratitude of his unnatural daughters; the old king, who out of a foolish tenderness has given away everything, is driven out into the world a homeless beggar; the childish imbecility to which he was fast advancing changes into the wildest insanity, and when he is rescued from the destitution to which he was abandoned, it is too late. (Bates 1906)) In a way that was new to himself and almost unknown in the theatre of his time, Shakespeare constantly drew attention to what his hero undergoes in body as well as in mind, in his senses as well as in his thoughts and feelings, achievements, and relations with other people. (Brown 2001, 231) In this paper I am trying to follow Lear’s state of mind and thought. The King goes from power to madness and from royalty to peasantry. But how does he articulate his deep thoughts and feelings through language? How can the reader understand his change in mood? The following pages will give some insight on these topics and will help to a better understanding of the character of King Lear.
Author: William Shakespeare Publisher: HarperCollins ISBN: 1443441554 Category : Drama Languages : en Pages : 104
Book Description
Among the most enduring poetry of all time, William Shakespeare’s 154 sonnets address such eternal themes as love, beauty, honesty, and the passage of time. Written primarily in four-line stanzas and iambic pentameter, Shakespeare’s sonnets are now recognized as marking the beginning of modern love poetry. The sonnets have been translated into all major written languages and are frequently used at romantic celebrations. Known as “The Bard of Avon,” William Shakespeare is arguably the greatest English-language writer known. Enormously popular during his life, Shakespeare’s works continue to resonate more than three centuries after his death, as has his influence on theatre and literature. Shakespeare’s innovative use of character, language, and experimentation with romance as tragedy served as a foundation for later playwrights and dramatists, and some of his most famous lines of dialogue have become part of everyday speech. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Author: Seth C. Hawkins Publisher: Cambridge Scholars Publishing ISBN: 1527537994 Category : Literary Criticism Languages : en Pages : 299
Book Description
Perhaps the most important, difficult, and unresolved issue in Shakespeare studies is the question of Lear’s last lines; the whole meaning of Shakespeare’s greatest and most controversial tragedy depends upon it. In the 1608 Quarto, it is “O,o,o,o”—that zero to which the Fool compares Lear himself. In the 1623 Folio, the King’s last words are “Look on her! Look, her lips! Look there, look there!” No one but Lear sees what he points us to envision. Is it epiphany or delusion? Is Lear’s tragedy nihilistic or redemptive? In search of an answer, Hawkins deploys a wide spectrum of critical approaches: close scrutiny of the rival texts and comparison with the play’s sources, the unique double structure of Lear, its symbols and imagery, its visual and verbal scriptural allusions, even its numerology. The book enlists its readers in a quest for final meaning, not unlike the movement of the play itself towards Dover and the extreme verge of its imagined cliff, that high place where life borders upon death and earth meets sky and sea.
Author: Anthony David Nuttall Publisher: Yale University Press ISBN: 0300119283 Category : Literary Criticism Languages : en Pages : 442
Book Description
Offers a critical analysis of the themes, ideas, and preoccupation exemplified in the body of Shakespeare's work, including the nature of motive, cause, personal identity and relation, the status of imagination, ethics and subjectivity, and language and its capacity to occlude and communicate, in a study that emphasizes the link between great literature and its social and historical matrix.
Author: Ron Rosenbaum Publisher: Random House ISBN: 0307807924 Category : Biography & Autobiography Languages : en Pages : 626
Book Description
“[Ron Rosenbaum] is one of the most original journalists and writers of our time.” –David Remnick In The Shakespeare Wars, Ron Rosenbaum gives readers an unforgettable way of rethinking the greatest works of the human imagination. As he did in his groundbreaking Explaining Hitler, he shakes up much that we thought we understood about a vital subject and renews our sense of excitement and urgency. He gives us a Shakespeare book like no other. Rather than raking over worn-out fragments of biography, Rosenbaum focuses on cutting-edge controversies about the true source of Shakespeare’s enchantment and illumination–the astonishing language itself. How best to unlock the secrets of its spell? With quicksilver wit and provocative insight, Rosenbaum takes readers into the midst of fierce battles among the most brilliant Shakespearean scholars and directors over just how to delve deeper into the Shakespearean experience–deeper into the mind of Shakespeare. Was Shakespeare the one-draft wonder of Shakespeare in Love? Or was he rather–as an embattled faction of textual scholars now argues–a different kind of writer entirely: a conscientious reviser of his greatest plays? Must we then revise our way of reading, staging, and interpreting such works as Hamlet and King Lear? Rosenbaum pursues key partisans in these debates from the high tables of Oxford to a Krispy Kreme doughnut shop in a strip mall in the Deep South. He makes ostensibly arcane textual scholarship intensely seductive–and sometimes even explicitly sexual. At an academic “Pleasure Seminar” in Bermuda, for instance, he examines one scholar’s quest to find an orgasm in Romeo and Juliet. Rosenbaum shows us great directors as Shakespearean scholars in their own right: We hear Peter Brook–perhaps the most influential Shakespearean director of the past century–disclose his quest for a “secret play” hidden within the Bard’s comedies and dramas. We listen to Sir Peter Hall, founder of the Royal Shakespeare Company, as he launches into an impassioned, table-pounding fury while discussing how the means of unleashing the full intensity of Shakespeare’s language has been lost–and how to restore it. Rosenbaum’s hilarious inside account of “the Great Shakespeare ‘Funeral Elegy’ Fiasco,” a man-versus-computer clash, illustrates the iconic struggle to define what is and isn’t “Shakespearean.” And he demonstrates the way Shakespearean scholars such as Harold Bloom can become great Shakespearean characters in their own right. The Shakespeare Wars offers a thrilling opportunity to engage with Shakespeare’s work at its deepest levels. Like Explaining Hitler, this book is destined to revolutionize the way we think about one of the overwhelming obsessions of our time.
Author: J. R. Thorpe Publisher: Simon and Schuster ISBN: 1643138243 Category : Fiction Languages : en Pages : 354
Book Description
Inspired by Shakespeare's King Lear, this breathtaking debut novel tells the story of the most famous woman ever written out of literary history. "I am the queen of two crowns, banished fifteen years, the famed and gilded woman, bad-luck baleful girl, mother of three small animals, now gone. I am fifty-five years old. I am Lear's wife. I am here." Word has come. Care-bent King Lear is dead, driven mad and betrayed. His three daughters too, broken in battle. But someone has survived: Lear's queen. Exiled to a nunnery years ago, written out of history, her name forgotten. Now she can tell her story. Though her grief and rage may threaten to crack the earth open, she knows she must seek answers. Why was she sent away in shame and disgrace? What has happened to Kent, her oldest friend and ally? And what will become of her now, in this place of women? To find peace she must reckon with her past and make a terrible choice - one upon which her destiny, and that of the entire abbey, rests. Giving unforgettable voice to a woman whose absence has been a tantalising mystery, Learwife is a breathtaking novel of loss, renewal and how history bleeds into the present.
Author: Kati Bach
Author: Kati Bach
Author: William Shakespeare
Author: Coles Notes Staff
Author: William Shakespeare
Author: Seth C. Hawkins
Author: Anthony David Nuttall
Author: William Shakespeare
Author: Ron Rosenbaum
Author: William Shakespeare
Author: J. R. Thorpe