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Author: Anna Butterworth Publisher: ISBN: 9781854728333 Category : Harmony Languages : en Pages : 0
Book Description
A workbook that discusses the main elements of tonal harmony, and contains numerous music examples and exercises for working. Particularly helpful to bridge the gap between Grade 5 and Grade 6 theory, and also very useful material for all higher-grade theory exam entrants, and for A Level, Diploma and undergraduate music students.
Author: Anna Butterworth Publisher: ISBN: 9781854728333 Category : Harmony Languages : en Pages : 0
Book Description
A workbook that discusses the main elements of tonal harmony, and contains numerous music examples and exercises for working. Particularly helpful to bridge the gap between Grade 5 and Grade 6 theory, and also very useful material for all higher-grade theory exam entrants, and for A Level, Diploma and undergraduate music students.
Author: J. Wesley Schaum Publisher: ISBN: 9781936098552 Category : Languages : en Pages : 32
Book Description
(Educational Piano). Have fun learning improvisation with simple explanations and examples. This method encourages student creativity by providing ideas for composting and musical expression. Chord dexterity and ear training are developed with focused keyboard exercises. Students will develop accompaniment improvising from standard chord symbols using root position and inversions. Learning is reinforced by writing the notes for the chords and accompaniment patterns on workbook-style pages. Familiar folk songs and hymns are used to illustrate the accompaniment styles.
Author: William Lovelock Publisher: Createspace Independent Publishing Platform ISBN: 9781539766834 Category : Languages : en Pages : 114
Book Description
From the FOREWORD. In writing this book my aim has been not only to show the student how to manage and use the various possibilities, but also when to introduce them - a point which is obviously of prime importance. One so often encounters students who can talk glibly about the "treatment" of all kinds of chords, but who seem not to have the slightest idea of when to use them, or how to know when their use is implied in a given part. While the harmonisation of a melody or a bass is to a great extent dependent on the musical sensibility of the student, it has to be realised that certain melodic progressions imply, normally, certain definite harmonies, and these implications I have tried to make clear. Elementary work, at least, is largely compounded of commonplaces, and my object has been as far as possible to show how the underlying commonplace may be "spotted." An appendix on Figured Bass, for the benefit of those who use it in teaching, is published separately. It provides instruction and exercises on each chapter. The chapters and material have been arranged not only to provide a good grounding, but also to cover what is generally needed in the more elementary Harmony examinations, such as the paper work of the A.T.C.L., A.R.C.M., and L.R.A.M., and the whole book is based on my own practical experience in the teaching of Harmony. An attempt has also been made to show how exercises can be made reasonably interesting and flowing, by the early introduction of the unessential, and in particular Suspensions, which are often left to a later stage on account of their supposed difficulty. Actually they are easy enough to manage if dealt with on the lines indicated. The treatment of certain matters has been deliberately restricted and limited for the sake of clarity and simplicity; Modulation, for example, has been dealt with only in an elementary manner. The student is recommended to follow this book by my "Hints for Paper Work Candidates" (Hammond & Co. which will serve for general revision. Ample supplementary exercises are to be found in my "108 Exercises in Harmonisation," -W. Lovelock.
Author: Noah Baerman Publisher: Alfred Music Publishing ISBN: 9780739011072 Category : Music Languages : en Pages : 100
Book Description
This comprehensive study of harmony is a must for any musician interested in jazz. This book explains the essentials of jazz harmony in a friendly, easy-to-understand manner. A 12-key system is used to help you learn each concept in every key. Learn about rootless voicings, shell voicings, spread voicings, clusters, and how to select which voicings to use. Other topics include ii-V-I progressions, dominant chord cycles, Rhythm Changes," Giant Steps substitutions, thinking in modes, non-diatonic progressions and much more."
Author: Joe Mulholland Publisher: Hal Leonard Corporation ISBN: 1480360856 Category : Music Languages : en Pages : 262
Book Description
(Berklee Guide). Learn jazz harmony, as taught at Berklee College of Music. This text provides a strong foundation in harmonic principles, supporting further study in jazz composition, arranging, and improvisation. It covers basic chord types and their tensions, with practical demonstrations of how they are used in characteristic jazz contexts and an accompanying recording that lets you hear how they can be applied.
Author: Mark Harrison Publisher: Hal Leonard Publishing Corporation ISBN: 9780793598786 Category : Keyboard instruments Languages : en Pages : 0
Book Description
(Piano). This cutting-edge keyboard method is a total step-by-step approach to creating keyboard parts spontaneously. Rhythmic and harmonic concepts are applied in all keys, and are then used as a basis for developing specific solutions in rock, pop, ballad, funk, new age, country and gospel styles. Endorsed by Grammy winners, top educators, and Keyboard magazine.
Author: Anna Butterworth
Author: Anna Butterworth
Author: Sol Berkowitz
Author: J. Wesley Schaum
Author: William Lovelock
Author: Maurice Lieberman
Author: Noah Baerman
Author: Reginald Owen Morris
Author: Stanley Shumway
Author: Joe Mulholland
Author: Mark Harrison