Piano Concerto No. 23 in A, K. 488 PDF Download

Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
ISBN: 9781457475825
Category : Music
Languages : en
Pages : 60

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Book Description
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.

Author: Carl Ludwig Junker
Publisher: A-R Editions, Inc.
ISBN: 0895798581
Category : Concertos
Languages : en
Pages : 133

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Book Description
A pastor, critic, and writer by profession, Carl Ludwig Junker today is far better known for his books, articles, and published letters than for his musical compositions. As one of the most interesting and perceptive commentators and theorists of the late eighteenth century, Junker provided valuable information about contemporary musicians and music making during his lifetime. Junker also wrote twenty-four symphonies (now lost), thirteen piano pieces, and several songs. The concerto presented in this edition, opus 2, was published by Bossler in 1782. As Junker’s only surviving concerto, it enriches our understanding and appreciation of the early piano concerto, a genre that would find its full realization in the hands of Haydn, Mozart, and Beethoven.

Author: Josef Antonín Št?pán
Publisher: A-R Editions, Inc.
ISBN: 0895791331
Category : Music
Languages : en
Pages : 112

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Book Description

Author: Michael Talbot
Publisher: Oxford Monographs on Music
ISBN: 9780198166955
Category : Language Arts & Disciplines
Languages : en
Pages : 272

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Book Description
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.

Author: Christoph Schaffrath
Publisher: A-R Editions, Inc.
ISBN: 0895791005
Category : Music
Languages : en
Pages : 96

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Book Description

Author: Georg Christoph Wagenseil
Publisher: A-R Editions, Inc.
ISBN: 1987208609
Category : Music
Languages : en
Pages : 64

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Book Description
Georg Christoph Wagenseil’s (1715–77) concerto for four harpsichords, scored without orchestra, remains the only known work of its kind based on entirely original material. There are no other known works for four harpsichords besides Bach’s concerto in A minor for four harpsichords and strings, BWV 1065, itself an adaptation of Vivaldi’s four-violin concerto in B minor, RV 580. Wagenseil’s concerto provides an interesting footnote in the development of historical keyboard instruments. Alongside a few other Viennese keyboard works, the concerto features large bass intervals necessitating the use of the Viennese short octave—a keyboard configuration with multiply split bass keys unique to mid-18th-century Viennese keyboard building. This fact further establishes the relevance of early Viennese keyboard instruments in historical keyboard performance. Several aspects of performance practice unique to Wagenseil’s concerto are discussed in the introduction to the edition: continuo realization for a keyboard concerto without orchestra, negotiating the requirements of the Viennese short octave on instruments with chromatic keyboards, and interpreting the notational idiosyncrasies of the manuscript source.

Author: James Hamilton-Paterson
Publisher: Basic Books
ISBN: 1541697545
Category : Music
Languages : en
Pages : 143

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Book Description
An ode to Beethoven's revolutionary masterpiece, his Third Symphony In 1805, the world of music was startled by an avant-garde and explosive new work. Intellectually and emotionally, Beethoven's Third Symphony, the "Eroica," rudely broke the mold of the Viennese Classical symphony and revealed a powerful new expressiveness, both personal and societal. Even the whiff of actual political revolution was woven into the work-it was originally inscribed to Napoleon Bonaparte, a dangerous hero for a composer dependent on conservative royal patronage. With the first two stunning chords of the "Eroica," classical music was transformed. In Beethoven's Eroica, James Hamilton-Paterson reconstructs this great moment in Western culture, the shock of the music and the symphony's long afterlife.

Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 9780521834834
Category : Music
Languages : en
Pages : 344

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Book Description
A rare volume dedicated entirely to scholarship on the genre of the concerto.

Author: David Beach
Publisher: Routledge
ISBN: 1136329765
Category : Music
Languages : en
Pages : 385

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Book Description
Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis. It outlines a process of analyzing works in the Classical tradition by uncovering the construction of a piece of music—the formal, harmonic, rhythmic, and voice-leading organizations—as well as its unique features. It develops an in-depth approach that is applied to works by composers including Haydn, Mozart, Beethoven, Schubert, Schumann, and Brahms. The book begins with foundational chapters in music theory, starting with basic diatonic harmony and progressing rapidly to more advanced topics, such as phrase design, phrase expansion, and chromatic harmony. The second part contains analyses of complete musical works and movements. The text features over 150 musical examples, including numerous complete annotated scores. Suggested assignments at the end of each chapter guide students in their own musical analysis.

Author: Paul Corneilson
Publisher: University of Illinois Press
ISBN: 0252053680
Category : Music
Languages : en
Pages : 218

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Book Description
Today, the names Bach and Mozart are mostly associated with Johann Sebastian Bach and Wolfgang Amadeus Mozart. But this volume of Bach Perspectives offers essays on the lesser-known musical figures who share those illustrious names alongside new research on the legendary composers themselves. Topics include the keyboard transcriptions of J. S. Bach and Johann Gottfried Walther; J. S. Bach and W. A. Mozart's freelance work; the sonatas of C. P. E. Bach and Leopold Mozart; the early musical training given J. C. Bach by his father and half-brother; the surprising musical similarities between J. C. Bach and W. A. Mozart; and the latest documentary research on Mozart’s 1789 visit to the Thomasschule in Leipzig. An official publication of the American Bach Society, Bach Perspectives, Volume 14 draws on a variety of approaches and a broad range of subject matter in presenting a new wave of innovative classical musical scholarship. Contributors: Eleanor Selfridge-Field, Yoel Greenberg, Noelle M. Heber, Michael Maul, Stephen Roe, and David Schulenberg