South-East Asia PDF Download

Author: Patricia Herbert
Publisher: University of Hawaii Press
ISBN: 9780824812676
Category : Literary Criticism
Languages : en
Pages : 196

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Author: H Kemp
Publisher: BRILL
ISBN: 900464668X
Category : Reference
Languages : en
Pages : 451

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Author:
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ISBN:
Category : Southeast Asia
Languages : en
Pages : 196

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Author: Perpustakaan Nasional (Indonesia)
Publisher:
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Category : Indonesia
Languages : nl
Pages : 320

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Author:
Publisher:
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Category : Southeast Asia
Languages : en
Pages : 258

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Author:
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Category : Indonesia
Languages : id
Pages : 572

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Author: Tai Yong Tan
Publisher: Institute of Southeast Asian Studies
ISBN: 9812307478
Category : Political Science
Languages : en
Pages : 254

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Book Description
Malaysia came into existence on 9/16/63 as a federation of Malaya, Singapore, Sabah (North Borneo), and Sarawak; in 1965 Singapore withdrew from the federation. Offers an in-depth and detailed analysis of the political processes that led to formation of the Federation of Malaysia in 1963. It argues that the Malaysia that came into being following the amalgamation of Malaya, Singapore, Sarawak and North Borneo was a political creation whose only rationale was that it served a convergence of political and economic expediency for the departing colonial power, the Malayan leadership and the ruling party of self-governing Singapore. 'Greater Malaysia' was thus an artificial political entity, the outcome of a concatenation of interests and motives of a number of political actors in London and Southeast Asia from the 1950s to the early 1960s. This led to a number of unresolved compromises between Singapore and Kuala Lumpur and did not obviate the possibility of future difficulties, and the seeds of dissension sown by the disagreements between the two governments were to sprout into major crises during Singapore's brief history in the Federation of Malaysia.

Author: Julie K. King
Publisher: Department of Lingui Ralian National
ISBN:
Category : Language Arts & Disciplines
Languages : ms
Pages : 410

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Author: Matthew Isaac Cohen
Publisher: University of Hawaii Press
ISBN: 0824855590
Category : History
Languages : en
Pages : 353

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Indonesia, with its mix of ethnic cultures, cosmopolitan ethos, and strong national ideology, offers a useful lens for examining the intertwining of tradition and modernity in globalized Asia. In Inventing the Performing Arts, Matthew Isaac Cohen explores the profound change in diverse arts practices from the nineteenth century until 1949. He demonstrates that modern modes of transportation and communication not only brought the Dutch colony of Indonesia into the world economy, but also stimulated the emergence of new art forms and modern attitudes to art, disembedded and remoored traditions, and hybridized foreign and local. In the nineteenth century, access to novel forms of entertainment, such as the circus, and newspapers, which offered a new language of representation and criticism, wrought fundamental changes in theatrical, musical, and choreographic practices. Musical drama disseminated print literature to largely illiterate audiences starting in the 1870s, and spoken drama in the 1920s became a vehicle for exploring social issues. Twentieth-century institutions—including night fairs, the recording industry, schools, itinerant theatre, churches, cabarets, round-the-world cruises, and amusement parks—generated new ways of making, consuming, and comprehending the performing arts. Concerned over the loss of tradition and "Eastern" values, elites codified folk arts, established cultural preservation associations, and experimented in modern stagings of ancient stories. Urban nationalists excavated the past and amalgamated ethnic cultures in dramatic productions that imagined the Indonesian nation. The Japanese occupation (1942–1945) was brief but significant in cultural impact: plays, songs, and dances promoting anti-imperialism, Asian values, and war-time austerity measures were created by Indonesian intellectuals and artists in collaboration with Japanese and Korean civilian and military personnel. Artists were registered, playscripts censored, training programs developed, and a Cultural Center established. Based on more than two decades of archival study in Indonesia, Europe, and the United States, this richly detailed, meticulously researched book demonstrates that traditional and modern artistic forms were created and conceived, that is "invented," in tandem. Intended as a general historical introduction to the performing arts in Indonesia, it will be of great interest to students and scholars of Indonesian performance, Asian traditions and modernities, global arts and culture, and local heritage.

Author: Dominik Bonatz
Publisher: Cambridge Scholars Publishing
ISBN: 1443807842
Category : History
Languages : en
Pages : 530

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This is the most comprehensive book devoted to Sumatra in more than half a century. It summarizes earlier studies, and provides a huge amount of new knowledge for the first time in readily accessible form. Sumatra is one of the world’s largest islands, rich in flora and fauna, minerals and timber, and located at the midpoint of the maritime route between China and India. These are ideal conditions for the creation of a fascinating history. Sumatra has played a major role in world trade for 2,000 years, but its culture and archaeology have been surprisingly neglected. This volume sets out to remedy this defect. With chapters on history, archaeology, anthropology, folklore, and religion, the authors focus particular attention on the relations between the coastal peoples who are best known to outsiders, and the hinterlands, where most of the important resources lie. The list of authors includes most of the principal living authorities on Sumatra. Their cumulative experience consists of many years on all parts of the island. The book is copiously illustrated, and includes a comprehensive bibliography for those who wish to pursue further study of the wide range of topics covered.