Kara Walker PDF Download

Author: Kara Elizabeth Walker
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 414

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Text by Philippe Vergne, Sander Gilman, Thomas McEvilley, Robert Storr, Kevin Young, Yasmil Raymond.

Author: Gwendolyn DuBois Shaw
Publisher: Duke University Press
ISBN: 0822386208
Category : Art
Languages : en
Pages : 209

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Book Description
One of the youngest recipients of a MacArthur “genius” grant, Kara Walker, an African American artist, is best known for her iconic, often life-size, black-and-white silhouetted figures, arranged in unsettling scenes on gallery walls. These visually arresting narratives draw viewers into a dialogue about the dynamics of race, sexuality, and violence in both the antebellum South and contemporary culture. Walker’s work has been featured in exhibits around the world and in American museums including the Museum of Modern Art, the Guggenheim, and the Whitney. At the same time, her ideologically provocative images have drawn vociferous criticism from several senior African American artists, and a number of her pieces have been pulled from exhibits amid protests against their disturbing representations. Seeing the Unspeakable provides a sustained consideration of the controversial art of Kara Walker. Examining Walker’s striking silhouettes, evocative gouache drawings, and dynamic prints, Gwendolyn DuBois Shaw analyzes the inspiration for and reception of four of Walker’s pieces: The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven, John Brown, A Means to an End, and Cut. She offers an overview of Walker’s life and career, and contextualizes her art within the history of African American visual culture and in relation to the work of contemporary artists including Faith Ringgold, Carrie Mae Weems, and Michael Ray Charles. Shaw describes how Walker deliberately challenges viewers’ sensibilities with radically de-sentimentalized images of slavery and racial stereotypes. This book reveals a powerful artist who is questioning, rather than accepting, the ideas and strategies of social responsibility that her parents’ generation fought to establish during the civil rights era. By exploiting the racist icons of the past, Walker forces viewers to see the unspeakable aspects of America’s racist past and conflicted present.

Author: Anita Haldemann
Publisher: Jrp Ringier
ISBN: 9783037645574
Category :
Languages : en
Pages : 600

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An enormous clothbound panorama of Kara Walker's works on paper--all reproduced for the first time This gorgeous 600-page volume provides an exciting opportunity to delve into the creative process of Kara Walker, one of the most celebrated artists working in the United States today. Primarily recognized for her monumental installations, Walker also works with ink, graphite and collage to create pieces that demonstrate her continued engagement with her own identity as an artist, an African American, a woman and a mother. More than 700 works on paper created between 1992 and 2020--which are reproduced in print for the first time from the artist's own strictly guarded private archive--are collected in this volume, thus capturing Walker's career with an unprecedented level of intimacy. Since the early 1990s, the foundation of her artistic production has been drawing and working on paper in various ways. Walker's completed large-format pieces are presented among typewritten notes on index cards and dream journal entries; sketches and studies for pieces appear alongside collages. The result is a volume that allows readers to become eyewitnesses to the genesis of Walker's art and the transformative power of the figures and narratives she has created over the course of her career. Now based in New York, Kara Walkerwas born in Stockton, California, in 1969. She received her Master of Fine Arts from the Rhode Island School of Design in 1994; soon afterwards, Walker rose to prominence for her large, provocative silhouettes installed directly onto the walls of exhibition spaces. Walker's work confronts history, race relations and sexuality in a decidedly non-conciliatory manner, urging the public to reconsider established narratives surrounding the experiences of African Americans in particular.

Author: Kara Elizabeth Walker
Publisher:
ISBN: 9780966013900
Category : African American women
Languages : en
Pages : 19

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"The future vision of a soon-to-be emancipated 19th century Negress."--Prelim. leaf.

Author:
Publisher:
ISBN: 9781877675720
Category : African American artists
Languages : en
Pages : 0

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Author: Bertram D. Ashe
Publisher: University of Washington Press
ISBN: 0295746653
Category : Social Science
Languages : en
Pages : 248

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Honorable Mention for the 2022 Modern Language Association Prize for an Edited Collection Interrogates how artists have created new ways to imagine the past of American slavery From Kara Walker’s hellscape antebellum silhouettes to Paul Beatty’s bizarre twist on slavery in The Sellout and from Colson Whitehead’s literal Underground Railroad to Jordan Peele’s body-snatching Get Out, this volume offers commentary on contemporary artistic works that present, like musical deep cuts, some challenging “alternate takes” on American slavery. These artists deliberately confront and negotiate the psychic and representational legacies of slavery to imagine possibilities and change. The essays in this volume explore the conceptions of freedom and blackness that undergird these narratives, critically examining how artists growing up in the post–Civil Rights era have nuanced slavery in a way that is distinctly different from the first wave of neo-slave narratives that emerged from the Civil Rights and Black Power Movements. Slavery and the Post-Black Imagination positions post-blackness as a productive category of analysis that brings into sharp focus recent developments in black cultural productions across various media. These ten essays investigate how millennial black cultural productions trouble long-held notions of blackness by challenging limiting scripts. They interrogate political as well as formal interventions into established discourses to demonstrate how explorations of black identities frequently go hand in hand with the purposeful refiguring of slavery’s prevailing tropes, narratives, and images. A V Ethel Willis White Book

Author: Kara Walker
Publisher:
ISBN: 9780300227154
Category : African American art
Languages : en
Pages : 0

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"Saviors don't arrive without martyrdom at their heels. This is what I've learned lately." - Kara Walker

Author: Kara Elizabeth Walker
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 128

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Inspired by Hurricane Katrina and its aftermath, an African-American artist explores the politics of race, slavery, and gender through a series of images from the South, with examples of her work juxtaposed with historical art works.

Author: Kara Elizabeth Walker
Publisher:
ISBN:
Category : Silhouettes
Languages : es
Pages : 136

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Book Description
Walker es una artista con amplia trayectoria y reconocimiento, en cuya obra se trabajan temas como el racismo, el apartheid, la explotación, las cuestiones de género, las injusticias sociales y la esclavitud. La muestra de basa en una instalación que Walker ha creado especialmente para el CAC, en la que se recrean una serie de figuras, en apariencia inocentes y de estilo victoriano, recortadas, al estilo de las primeras imágenes del cine.

Author: Kara Elizabeth Walker
Publisher:
ISBN: 9780993179846
Category :
Languages : en
Pages : 24

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Book Description
Go to Hell or Atlanta, Whichever Comes First is a special printed project created by the celebrated American artist Kara Walker in collaboration with Ari Marcopoulos.The project, which comprises a twenty-four-page booklet with an accordion cover, was produced to accompany Walker's first exhibition at Victoria Miro, London, in autumn 2015.The project documents a trip by the artist and Marcopoulos to Stone Mountain in Georgia. The main tourist attraction there is a large stone mountain into which has been carved a monument to three Confederate generals.Consecrated in the 1970s, the monument, and hence the mountain itself, is thus a contentious symbol of white supremacy and the struggle for race equality in the South and beyond.Featuring a newly commissioned text from James Hannaham and a conversation between Walker and Marcopoulos, the project presents photographic documentation along with a selection of the powerful drawings and paintings produced by Walker during and following her trip.