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Author: Will Alexander Publisher: Skylight Press ISBN: 1908011491 Category : Poetry Languages : en Pages : 276
Book Description
Kaleidoscopic Omniscience is a new collection from lingual contortionist and poetic sage Will Alexander, featuring his early works - Asia & Haiti, The Stratospheric Canticles, and Impulse & Nothingness. Alexander's prismatic and oracular voice cascades around bi-geographic confrontations, painterly morphologies, and the cosmology of the void. " Alexander is] acutely conscious of the issue of poetic voice, and is unwilling to let poetry's potential for ventriloquizing or exploring the voices of others be subsumed in an impersonal criture or ultimately homogenous montage. He seems as well interested in the spiritual dimension of poetry, especially in the degrees to which poetry can give us access to spiritual or emotional states beyond those we normally experience." - Mark Scroggins, American Book Review
Author: Will Alexander Publisher: Skylight Press ISBN: 1908011491 Category : Poetry Languages : en Pages : 276
Book Description
Kaleidoscopic Omniscience is a new collection from lingual contortionist and poetic sage Will Alexander, featuring his early works - Asia & Haiti, The Stratospheric Canticles, and Impulse & Nothingness. Alexander's prismatic and oracular voice cascades around bi-geographic confrontations, painterly morphologies, and the cosmology of the void. " Alexander is] acutely conscious of the issue of poetic voice, and is unwilling to let poetry's potential for ventriloquizing or exploring the voices of others be subsumed in an impersonal criture or ultimately homogenous montage. He seems as well interested in the spiritual dimension of poetry, especially in the degrees to which poetry can give us access to spiritual or emotional states beyond those we normally experience." - Mark Scroggins, American Book Review
Author: Julia Fiedorczuk Publisher: Taylor & Francis ISBN: 1000952479 Category : Literary Criticism Languages : en Pages : 459
Book Description
The Routledge Companion to Ecopoetics offers comprehensive coverage of the vital and growing movement of ecopoetics. This volume begins with a general introduction to the field, followed by six sections: Perspectives: broad overviews engaging fields such as biosemiosis, kinship praxis, and philosophical approaches Experiments: formal innovations developed by poets in response to planetary crises Earth and Water: explorations of poetic entanglement with planetary chemical and biological systems Waste/Toxicity/Precarity: poetics addressing the effects of pollution and climate change Environmental Justice and Activism: examinations of poetry as an engine of political and cultural change Region and Place: an international array of traditional and contemporary geographically focused responses to ecosystems and environmental conditions; and Subjectivities/Affects/Sexualities: investigations of gender, ethnicity, and race as they intersect with ecological concerns Each section includes an overview and summary addressing the specific essays in the section. These previously unpublished essays represent a wide variety of nationalities, backgrounds, perspectives, and critical approaches exploring the interdisciplinary field of ecopoetics. Contributions from leading scholars working across the globe make The Routledge Companion to Ecopoetics a landmark textbook and reference for a variety of researchers and students.
Author: Will Alexander Publisher: New Directions Publishing ISBN: 0811230287 Category : Poetry Languages : en Pages : 117
Book Description
Finalist for the Pulitzer Prize Winner of the California Book Award in Poetry Three kinetically distilled long poems by the singular American poet who “transfigures ‘thought’ into a weave of lexical magic” (Philip Lamantia) “The poet is endemic with life itself,” Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. “This being the ballet of the forgotten,” he writes as diasporic witness, “of refracted boundary points as venom.” The volume’s opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo—two writers whose luminous art suffered “colonial wrath through refraction.” A tribute to the Congo forms the bridge and brisé vole of the book: the Congo as “charged aural colony” and “primal interconnection,” a “subliminal psychic force” with a colonial and postcolonial history dominated by the Occident. Will Alexander’s improvisatory cosmicity pushes poetic language to the point of most resistance—incantatory and swirling with magical laterality and recovery.
Author: Will Alexander Publisher: Lulu.com ISBN: 0578180928 Category : Poetry Languages : en Pages : 242
Book Description
Black & White Paperback Edition.""'Spectral Hieroglyphics' is a timeless 'organic constellation' of poems on the unstoppable power of radical poetic vision...In this extraordinary troika of poems, Will Alexander not only shows the strong determination of three free minds to achieve a fully poetic way of life, he also demonstrates the actuality of their revolutionary visions...Alexander portrays these poets in the grandeur of their passionate ideas...Will Alexander revives these visions in a new myth for the future."" -Laurens Vancrevel, Foreword. Profusely illustrated by Rik Lina.
Author: Aldon Lynn Nielsen Publisher: University of Alabama Press ISBN: 0817358005 Category : Literary Criticism Languages : en Pages : 345
Book Description
What I Say: Innovative Poetry by Black Writers in America is the second book in a landmark two-volume anthology that explodes narrow definitions of African American poetry by examining experimental poems often excluded from previous scholarship. The first volume, Every Goodbye Ain’t Gone, covers the period from the end of World War II to the mid-1970s. In What I Say, editors Aldon Lynn Nielsen and Lauri Ramey have assembled a comprehensive and dynamic collection that brings this pivotal work up to the present day. The elder poets in this collection, such as Nathaniel Mackey, C. S. Giscombe, Will Alexander, and Ron Allen, came of age during and were powerfully influenced by the Black Arts Movement, and What I Say grounds the collection in its black modernist roots. In tracing the fascinating and unexpected paths of experimentation these poets explored, however, Nielsen and Ramey reveal the tight delineations of African American poetry that omitted noncanonical forms. This invigorating panoply of work, when restored, brings into focus the creatively elastic frontiers and multifaceted expressions of contemporary black poetry. Several of the poets discussed in What I Say forged relationships with members of the L=A=N=G=U=A=G=E poetry movement and participated in the broader community of innovative poetry that emerged in the late 1970s and early 1980s and continues to exert a powerful influence today. Each volume can stand on its own, and reading them in tandem will provide a clear vision of how innovative African American poetries have evolved across the twentieth century and into the twenty-first. What I Say is infinitely teachable, compelling, and rewarding. It will appeal to a broad readership of poets, poetics teachers, poetics scholars, students of African American literature in nonnarrative forms, Afro-futurism, and what lies between the modern and the contemporary in global and localized writing practices.
Author: Will Alexander Publisher: Lulu.com ISBN: 0578095890 Category : Poetry Languages : en Pages : 194
Book Description
""Yet the voice of Will Alexander, who here commemorates Lamantia in his pluperfect poem The Brimstone Boat, rose hardly more than a quarter century later... In this automatistically extended poem, we are witness to the passage of energies from the older to the younger poet, as Alexander charts Lamantia's life and writings across a Renaissance globe... It is here as well that Alexander succeeds Lamantia, who died in 2005, as America's greatest living surrealist poet--as the new poet at the helm on the brimstone boat, on a voyage of 'perpetual exploration.'""--ANDREW JORON The volume starts off with the 81 pages of the title poem, then 14 pages for three shorter poems, followed by 19 pages devoted to a glossary, then 50 pages for the content of four essays, and finally 3 pages of post-notes. On the cover, the frontispiece, and the end page, are three works by the American surrealist Marie Wilson; also included are eight pencil drawings by Will Alexander and two large photographs of Lamantia and Alexander.
Author: Angela Hume Publisher: University of Iowa Press ISBN: 1609385608 Category : Literary Criticism Languages : en Pages : 280
Book Description
Ecopoetics: Essays in the Field makes a formidable intervention into the emerging field of ecopoetics. The volume’s essays model new and provocative methods for reading twentieth and twenty-first century ecological poetry and poetics, drawing on the insights of ecocriticism, contemporary philosophy, gender and sexuality studies, black studies, Native studies, critical race theory, and disability studies, among others. Contributors offer readings of a diverse range of poets, few of whom have previously been read as nature writers—from midcentury Beat poet Michael McClure, Objectivist poet George Oppen, and African American poets Melvin Tolson and Robert Hayden; to contemporary writers such as Diné poet Sherwin Bitsui, hybrid/ collage poets Claudia Rankine and Evelyn Reilly, emerging QPOC poet Xandria Phillips, and members of the Olimpias disability culture artists’ collective. While addressing preconceptions about the categories of nature writing and ecopoetics, contributors explore, challenge, and reimagine concepts that have been central to environmental discourse, from apocalypse and embodiment to toxicity and sustainability. This collection of essays makes the compelling argument that ecopoetics should be read as “coextensive with post-1945 poetry and poetics,” rather than as a subgenre or movement within it. It is essential reading for any student or scholar working on contemporary literature or in the environmental humanities today. Contributors: Joshua Bennett, Rob Halpern, Matt Hooley, Angela Hume, Lynn Keller, Petra Kuppers, Michelle Niemann, Gillian Osborne, Samia Rahimtoola, Joan Retallack, Joshua Schuster, Jonathan Skinner.
Author: William Moylan Publisher: CRC Press ISBN: 1000819663 Category : Music Languages : en Pages : 491
Book Description
Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks is a collection of essays dedicated to the study of recorded popular music, with the aim of exploring "how the record shapes the song" (Moylan, Recording Analysis, 2020) from a variety of perspectives. Introduced with a Foreword by Paul Théberge, the distinguished editorial team has brought together a group of reputable international contributors to write about a rich collection of recordings. Examining a diverse set of songs from a range of genres and points in history (spanning the years 1936–2020), the authors herein illuminate unique attributes of the selected tracks and reveal how the recording develops the expressive content of song performance. Analyzing Recorded Music will interest all those who study popular music, cultural studies, and the musicology of record production, as well as popular music listeners.
Author: Will Alexander
Author: Will Alexander
Author: Julia Fiedorczuk
Author: Will Alexander
Author: 
Author: Will Alexander
Author: Aldon Lynn Nielsen
Author: Will Alexander
Author: Angela Hume
Author: William Moylan
Author: