Author: Matthi Forrer
Publisher: Skira
ISBN: 9788857243795
Category : Art
Languages : en
Pages : 208
Book Description
A comprehensive survey of kakemono, the classical Japanese art of the wall scroll Spanning Japanese painting from the 16th to the 19th centuries, this thrilling volume presents a selection of 120 kakemonos from the Perino collection in Italy. The kakemono (literally "hanging thing") is a Japanese painting or calligraphy, on silk, cotton or paper, contained as a scroll and intended to be hung on the wall. Unlike a hemakimono--a roll that is opened horizontally on a surface--the kakemono opens vertically and is designed as an indoor wall decoration. Being connected to anniversaries, specific periods of the year or special occasions, it is displayed only temporarily and then placed, carefully rolled up, in a special box. The subjects are mainly taken from nature (flowers, birds, fish) and show a naturalism and a tremendous accuracy of detail. Works of rare beauty by artists such as Maruyama Okyo, Kishi Ganku and Kusumi Morikage are included here.
Kakemono: Five Centuries of Japanese Painting
Author: Matthi Forrer
Publisher: Skira
ISBN: 9788857243795
Category : Art
Languages : en
Pages : 208
Book Description
A comprehensive survey of kakemono, the classical Japanese art of the wall scroll Spanning Japanese painting from the 16th to the 19th centuries, this thrilling volume presents a selection of 120 kakemonos from the Perino collection in Italy. The kakemono (literally "hanging thing") is a Japanese painting or calligraphy, on silk, cotton or paper, contained as a scroll and intended to be hung on the wall. Unlike a hemakimono--a roll that is opened horizontally on a surface--the kakemono opens vertically and is designed as an indoor wall decoration. Being connected to anniversaries, specific periods of the year or special occasions, it is displayed only temporarily and then placed, carefully rolled up, in a special box. The subjects are mainly taken from nature (flowers, birds, fish) and show a naturalism and a tremendous accuracy of detail. Works of rare beauty by artists such as Maruyama Okyo, Kishi Ganku and Kusumi Morikage are included here.
Publisher: Skira
ISBN: 9788857243795
Category : Art
Languages : en
Pages : 208
Book Description
A comprehensive survey of kakemono, the classical Japanese art of the wall scroll Spanning Japanese painting from the 16th to the 19th centuries, this thrilling volume presents a selection of 120 kakemonos from the Perino collection in Italy. The kakemono (literally "hanging thing") is a Japanese painting or calligraphy, on silk, cotton or paper, contained as a scroll and intended to be hung on the wall. Unlike a hemakimono--a roll that is opened horizontally on a surface--the kakemono opens vertically and is designed as an indoor wall decoration. Being connected to anniversaries, specific periods of the year or special occasions, it is displayed only temporarily and then placed, carefully rolled up, in a special box. The subjects are mainly taken from nature (flowers, birds, fish) and show a naturalism and a tremendous accuracy of detail. Works of rare beauty by artists such as Maruyama Okyo, Kishi Ganku and Kusumi Morikage are included here.
Boston Museum of Fine Arts, Bulletin, 22-26, 1924-28
Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 512
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 512
Book Description
Bulletin of the Museum of Fine Arts
Museum of Fine Arts Bulletin
Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
Museum of Fine Arts Bulletin
Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 502
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 502
Book Description
Boston Museum Bulletin
Antiquarians of Nineteenth-Century Japan
Author: Hiroyuki Suzuki
Publisher: Getty Publications
ISBN: 1606067435
Category : Art
Languages : en
Pages : 258
Book Description
This volume explores the changing process of evaluating objects during the period of Japan’s rapid modernization. Originally published in Japanese, Antiquarians of Nineteenth-Century Japan looks at the approach toward object-based research across the late Tokugawa and early Meiji periods, which were typically kept separate, and elucidates the intellectual continuities between these eras. Focusing on the top-down effects of the professionalizing of academia in the political landscape of Meiji Japan, which had advanced by attacking earlier modes of scholarship by antiquarians, Suzuki shows how those outside the government responded, retracted, or challenged new public rules and values. He explores the changing process of evaluating objects from the past in tandem with the attitudes and practices of antiquarians during the period of Japan’s rapid modernization. He shows their roots in the intellectual sphere of the late Tokugawa period while also detailing how they adapted to the new era. Suzuki also demonstrates that Japan’s antiquarians had much in common with those from Europe and the United States. Art historian Maki Fukuoka provides an introduction to the English translation that highlights the significance of Suzuki’s methodological and intellectual analyses and shows how his ideas will appeal to specialists and nonspecialists alike.
Publisher: Getty Publications
ISBN: 1606067435
Category : Art
Languages : en
Pages : 258
Book Description
This volume explores the changing process of evaluating objects during the period of Japan’s rapid modernization. Originally published in Japanese, Antiquarians of Nineteenth-Century Japan looks at the approach toward object-based research across the late Tokugawa and early Meiji periods, which were typically kept separate, and elucidates the intellectual continuities between these eras. Focusing on the top-down effects of the professionalizing of academia in the political landscape of Meiji Japan, which had advanced by attacking earlier modes of scholarship by antiquarians, Suzuki shows how those outside the government responded, retracted, or challenged new public rules and values. He explores the changing process of evaluating objects from the past in tandem with the attitudes and practices of antiquarians during the period of Japan’s rapid modernization. He shows their roots in the intellectual sphere of the late Tokugawa period while also detailing how they adapted to the new era. Suzuki also demonstrates that Japan’s antiquarians had much in common with those from Europe and the United States. Art historian Maki Fukuoka provides an introduction to the English translation that highlights the significance of Suzuki’s methodological and intellectual analyses and shows how his ideas will appeal to specialists and nonspecialists alike.
Museum of Fine Arts, Boston Bulletin: vols. XXV-XXVIII, 1927-1930
Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 502
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 502
Book Description
Art-Union
Mabuchi: William Anderson: the Pictorial Arts of Japan
Author: William Anderson
Publisher: Edition Synapse
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 634
Book Description
William Anderson (1842-1900) was a Scottish surgeon who lived in Tokyo in the early Meiji period. He also served as the first chairman of the Japan Society. He is now best remembered as a collector of Japanese art (his collection formed the basis of both the Japanese department of the British Museum and the illustrated book collection at the British Library), as well as the author of the landmark book, Pictorial Arts of Japan, a pioneering work on the history of Japanese art. This facsimile reprint collection includes a reproduction of this book (reduced in size to 80% of its original dimensions) with many colour plates, its Japanese translation by Kencho Suyematsu, and the catalogue of Anderson's British Museum Japanese art collection, which he compiled himself.
Publisher: Edition Synapse
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 634
Book Description
William Anderson (1842-1900) was a Scottish surgeon who lived in Tokyo in the early Meiji period. He also served as the first chairman of the Japan Society. He is now best remembered as a collector of Japanese art (his collection formed the basis of both the Japanese department of the British Museum and the illustrated book collection at the British Library), as well as the author of the landmark book, Pictorial Arts of Japan, a pioneering work on the history of Japanese art. This facsimile reprint collection includes a reproduction of this book (reduced in size to 80% of its original dimensions) with many colour plates, its Japanese translation by Kencho Suyematsu, and the catalogue of Anderson's British Museum Japanese art collection, which he compiled himself.