Author: Tamara Shiloh
Publisher:
ISBN: 9780998969688
Category :
Languages : en
Pages : 96
Book Description
More Magic! More Ghosts! Enjoy a fun trip downtown with Jaxon, Kevin and the ghosts of historical Black inventors and scientists. Jaxon and his cousin Kevin meet and chat with a few very interesting African American historical figures from the past. On this trip Jaxon learns that sharing information about the necklace can be a problem.
Just Imagine...What If There Were No Black People in the World?: Jaxon and Kevin's Black History Trip Downtown
Author: Tamara Shiloh
Publisher:
ISBN: 9780998969688
Category :
Languages : en
Pages : 96
Book Description
More Magic! More Ghosts! Enjoy a fun trip downtown with Jaxon, Kevin and the ghosts of historical Black inventors and scientists. Jaxon and his cousin Kevin meet and chat with a few very interesting African American historical figures from the past. On this trip Jaxon learns that sharing information about the necklace can be a problem.
Publisher:
ISBN: 9780998969688
Category :
Languages : en
Pages : 96
Book Description
More Magic! More Ghosts! Enjoy a fun trip downtown with Jaxon, Kevin and the ghosts of historical Black inventors and scientists. Jaxon and his cousin Kevin meet and chat with a few very interesting African American historical figures from the past. On this trip Jaxon learns that sharing information about the necklace can be a problem.
Just Imagine... What If There Were No Black People in the World?
Author: Tamara Shiloh
Publisher: Just Imagine Books & Services LLC
ISBN: 9780998969602
Category : African American inventors
Languages : en
Pages : 74
Book Description
Children's book about African American inventors and scientists.
Publisher: Just Imagine Books & Services LLC
ISBN: 9780998969602
Category : African American inventors
Languages : en
Pages : 74
Book Description
Children's book about African American inventors and scientists.
Our Enemies in Blue
Author: Kristian Williams
Publisher: AK Press
ISBN: 1849352151
Category : Political Science
Languages : en
Pages : 532
Book Description
Let's begin with the basics: violence is an inherent part of policing. The police represent the most direct means by which the state imposes its will on the citizenry. They are armed, trained, and authorized to use force. Like the possibility of arrest, the threat of violence is implicit in every police encounter. Violence, as well as the law, is what they represent. Using media reports alone, the Cato Institute's last annual study listed nearly seven thousand victims of police "misconduct" in the United States. But such stories of police brutality only scratch the surface of a national epidemic. Every year, tens of thousands are framed, blackmailed, beaten, sexually assaulted, or killed by cops. Hundreds of millions of dollars are spent on civil judgments and settlements annually. Individual lives, families, and communities are destroyed. In this extensively revised and updated edition of his seminal study of policing in the United States, Kristian Williams shows that police brutality isn't an anomaly, but is built into the very meaning of law enforcement in the United States. From antebellum slave patrols to today's unarmed youth being gunned down in the streets, "peace keepers" have always used force to shape behavior, repress dissent, and defend the powerful. Our Enemies in Blue is a well-researched page-turner that both makes historical sense of this legalized social pathology and maps out possible alternatives.
Publisher: AK Press
ISBN: 1849352151
Category : Political Science
Languages : en
Pages : 532
Book Description
Let's begin with the basics: violence is an inherent part of policing. The police represent the most direct means by which the state imposes its will on the citizenry. They are armed, trained, and authorized to use force. Like the possibility of arrest, the threat of violence is implicit in every police encounter. Violence, as well as the law, is what they represent. Using media reports alone, the Cato Institute's last annual study listed nearly seven thousand victims of police "misconduct" in the United States. But such stories of police brutality only scratch the surface of a national epidemic. Every year, tens of thousands are framed, blackmailed, beaten, sexually assaulted, or killed by cops. Hundreds of millions of dollars are spent on civil judgments and settlements annually. Individual lives, families, and communities are destroyed. In this extensively revised and updated edition of his seminal study of policing in the United States, Kristian Williams shows that police brutality isn't an anomaly, but is built into the very meaning of law enforcement in the United States. From antebellum slave patrols to today's unarmed youth being gunned down in the streets, "peace keepers" have always used force to shape behavior, repress dissent, and defend the powerful. Our Enemies in Blue is a well-researched page-turner that both makes historical sense of this legalized social pathology and maps out possible alternatives.
Ye Kingdome of Accawmacke, Or, The Eastern Shore of Virginia in the Seventeenth Century
Author: Jennings Cropper Wise
Publisher:
ISBN:
Category : History
Languages : en
Pages : 428
Book Description
The Eastern Shore covers the counties of Accomack and Northampton.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 428
Book Description
The Eastern Shore covers the counties of Accomack and Northampton.
Where the Heart Beats
Author: Kay Larson
Publisher: Penguin
ISBN: 0143123475
Category : Biography & Autobiography
Languages : en
Pages : 497
Book Description
A “heroic” biography of John Cage and his “awakening through Zen Buddhism”—“a kind of love story” about a brilliant American pioneer of the creative arts who transformed himself and his culture (The New York Times) Composer John Cage sought the silence of a mind at peace with itself—and found it in Zen Buddhism, a spiritual path that changed both his music and his view of the universe. “Remarkably researched, exquisitely written,” Where the Heart Beats weaves together “a great many threads of cultural history” (Maria Popova, Brain Pickings) to illuminate Cage’s struggle to accept himself and his relationship with choreographer Merce Cunningham. Freed to be his own man, Cage originated exciting experiments that set him at the epicenter of a new avant-garde forming in the 1950s. Robert Rauschenberg, Jasper Johns, Andy Warhol, Yoko Ono, Allan Kaprow, Morton Feldman, and Leo Castelli were among those influenced by his ‘teaching’ and ‘preaching.’ Where the Heart Beats shows the blossoming of Zen in the very heart of American culture.
Publisher: Penguin
ISBN: 0143123475
Category : Biography & Autobiography
Languages : en
Pages : 497
Book Description
A “heroic” biography of John Cage and his “awakening through Zen Buddhism”—“a kind of love story” about a brilliant American pioneer of the creative arts who transformed himself and his culture (The New York Times) Composer John Cage sought the silence of a mind at peace with itself—and found it in Zen Buddhism, a spiritual path that changed both his music and his view of the universe. “Remarkably researched, exquisitely written,” Where the Heart Beats weaves together “a great many threads of cultural history” (Maria Popova, Brain Pickings) to illuminate Cage’s struggle to accept himself and his relationship with choreographer Merce Cunningham. Freed to be his own man, Cage originated exciting experiments that set him at the epicenter of a new avant-garde forming in the 1950s. Robert Rauschenberg, Jasper Johns, Andy Warhol, Yoko Ono, Allan Kaprow, Morton Feldman, and Leo Castelli were among those influenced by his ‘teaching’ and ‘preaching.’ Where the Heart Beats shows the blossoming of Zen in the very heart of American culture.
Chasing the Squirrel
Author: Ron Peterson Jr.
Publisher: iUniverse
ISBN: 1532096208
Category : True Crime
Languages : en
Pages : 380
Book Description
CHASING THE SQUIRREL is the true story of notorious drug smuggler Wally Thrasher, whose investigation led to the biggest drug bust in Mid-Atlantic United States history in 1986. Nicknamed, “The Squirrel” for his elusivenes, Thrasher was a daredevil pilot who made millions flying marijuana and cocaine from South America into the US in the 70s and 80s. With his beautiful Portuguese-born wife, Olga, he lived in a mountain estate near Virginia’s New River Valley. He owned oceanfront homes and yachts in Florida, spent weekends in the Caribbean and laundered money in Las Vegas, where he partied with Frank Sinatra’s entourage. The Feds were hot on his tail in 1984 when word came that he had died in a plane crash in Belize, his body burnt to ashes. But investigators soon learned the crash was staged and the death certificate fake. Meanwhile, Olga became a federal informant assisting the DEA in an audacious undercover sting to infiltrate the highest levels of his smuggling ring. Thirteen international traffickers were indicted, including Bolivian drug lord Roberto Suarez-Gomez, known as the world’s “King of Cocaine.” But Wally Thrasher was never caught. Authorities believe he has spent the past four decades living in some faraway tropical land. He was recently profiled on “America’s Most Wanted” as US Marshals chased leads around the globe in his pursuit.
Publisher: iUniverse
ISBN: 1532096208
Category : True Crime
Languages : en
Pages : 380
Book Description
CHASING THE SQUIRREL is the true story of notorious drug smuggler Wally Thrasher, whose investigation led to the biggest drug bust in Mid-Atlantic United States history in 1986. Nicknamed, “The Squirrel” for his elusivenes, Thrasher was a daredevil pilot who made millions flying marijuana and cocaine from South America into the US in the 70s and 80s. With his beautiful Portuguese-born wife, Olga, he lived in a mountain estate near Virginia’s New River Valley. He owned oceanfront homes and yachts in Florida, spent weekends in the Caribbean and laundered money in Las Vegas, where he partied with Frank Sinatra’s entourage. The Feds were hot on his tail in 1984 when word came that he had died in a plane crash in Belize, his body burnt to ashes. But investigators soon learned the crash was staged and the death certificate fake. Meanwhile, Olga became a federal informant assisting the DEA in an audacious undercover sting to infiltrate the highest levels of his smuggling ring. Thirteen international traffickers were indicted, including Bolivian drug lord Roberto Suarez-Gomez, known as the world’s “King of Cocaine.” But Wally Thrasher was never caught. Authorities believe he has spent the past four decades living in some faraway tropical land. He was recently profiled on “America’s Most Wanted” as US Marshals chased leads around the globe in his pursuit.
Uniquely Dangerous
Author: Carreen Maloney
Publisher:
ISBN: 9781732065406
Category :
Languages : en
Pages :
Book Description
On a quiet spring morning in 2010, a group of federal, state and local law enforcement agents gathered in northern Washington State to stage a raid. Their target: a rustic cabin perched high on a hilltop, just five miles from the Canadian border. At the time, it was inhabited by a high-tech entrepreneur who provided encryption and privacy services. The once-wealthy man now lived in the little cabin with his dogs and horses, including a champion show jumping stallion. Authorities accused him of a shocking crime¿operating a commercial bestiality farm. But in fact the whole truth was more complicated than that. Reporter Carreen Maloney spent years seeking the real story, ultimately uncovering a secret society of zoophiles who form their main social, emotional and physical bonds with animals. Uniquely Dangerous sheds light on a worldwide social phenomenon that dares not venture from the shadows.
Publisher:
ISBN: 9781732065406
Category :
Languages : en
Pages :
Book Description
On a quiet spring morning in 2010, a group of federal, state and local law enforcement agents gathered in northern Washington State to stage a raid. Their target: a rustic cabin perched high on a hilltop, just five miles from the Canadian border. At the time, it was inhabited by a high-tech entrepreneur who provided encryption and privacy services. The once-wealthy man now lived in the little cabin with his dogs and horses, including a champion show jumping stallion. Authorities accused him of a shocking crime¿operating a commercial bestiality farm. But in fact the whole truth was more complicated than that. Reporter Carreen Maloney spent years seeking the real story, ultimately uncovering a secret society of zoophiles who form their main social, emotional and physical bonds with animals. Uniquely Dangerous sheds light on a worldwide social phenomenon that dares not venture from the shadows.
The Beat
Author: Kip Lornell
Publisher: Univ. Press of Mississippi
ISBN: 1496800885
Category : Music
Languages : en
Pages : 470
Book Description
The Beat! was the first book to explore the musical, social, and cultural phenomenon of go-go music. In this edition, updated by a substantial chapter on the current scene, authors Kip Lornell and Charles C. Stephenson, Jr., place go-go within black popular music made since the middle 1970s—a period during which hip-hop has predominated. This styling reflects the District's African American heritage. Its super-charged drumming and vocal combinations of hip-hop, funk, and soul evolved and still thrive on the streets of Washington, DC, and in neighboring Prince George's County, making it the most geographically compact form of popular music. Go-go—the only musical form indigenous to Washington, DC—features a highly syncopated, nonstop beat and vocals that are spoken as well as sung. The book chronicles its development and ongoing popularity, focusing on many of its key figures and institutions, including established acts such as Chuck Brown (the Godfather of Go-Go), Experience Unlimited, Rare Essence, and Trouble Funk; well-known DJs, managers, and promoters; and filmmakers who have incorporated it into their work. The Beat! provides longtime fans and those who study American musical forms a definitive look at the music and its makers.
Publisher: Univ. Press of Mississippi
ISBN: 1496800885
Category : Music
Languages : en
Pages : 470
Book Description
The Beat! was the first book to explore the musical, social, and cultural phenomenon of go-go music. In this edition, updated by a substantial chapter on the current scene, authors Kip Lornell and Charles C. Stephenson, Jr., place go-go within black popular music made since the middle 1970s—a period during which hip-hop has predominated. This styling reflects the District's African American heritage. Its super-charged drumming and vocal combinations of hip-hop, funk, and soul evolved and still thrive on the streets of Washington, DC, and in neighboring Prince George's County, making it the most geographically compact form of popular music. Go-go—the only musical form indigenous to Washington, DC—features a highly syncopated, nonstop beat and vocals that are spoken as well as sung. The book chronicles its development and ongoing popularity, focusing on many of its key figures and institutions, including established acts such as Chuck Brown (the Godfather of Go-Go), Experience Unlimited, Rare Essence, and Trouble Funk; well-known DJs, managers, and promoters; and filmmakers who have incorporated it into their work. The Beat! provides longtime fans and those who study American musical forms a definitive look at the music and its makers.
Artists' Sessions at Studio 35 (1950)
Author: Robert Goodnough
Publisher:
ISBN: 9780982409008
Category : Art
Languages : en
Pages : 0
Book Description
This volume records the discussions of two sessions attended by some of the major American abstract painters and sculptors. The speakers include Robert Motherwell, Mark Rothko, Barnett Newman, Ad Reinhardt, William de Kooning, Hans Hofmann and David Smith. It was originally a chapter in Modern Artists in America, edited by Robert Motherwell and Ad Reinhardt, published by Wittenborn Schultz in New York in 1951. -- Publisher.
Publisher:
ISBN: 9780982409008
Category : Art
Languages : en
Pages : 0
Book Description
This volume records the discussions of two sessions attended by some of the major American abstract painters and sculptors. The speakers include Robert Motherwell, Mark Rothko, Barnett Newman, Ad Reinhardt, William de Kooning, Hans Hofmann and David Smith. It was originally a chapter in Modern Artists in America, edited by Robert Motherwell and Ad Reinhardt, published by Wittenborn Schultz in New York in 1951. -- Publisher.
The Original Blues
Author: Lynn Abbott
Publisher: Univ. Press of Mississippi
ISBN: 1496810031
Category : Music
Languages : en
Pages : 866
Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
Publisher: Univ. Press of Mississippi
ISBN: 1496810031
Category : Music
Languages : en
Pages : 866
Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.