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Author: Claude Houghton Publisher: ISBN: 9781941147467 Category : Fiction Languages : en Pages : 288
Book Description
"Claude Houghton's novels are always interesting . . . "Julian Grant Loses His Way" is the best book of his that I have read . . . Houghton's talent is at its best." - Graham Greene, "The Spectator" "Fascinating, absorbing reading . . . an arresting book." - "Kirkus Reviews" "He is an extremely interesting novelist, and a genuinely original one." - J. B. Priestley Shortly after dawn, Julian Grant finds himself in London, unsure of who he is or where he's been, but sensing vaguely that he is on his way to an appointment. Taking refuge in a cafe to collect his thoughts over a cocktail, he is suddenly beset by a series of scenes and images from his past: his monastic childhood, the dismal years in a dreary office job, his unexpected inheritance of a fortune, his cruelty to the women who have loved him. As he struggles to understand his situation and figure out who he is and where he is going, he tries to discover the truth behind his strange experience. Is he going mad? Is he asleep and somehow trapped in a surreal dreamworld? Or could there be some other, more chilling explanation for his disorientation and the disturbing visions to which he is being subjected? This first-ever reprint of Houghton's classic novel features a reproduction of its original jacket art. Claude Houghton (1889-1961) won a cult following in the 1930s for his mystery and thriller novels featuring razor-sharp dialogue and unusual metaphysical themes, the best known of which is "I Am Jonathan Scrivener" (1930). Though praised by critics and widely admired by his fellow authors, including J. B. Priestley, Hugh Walpole, and Henry Miller, Houghton has fallen into neglect and deserves rediscovery as a key novelist of the interwar period in Great Britain. Several of Houghton's other novels are also available from Valancourt Books.
Author: Claude Houghton Publisher: ISBN: 9781941147467 Category : Fiction Languages : en Pages : 288
Book Description
"Claude Houghton's novels are always interesting . . . "Julian Grant Loses His Way" is the best book of his that I have read . . . Houghton's talent is at its best." - Graham Greene, "The Spectator" "Fascinating, absorbing reading . . . an arresting book." - "Kirkus Reviews" "He is an extremely interesting novelist, and a genuinely original one." - J. B. Priestley Shortly after dawn, Julian Grant finds himself in London, unsure of who he is or where he's been, but sensing vaguely that he is on his way to an appointment. Taking refuge in a cafe to collect his thoughts over a cocktail, he is suddenly beset by a series of scenes and images from his past: his monastic childhood, the dismal years in a dreary office job, his unexpected inheritance of a fortune, his cruelty to the women who have loved him. As he struggles to understand his situation and figure out who he is and where he is going, he tries to discover the truth behind his strange experience. Is he going mad? Is he asleep and somehow trapped in a surreal dreamworld? Or could there be some other, more chilling explanation for his disorientation and the disturbing visions to which he is being subjected? This first-ever reprint of Houghton's classic novel features a reproduction of its original jacket art. Claude Houghton (1889-1961) won a cult following in the 1930s for his mystery and thriller novels featuring razor-sharp dialogue and unusual metaphysical themes, the best known of which is "I Am Jonathan Scrivener" (1930). Though praised by critics and widely admired by his fellow authors, including J. B. Priestley, Hugh Walpole, and Henry Miller, Houghton has fallen into neglect and deserves rediscovery as a key novelist of the interwar period in Great Britain. Several of Houghton's other novels are also available from Valancourt Books.
Author: Lawrence J. Clipper Publisher: UBC Press ISBN: 0774845031 Category : Literary Criticism Languages : en Pages : 494
Book Description
An item-by-item discussion of the innumerable, often obscure details of Malcolm Lowry's novel, this book comprises 1,600 notes covering some 7,000 specific points. The notes are keyed to page numbers in the Penguin paperback and the two standard hardback editions. The appendices include a glossary, bibliography, maps of the region, and an index of motifs. In their comprehensive but unpedantic commentary on the novel's complexities, the authors' emphasis is on the narrative level. All points of obscurity are followed by an interpretation of fact. Thus references are noted to films, books, places, foreign languages, and national and tribal histories. Special attention is given to the literary, mystical, and Mexican background.
Author: C. E. M. Joad Publisher: Pickle Partners Publishing ISBN: 1789123739 Category : Philosophy Languages : en Pages : 330
Book Description
“Many people today adopt an instinctively derogatory attitude to reason. It is not, they say, a free activity of the mind, reaching conclusions under no compulsion save that of the evidence; it is the tool of instinct and the handmaid of desire. They are sceptical also in their attitude towards values. Beauty, they hold, is not an intrinsic quality of things; it is merely the compliment which we bestow upon the objects which have been fortunate enough to give us pleasure. One man’s pleasure is as good as another’s, and all the art criticism in the world is only an elaborate series of variations upon the theme: ‘This is what I happen to like.’ As with art, so with morals. To act rightly is merely to act in a way of which other people approve. “It is the object of the following pages to criticize this subjectivist attitude and to expose its inadequacy in art, in morals, and in thought. The book is, therefore, in effect a restatement in modern terms of certain traditional beliefs; that reason, if properly employed, can give us truth; that beauty is a real value which exists, and that we can train our minds and form our tastes to discern it; that some things are really right in a sense in which others are really wrong, and that the endeavour to know truth and to discern value is the noblest pursuit of the adult civilized intelligence. The best name for this pursuit is philosophy. This conclusion is reached by a number of different routes, each of which starting from some distinctive characteristic of modern life or thought, an aeroplane shed, a quasi-religious cult, or an essay of Aldous Huxley converges upon the same position. The defence of reason, the affirmation of values and the plea for philosophy thus constitute the underlying theme which links together the various essays which follow.”—Foreword
Author: Dean Irvine Publisher: University of Toronto Press ISBN: 1487511361 Category : Literary Criticism Languages : en Pages : 416
Book Description
An examination of the connections between modernist writers and editorial activities, Making Canada New draws links among new and old media, collaborative labour, emergent scholars and scholarships, and digital modernisms. In doing so, the collection reveals that renovating modernisms does not need to depend on the fabrication of completely new modes of scholarship. Rather, it is the repurposing of already existing practices and combining them with others – whether old or new, print or digital – that instigates a process of continuous renewal. Critical to this process of renewal is the intermingling of print and digital research methods and the coordination of more popular modes of literary scholarship with less frequented ones, such as bibliography, textual studies, and editing. Making Canada New tracks the editorial renovation of modernism as a digital phenomenon while speaking to the continued production of print editions.
Author: Malcolm Lowry Publisher: University of Ottawa Press ISBN: 0776623168 Category : Literary Criticism Languages : en Pages : 543
Book Description
The 1940 Under the Volcano—hidden for too long in the shadows of Lowry’s 1947 masterpiece—differs from the latter in significant ways. It is a bridge between Lowry’s 1930s fiction (especially In Ballast to the White Sea) and the 1947 Under the Volcano itself. Joining the recently published Swinging the Maelstrom and In Ballast to the White Sea, The 1940 Under the Volcano takes its rightful place as part of Lowry’s exciting 1930s/early-40s trilogy. Scholars have only recently begun to pay systematic attention to convergences and divergences between this earlier work and the 1947 version. Miguel Mota and Paul Tiessen’s insightful introduction, together with extensive annotations by Chris Ackerley and David Large, reveal the depth and breadth of Lowry’s complex vision for his work. This critical edition fleshes out our sense of the enormous achievement by this twentieth-century modernist. Publié en anglais.
Author: Malcolm Lowry Publisher: University of Ottawa Press ISBN: 0776621793 Category : Literary Criticism Languages : en Pages : 454
Book Description
In Ballast to the White Sea is Malcolm Lowry’s most ambitious work of the mid-1930s. Inspired by his life experience, the novel recounts the story of a Cambridge undergraduate who aspires to be a writer but has come to believe that both his book and, in a sense, his life have already been “written.” After a fire broke out in Lowry’s squatter’s shack, all that remained of In Ballast to the White Sea were a few sheets of paper. Only decades after Lowry’s death did it become known that his first wife, Jan Gabrial, still had a typescript. This scholarly edition presents, for the first time, the once-lost novel. Patrick McCarthy’s critical introduction offers insight into Lowry’s sense of himself while Chris Ackerley’s extensive annotations provide important information about Lowry’s life and art in an edition that will captivate readers and scholars alike.
Author: Claude Houghton
Author: Claude Houghton
Author: Claude Houghton
Author: Claude Houghton
Author: Lawrence J. Clipper
Author: C. E. M. Joad
Author: Dean Irvine
Author: Malcolm Lowry
Author: Olaf Stapledon
Author: Library of Congress
Author: Malcolm Lowry