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Author: Joe Dan Boyd Publisher: University Alabama Press ISBN: 9780817315108 Category : Biography & Autobiography Languages : en Pages : 272
Book Description
Religious songs written by and for African Americans in the style of the venerable shape note book, The Sacred Harp Born in 1883, Jackson took a keen interest in fa-sol-la singing as a teenager. Such singing derives originally from colonial New England singing schools designed to teach musical note-reading in order to improve congregational singing. It took root in the South as its popularity declined elsewhere and was well-established in the Wiregrass region of southeast Alabama in both black and white communities when Jackson discovered it. Around 1930, Jackson determined to compile a book for the benefit of African American singers. A selection of songs from the Colored Sacred Harp appears on a CD enclosed with the book. In addition to 25 recordings made or collected by Boyd, the CD features a recording made at a Sacred Harp singing by folklorist John Work in 1938 and one made by Jackson and family at a coin-operated recording booth in Dothan in 1950.
Author: Joe Dan Boyd Publisher: University Alabama Press ISBN: 9780817315108 Category : Biography & Autobiography Languages : en Pages : 272
Book Description
Religious songs written by and for African Americans in the style of the venerable shape note book, The Sacred Harp Born in 1883, Jackson took a keen interest in fa-sol-la singing as a teenager. Such singing derives originally from colonial New England singing schools designed to teach musical note-reading in order to improve congregational singing. It took root in the South as its popularity declined elsewhere and was well-established in the Wiregrass region of southeast Alabama in both black and white communities when Jackson discovered it. Around 1930, Jackson determined to compile a book for the benefit of African American singers. A selection of songs from the Colored Sacred Harp appears on a CD enclosed with the book. In addition to 25 recordings made or collected by Boyd, the CD features a recording made at a Sacred Harp singing by folklorist John Work in 1938 and one made by Jackson and family at a coin-operated recording booth in Dothan in 1950.
Author: Joe Dan Boyd Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 168
Book Description
A collection of shape-note songs composed and arranged by African-American musicians in southeastern Alabama and published in 1934. The songs refer to the history of their communities in Alabama, their socio-religious experiences, and their aesthetic values.
Author: Jerrilyn McGregory Publisher: Univ. Press of Mississippi ISBN: 1604737832 Category : Social Science Languages : en Pages : 239
Book Description
Jerrilyn McGregory explores sacred music and spiritual activism in a little-known region of the South, the Wiregrass Country of Georgia, Alabama, and North Florida. She examines African American sacred music outside of Sunday church-related activities, showing that singing conventions and anniversary programs fortify spiritual as well as social needs. In this region African Americans maintain a social world of their own creation. Their cultural performances embrace some of the most pervasive forms of African American sacred music—spirituals, common meter, Sacred Harp, shape-note, traditional, and contemporary gospel. Moreover, the contexts in which they sing include present-day observations such as the Twentieth of May (Emancipation Day), Burial League Turnouts, and Fifth Sunday. Rather than tracing the evolution of African American sacred music, this ethnographic study focuses on contemporary cultural performances, almost all by women, which embrace all forms. These women promote a female-centered theology to ensure the survival of their communities and personal networks. They function in leadership roles that withstand the test of time. Their spiritual activism presents itself as a way of life. In Wiregrass Country, “You don't have to sing like an angel” is a frequently expressed sentiment. To these women, “good” music is God's music regardless of the manner delivered. Therefore, Downhome Gospel presents gospel music as being more than a transcendent sound. It is local spiritual activism that is writ large. Gospel means joy, hope, expectation, and the good news that makes the soul glad.
Author: Esther M. Morgan-Ellis Publisher: Oxford University Press ISBN: 0197612466 Category : Music Languages : en Pages : 1009
Book Description
"The Oxford Handbook of Community Singing shows in abundant detail that singing with others is thriving. Using an array of interdisciplinary methods, chapter authors prioritize participation rather than performance and provide finely grained accounts of group singing in community, music therapy, religious, and music education settings. Themes associated with protest, incarceration, nation, hymnody, group bonding, identity, and inclusivity infuse the 47 chapters. Written almost wholly during the 2020-21 COVID-19 pandemic, the Handbook features a section dedicated to collective singing facilitated by audiovisual or communications media (mediated singing), some of it quarantine-mandated. The last of eight substantial sections is a repository of new theories about how group singing practices work. Throughout, the authors problematize the limitations inherited from the western European choral music tradition and report on workable new remedies to counter those constraints"--
Author: Gene Logsdon Publisher: University Press of Kentucky ISBN: 0813172543 Category : Art Languages : en Pages : 346
Book Description
When Gene Logsdon realized that he experienced the same creative joy from farming as he did from writing, he suspected that agriculture itself was a form of art. Thus began his search for the origins of the artistic impulse in the agrarian lifestyle. The Mother of All Arts is the culmination of Logsdon’s journey, his account of friendships with farmers and artists driven by the urge to create. He chronicles his long relationship with Wendell Berry and discovers the playful humor of several new agrarian writers. He reveals insights gleaned from conversations with Andrew Wyeth and his family of artists. Through his association with musicians such as Willie Nelson and his involvement with Farm Aid, Logsdon learns how music—blues, jazz, country, and even rock ’n’ roll—is also rooted in agriculture. Logsdon sheds new light on the work of rural painters, writers, and musicians and suggests that their art could be created only by those who work intimately with the land. Unlike the gritty realism or abstract expressionism often favored by contemporary critics, agrarian art evokes familiar feelings of community and comfort. Most important, Logsdon convincingly demonstrates that diminishing the connection between art and nature lessens the social and aesthetic value of both. The Mother of All Arts explores these cultural connections and traces the development of a new agrarian culture that Logsdon believes will eventually replace the model brought about by the industrial revolution. Humorous and introspective, the book is neither conventional cultural criticism nor traditional art criticism. It is a unique, lively meditation on the nature and purpose of art—and on the life well-lived—by one of the truly original voices of rural America.
Author: Buell E. Cobb, Jr. Publisher: University of Georgia Press ISBN: 0820323713 Category : Music Languages : en Pages : 273
Book Description
On any Sunday afternoon a traveler through the Deep South might chance upon the rich, full sound of Sacred Harp singing. Aided with nothing but their own voices and the traditional shape-note songbook, Sacred Harp singers produce a sound that is unmistakable--clear and full-voiced. Passed down from early settlers in the backwoods of the Southern Uplands, this religious folk tradition hearkens back to a simpler age when Sundays were a time for the Lord and the “singings.” Illustrated with forty-one songs from the original songbook, The Sacred Harp is a comprehensive account of a unique form of folk music. Buell Cobb’s study encompasses the history of the songbook itself, an analysis of the music, and an intimate portrait of the singers who have kept alive a truly American tradition.
Author: Luigi Monge Publisher: Univ. Press of Mississippi ISBN: 1496841778 Category : Music Languages : en Pages : 497
Book Description
Wasn’t That a Mighty Day: African American Blues and Gospel Songs on Disaster takes a comprehensive look at sacred and secular disaster songs, shining a spotlight on their historical and cultural importance. Featuring newly transcribed lyrics, the book offers sustained attention to how both Black and white communities responded to many of the tragic events that occurred before the mid-1950s. Through detailed textual analysis, Luigi Monge explores songs on natural disasters (hurricanes, floods, tornadoes, and earthquakes); accidental disasters (sinkings, fires, train wrecks, explosions, and air disasters); and infestations, epidemics, and diseases (the boll weevil, the jake leg, and influenza). Analyzed songs cover some of the most well-known disasters of the time period from the sinking of the Titanic and the 1930 drought to the Hindenburg accident, and more. Thirty previously unreleased African American disaster songs appear in this volume for the first time, revealing their pertinence to the relevant disasters. By comparing the song lyrics to critical moments in history, Monge is able to explore how deeply and directly these catastrophes affected Black communities; how African Americans in general, and blues and gospel singers in particular, faced and reacted to disaster; whether these collective tragedies prompted different reactions among white people and, if so, why; and more broadly, how the role of memory in recounting and commenting on historical and cultural facts shaped African American society from 1879 to 1955.
Author: Gina Caison Publisher: LSU Press ISBN: 0807176699 Category : Social Science Languages : en Pages : 303
Book Description
Rather than a media history of the region or a history of southern media, Remediating Region: New Media and the U.S. South formulates a critical methodology for studying the continuous reinventions of regional space across media platforms. This innovative collection demonstrates that structures of media undergird American regionalism through the representation of a given geography’s peoples, places, and ideologies. It also outlines how the region answers back to the national media by circulating ever-shifting ideas of place via new platforms that allow for self-representation outside previously sanctioned media forms. Remediating Region recognizes that all media was once new media. In examining how changes in information and media modify concepts of region, it both articulates the virtual realities of the twenty-first-century U.S. South and historicizes the impact of “new” media on a region that has long been mediated. Eleven essays examine media moments ranging from the nineteenth century to the present day, among them Frederick Douglass’s utilization of early photography, video game representations of a late capitalist landscape, rural queer communities’ engagement with social media platforms, and contemporary technologies focused on revitalizing Indigenous cultural practices. Interdisciplinary in scope and execution, Remediating Region argues that on an increasingly networked planet, concerns over the mediated region continue to inform how audiences and participants understand their entrée into a global world through local space.
Author: Joe Dan Boyd
Author: Joe Dan Boyd
Author: Joe Dan Boyd
Author: Jerrilyn McGregory
Author: Jerrilyn McGregory
Author: Esther M. Morgan-Ellis
Author: Gene Logsdon
Author: Buell E. Cobb, Jr.
Author: Luigi Monge
Author: John Shepherd
Author: Gina Caison