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Author: Hannu Annala Publisher: Mel Bay Publications ISBN: 1609743539 Category : Music Languages : en Pages : 173
Book Description
In compiling this landmark sourcebook, Finnish guitarists Hannu Annala and Heiki Matlik consulted more than 70 music texts as well as dozens of composer resumes acquired from the musical information centers of several countries. During the writing process, which lasted for more than three years, they received additional information from many modern composers, including Leo Brouwer and Reginald Smith Brindle among others. In addition, several internationally renowned performing guitarists provided valuable information; these include Magnus Andersson (Sweden), Remi Boucher (Canada), Margarita Escarpa (Spain), Aleksander Frauchi (Russia) and David Tanenbaum (USA) among others.The authors' aim was to write a well-structured book with separate chapters for each instrument, such as the Renaissance and Baroque guitar, the Renaissance and Baroque lute, the vihuela, etc. This unique structure enables the reader to easily discover which composers wrote for a certain instrument during any given period.In addition to the composers one would expect to find in such a comprehensive listing, the book documents several historical and modern composers for whom little previous information has been available. the book's list of more than 400 guitar and lute concertos dating from the Baroque era to the present day is a totally unprecedented.Short introductions regarding guitar and lute-like instruments as well as their basic histories are provided at the beginning of the book. the authors hope that the Handbook of Guitar and Lute Composers will serve as a practical guide for both amateurs and professionals, encouraging further study of the history of these instruments and expanding the repertoire heard on today's concert stage.
Author: Hannu Annala Publisher: Mel Bay Publications ISBN: 1609743539 Category : Music Languages : en Pages : 173
Book Description
In compiling this landmark sourcebook, Finnish guitarists Hannu Annala and Heiki Matlik consulted more than 70 music texts as well as dozens of composer resumes acquired from the musical information centers of several countries. During the writing process, which lasted for more than three years, they received additional information from many modern composers, including Leo Brouwer and Reginald Smith Brindle among others. In addition, several internationally renowned performing guitarists provided valuable information; these include Magnus Andersson (Sweden), Remi Boucher (Canada), Margarita Escarpa (Spain), Aleksander Frauchi (Russia) and David Tanenbaum (USA) among others.The authors' aim was to write a well-structured book with separate chapters for each instrument, such as the Renaissance and Baroque guitar, the Renaissance and Baroque lute, the vihuela, etc. This unique structure enables the reader to easily discover which composers wrote for a certain instrument during any given period.In addition to the composers one would expect to find in such a comprehensive listing, the book documents several historical and modern composers for whom little previous information has been available. the book's list of more than 400 guitar and lute concertos dating from the Baroque era to the present day is a totally unprecedented.Short introductions regarding guitar and lute-like instruments as well as their basic histories are provided at the beginning of the book. the authors hope that the Handbook of Guitar and Lute Composers will serve as a practical guide for both amateurs and professionals, encouraging further study of the history of these instruments and expanding the repertoire heard on today's concert stage.
Author: Julio S. SAGRERAS Publisher: ISBN: 9780786695386 Category : Languages : en Pages :
Book Description
The guitar lessons of Julio Sagreras are among the most universally used collections of guitar music and represent a milestone in didactic guitar literature. This book, which includes the first three volumes of the original six-volume series, is an ideal introduction to classical guitar playing as well as to LatinAmerican guitar music. Text written in English and Spanish with French and German translations in an appendix at the back of the book
Author: Lily Afshar Publisher: Mel Bay Publications ISBN: 1619113562 Category : Music Languages : en Pages : 117
Book Description
Essential Bach Arranged for Guitar provides guitarists with a new approach to many of Bach's masterpieces. The fingerings in the arrangements make the guitar sound rich and full, as if the pieces were written for the instrument. Attention is given to the musical line by using cross-string fingerings in a consistent manner. This approach allows the harmonies to become more evident as well. By using a more musical approach for the fingerings, playing Bach on the guitar no longer feels cumbersome. Suggested dynamics and articulations are also included. Fingerings and slurs are notated close to the notes for easy reading
Author: Stefan Gruber Publisher: ISBN: Category : Languages : en Pages : 112
Book Description
The complete seven Lute Works (BWV 995-1000 and 1006a) by Johann Sebastian Bach transcribed for guitar in standard notation and tablature. Composed over a period of 30 years, Bach's Lute Works are believed to have originally been written for the lute-harpsichord, a keyboard instrument of the Baroque period. They now belong to the standard repertoire of most concert guitarists. Includes: Suite No.1 in E minor BWV 996 Suite No.2 in A minor (orig. G minor) BWV 995 Suite No.3 in A minor (orig. C minor) BWV 997 Suite No.4 in E major BWV 1006a Prélude, Fugue and Allegro in D major (orig. Eb major) BWV 998 Prélude in A minor (orig. C minor) BWV 999 Fugue in E minor (orig. G minor) BWV 1000 Bonus: Downloadable audio files for all the pieces in this book.
Author: Harry George Pellegrin Publisher: Lulu.com ISBN: 1387064363 Category : Art Languages : en Pages : 518
Book Description
Now in one volume, much of what the novice classical guitarist will need to know to place him or her on the recital stage. From proper Instrument care and maintenance to the necessary technical skills, musical mindset and the standard repertoire?all is exposed and explored in enough detail and insight that the student will wish to keep this book close at hand for years to come top serve as a ready reference source.
Author: Simon Powis Publisher: ISBN: 9781798416891 Category : Guitar Languages : en Pages : 123
Book Description
It is my hope that this carefully selected set of pieces will offer guidance and clarity to both students and teachers of classical guitar. Now that music is available in such quantity and ease it is more important than ever to have a clear path laid out that will offer the possibility to explore the repertoire without putting up walls of frustration along the way.After working with several thousand guitarists online it has become clear that studying a piece of music that is too difficult can be one of the biggest impediments to learning and also the joy of music making. More often than not, students who experience struggle will put themselves at fault. However, I believe that a curated selection of music that is arranged in a progressive manner can avert frustration, foster steady progress, and make for a joyful learning experience.At the heart of this collection is a desire to foster joy and a sense of accomplishment. It is that joy that most likely brought you to the classical guitar in the first place. Each piece has been chosen because of musical, technical, and pedagogical reasons. The collection as a whole makes up the repertoire component of the curriculum at Classical Guitar Corner Academy and has been worked on diligently by a dedicated community of guitarists around the world.This edition is in standard notation and contains 123 pages. There are 52 pieces in total. Each grade is clearly marked and each piece has a brief set of instruction to help with study and focus. Composers include: Fernando Sor, Francisco Tarrega, J.S. Bach, Napoleon Coste, Matteo Carcassi, Ferdinando Carulli, Agustin Barrios, Mauro Giuliani, Robert De Visee, Domenico Scarlatti, Gaspar Sanz and more.
Author: Richard Yates Publisher: Mel Bay Publications ISBN: 1619111500 Category : Music Languages : en Pages : 153
Book Description
A collection of articles and music transcribed for solo classical guitar gathered from ten years of the popular series in the journal Soundboard. Each of the music scores is accompanied by an article describing the process of transcription for the guitar, the history of the music and composer, and performance suggestions. All pieces are fully fingered and suitable for intermediate to advanced players.
Author: J. S. Bach Publisher: Mel Bay Publications ISBN: 1609741684 Category : Music Languages : en Pages : 193
Book Description
Although Johann Sebastian Bach did not write any music for the guitar, transcriptions of his unaccompanied string music and music for lute have long been a part of the guitar repertoire. Despite the respect that this music commands among musicians and audiences debate still exists as to what constitutes an appropriate means of transcribing, interpreting and performing this music on the guitar. It is this debate that prompted this long-awaited edition of Bach's unaccompanied cello suites by scholar and concert guitarists Stanley Yates. This definitive work includes performance scores, comparison scores an an invaluable 40-page guide entitled Arranging, Interpreting, and Performing the Music of J.S. Bach. Furthermore, the author offers comments on his arranging process and suggestions on using this edition including: ornamentation, slurs, fingerings, notation, and implementation of the comparison scores. Written in standard notation in guitar-friendly keys.
Author: Mark Marrington Publisher: Routledge ISBN: 1351371401 Category : Music Languages : en Pages : 453
Book Description
Recording the Classical Guitar charts the evolution of classical guitar recording practice from the early twentieth century to the present day, encompassing the careers of many of the instrument’s most influential practitioners from acoustic era to the advent of the CD. A key focus is on the ways in which guitarists’ recorded repertoire programmes have shaped the identity of the instrument, particularly where national allegiances and musical aesthetics are concerned. The book also considers the ways in which changing approaches to recording practice have conditioned guitarists’ conceptions of the instrument’s ideal representation in recorded form and situates these in relation to the development of classical music recording aesthetics more generally. An important addition to the growing body of literature in the field of phonomusicology, the book will be of interest to guitarists and producers as well as students of record production and historians of classical music recording.
Author: Hannu Annala
Author: Hannu Annala
Author: Julio S. SAGRERAS
Author: Lily Afshar
Author: J.S. Bach
Author: Stefan Gruber
Author: Harry George Pellegrin
Author: Simon Powis
Author: Richard Yates
Author: J. S. Bach
Author: Mark Marrington