Journal of the American Romanian Academy of Arts and Sciences PDF Download

Author:
Publisher:
ISBN:
Category : Romania
Languages : en
Pages : 250

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Author: American Romanian Academy of arts and sciences
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Marian Gh Simion
Publisher:
ISBN: 9782553014345
Category :
Languages : en
Pages : 141

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Author: American Romanian Academy of Arts and Sciences. Congress (25th : 2000 : Cleveland, Ohio)
Publisher:
ISBN: 9782553008061
Category :
Languages : en
Pages : 360

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Author: Nicolae N Negulescu
Publisher: American Romanian Academy of Arts and Sciences
ISBN: 9781935924333
Category :
Languages : en
Pages : 220

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2020 is the year we celebrate 45 years since the founding of ARA. This Special Issue is dedicated in honor of Prof Maria Manoliu-Manea, ARA Emeritus President, on the occasion of her 85th birthday.

Author:
Publisher:
ISBN: 9781935924012
Category :
Languages : en
Pages : 330

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Author: American Romanian Academy of Arts and Sciences. Congress
Publisher:
ISBN: 9782553009884
Category :
Languages : en
Pages : 671

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Author: American Romanian Academy of Arts and Sciences. Congress
Publisher:
ISBN: 9782553011375
Category :
Languages : en
Pages :

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Author: Ilinca Zarifopol-Johnston
Publisher: Indiana University Press
ISBN: 0253003458
Category : Literary Criticism
Languages : en
Pages : 313

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Ilinca Zarifopol-Johnston's critical biography of the Romanian-born French philosopher E. M. Cioran focuses on his crucial formative years as a mystical revolutionary attracted to right-wing nationalist politics in interwar Romania, his writings of this period, and his self-imposed exile to France in 1937. This move led to his transformation into one of the most famous French moralists of the 20th century. As an enthusiast of the anti-rationalist philosophies widely popular in Europe during the first decades of the 20th century, Cioran became an advocate of the fascistic Iron Guard. In her quest to understand how Cioran and other brilliant young intellectuals could have been attracted to such passionate national revival movements, Zarifopol-Johnston, herself a Romanian emigré, sought out the aging philosopher in Paris in the early 1990s and retraced his steps from his home village of Rasinari and youthful years in Sibiu, through his student years in Bucharest and Berlin, to his early residence in France. Her portrait of Cioran is complemented by an engaging autobiographical account of her rediscovery of her own Romanian past.

Author: Anna Brzyski
Publisher: Duke University Press
ISBN: 9780822390374
Category : Art
Languages : en
Pages : 380

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Whether it is being studied or critiqued, the art canon is usually understood as an authoritative list of important works and artists. This collection breaks with the idea of a singular, transcendent canon. Through provocative case studies, it demonstrates that the content of any canon is both historically and culturally specific and dependent on who is responsible for the canon’s production and maintenance. The contributors explore how, where, why, and by whom canons are formed; how they function under particular circumstances; how they are maintained; and why they may undergo change. Focusing on various moments from the seventeenth century to the present, the contributors cover a broad geographic terrain, encompassing the United States, France, Germany, the Netherlands, Poland, Taiwan, and South Africa. Among the essays are examinations of the working and reworking of a canon by an influential nineteenth-century French critic, the limitations placed on what was acceptable as canonical in American textbooks produced during the Cold War, the failed attempt to define a canon of Rembrandt’s works, and the difficulties of constructing an artistic canon in parts of the globe marked by colonialism and the imposition of Eurocentric ideas of artistic value. The essays highlight the diverse factors that affect the production of art canons: market forces, aesthetic and political positions, nationalism and ingrained ideas concerning the cultural superiority of particular groups, perceptions of gender and race, artists’ efforts to negotiate their status within particular professional environments, and the dynamics of art history as an academic discipline and discourse. This volume is a call to historicize canons, acknowledging both their partisanship and its implications for the writing of art history. Contributors. Jenny Anger, Marcia Brennan, Anna Brzyski, James Cutting, Paul Duro, James Elkins, Barbara Jaffee, Robert Jensen, Jane C. Ju, Monica Kjellman-Chapin, Julie L. McGee, Terry Smith, Linda Stone-Ferrier, Despina Stratigakos