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Author: James Harding Publisher: Fairleigh Dickinson Univ Press ISBN: 9780838617441 Category : Biography & Autobiography Languages : en Pages : 260
Book Description
Re-creates the vanished world of a man who, once regarded as an eccentric, is now recognized as a significant figure in contemporary literature. Traces Leautaud's intimate friendships with many famous writers of the time and gives us a lively panorama of the French literary scene.
Author: James Harding Publisher: Fairleigh Dickinson Univ Press ISBN: 9780838617441 Category : Biography & Autobiography Languages : en Pages : 260
Book Description
Re-creates the vanished world of a man who, once regarded as an eccentric, is now recognized as a significant figure in contemporary literature. Traces Leautaud's intimate friendships with many famous writers of the time and gives us a lively panorama of the French literary scene.
Author: Sam Ferguson Publisher: Oxford University Press ISBN: 0198814534 Category : Biography & Autobiography Languages : en Pages : 264
Book Description
This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diariesa supposedly private form of writing would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, Andre Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d'Andre Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889-1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau's works published under the pseudonym of Sally Mara (1947-1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes's experiments with the diary (1977-1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux's published diaries (1993-2011) demonstrate the role of the diary in the modern field of life-writing. Throughout the century, the diary has repeatedly been used to construct an oeuvre and author, but also to call these fundamental literary concepts into question.
Author: Kathryn Brown Publisher: Bloomsbury Publishing USA ISBN: 1501326848 Category : Art Languages : en Pages : 594
Book Description
Throughout his career, Henri Matisse used imagery as a means of engaging critically with poetry and prose by a diverse range of authors. Kathryn Brown offers a groundbreaking account of Matisse's position in the literary cross-currents of 20th-century France and explores ways in which reading influenced the artist's work in a range of media. This study argues that the livre d'artiste became the privileged means by which Matisse enfolded literature into his own idiom and demonstrated the centrality of his aesthetic to modernist debates about authorship and creativity. By tracing the compositional and interpretive choices that Matisse made as a painter, print maker, and reader in the field of book production, this study offers a new theoretical account of visual art's capacity to function as a form of literary criticism and extends debates about the gendering of 20th-century bibliophilia. Brown also demonstrates the importance of Matisse's self-placement in relation to the French literary canon in the charged political climate of the Second World War and its aftermath. Through a combination of archival resources, art history, and literary criticism, this study offers a new interpretation of Matisse's artist's books and will be of interest to art historians, literary scholars, and researchers in book history and modernism.
Author: Éric Baratay Publisher: University of Georgia Press ISBN: 0820366609 Category : History Languages : en Pages : 275
Book Description
Using testimonies written between the middle of the eighteenth century and the beginning of the twenty-first, nourished by ethology and the human and social sciences, Feline Cultures extends the unique track of animal studies that Éric Baratay pursues from book to book. As with his Animal Biographies: Toward a History of Individuals, Baratay breaks the model of human exceptionalism to create innovative accounts of these animals’ lives in a way that challenges the reader’s thinking about animals. Baratay is not interested in seeing how humans think about or treat these animals. Instead, he chooses to observe the animal’s perspective to document how individual cats have carried out their lives. He writes from the point of view of these animals to understand what they felt and experienced and how they reacted. Whether they be street cats, farm cats, pet cats, companion cats, or "catdogs,” cats show a great plasticity of behavior. This book establishes that cats have their own cultures and adaptations and, therefore, their own history. Through tight portraits, the dynamic construction of what we can call cultures is revealed. Here we are far from the eternal portrait of the cat—independent, unpredictable, and mysterious—that has become commonplace. For each of the domestic cats whose existence can be reconstructed from his sources, Baratay pays attention to their perceptions of the world, their sensations and their emotions, their sensitivity and character, their bodily expressiveness, and their interactions with the environment, other animals, and humans. Ethology becomes, under the alert pen of Éric Baratay, an ethnology.
Author: Gerri Chanel Publisher: Icon Books ISBN: 178578417X Category : Art Languages : en Pages : 304
Book Description
In August 1939, curators at the Louvre nestled the world's most famous painting into a special red velvet-lined case and spirited her away to the Loire Valley as part of the biggest museum evacuation in history. As the Germans neared Paris in 1940, the French raced to move the masterpieces still further south, then again and again during the war, crisscrossing the southwest of France. Throughout the German occupation, the museum staff fought to keep the priceless treasures out of the hands of Hitler and his henchmen, often risking their lives to protect the country's artistic heritage. Saving Mona Lisa is the sweeping, suspenseful narrative of their struggle.
Author: Susan Ronald Publisher: St. Martin's Griffin ISBN: 1250311357 Category : Biography & Autobiography Languages : en Pages : 401
Book Description
A Dangerous Woman is Susan Ronald's revealing biography of Florence Gould, fabulously wealthy socialite and patron of the arts, who hid a dark past as a Nazi collaborator in 1940’s Paris. Born in turn-of-the-century San Francisco to French parents, Florence moved to Paris at the age of eleven. Believing that only money brought respectability and happiness, she became the third wife of Frank Jay Gould, son of the railway millionaire Jay Gould. She guided Frank’s millions into hotels and casinos, creating a luxury hotel and casino empire. She entertained Zelda and Scott Fitzgerald, Pablo Picasso, Joseph Kennedy, and many Hollywood stars—like Charlie Chaplin, who became her lover. While the party ended for most Americans after the Crash of 1929, Frank and Florence stayed on, fearing retribution by the IRS. During the Occupation, Florence took several German lovers and hosted a controversial Nazi salon. As the Allies closed in, the unscrupulous Florence became embroiled in a notorious money laundering operation for Hermann Göring’s Aerobank. Yet after the war, not only did she avoid prosecution, but her vast fortune bought her respectability as a significant contributor to the Metropolitan Museum and New York University, among many others. It also earned her friends like Estée Lauder who obligingly looked the other way. A seductive and utterly amoral woman who loved to say “money doesn’t care who owns it,” Florence’s life proved a strong argument that perhaps money can buy happiness after all.
Author: Isabel Vila-Cabanes Publisher: Vernon Press ISBN: 1648890563 Category : Literary Criticism Languages : en Pages : 280
Book Description
The volume assembles fresh treatments on the flâneur in literature, film and culture from a variety of angles. Its individual contributions cover established as well as previously unnoticed textual and filmic source materials in a historical perspective ranging from the late nineteenth to the early twenty-first century. The range of topics covered demonstrates the ongoing productivity of flânerie as a viable paradigm for the artistic approach to urban culture and the continuing suitability of flânerie as an analytic category for the scholarly examination of urban representation in the arts. This productiveness also extends to the questioning, re-evaluation, and enhancement of flânerie’s theoretical foundations as they were laid down by Walter Benjamin and others. The work will be particularly relevant for students and scholars of literary studies, film studies and gender studies, as well as for theoretical approaches to flânerie as an important aspect of urban culture.
Author: Christophe Bident Publisher: Fordham Univ Press ISBN: 0823281779 Category : Biography & Autobiography Languages : en Pages : 825
Book Description
Maurice Blanchot (1907–2003) was one of the most important writers of the twentieth century. His novels, shorter narratives, literary criticism, and fragmentary texts exercised enormous influence over several generations of writers, artists, and philosophers. In works such as Thomas the Obscure, The Instant of my Death, The Writing of the Disaster, The Unavowable Community, Blanchot produced some of the most incisive statements of what it meant to experience the traumas and turmoils of the twentieth century. As a journalist and political activist, Blanchot had a public side that coexisted uneasily with an inclination to secrecy, a refusal of interviews and photographs, and a reputation for mysteriousness and seclusion. These public and private Blanchots came together in complicated ways at some of the twentieth century's most momentous occasions. He was among the public intellectuals participating in the May ’68 revolution in Paris and helped organize opposition to the Algerian war. During World War II, he found himself moments away from being executed by the Nazis. More controversially, he had been active in far-right circles in the ’30s. Now translated into English, Christophe Bident’s magisterial, scrupulous, much-praised critical biography provides the first full-length account of Blanchot’s itinerary, drawing on unpublished letters and on interviews with the writer’s close friends. But the book is both a biography and far more. Beyond filling out a life famous for its obscurity, Bident’s book will transform the way readers of Blanchot respond to this major intellectual figure by offering a genealogy of his thought, a distinctive trajectory that is at once imaginative and speculative, at once aligned with literary modernity and a close companion and friend to philosophy. The book is also a historical work, unpacking the ‘transformation of convictions’ of an author who moved from the far-right in the 1930s to the far-left in the 1950s and after. Bident’s extensive archival research explores the complex ways that Blanchot’s work enters into engagement with his contemporaries, making the book also a portrait of the circles in which he moved, which included friends such as Georges Bataille, Marguerite Duras, Emmanuel Levinas, Michel Foucault, and Jacques Derrida. Finally, the book traces the strong links between Blanchot’s life and an oeuvre that nonetheless aspires to anonymity. Ultimately, Bident shows how Blanchot’s life itself becomes an oeuvre—becomes a literature that bears the traces of that life secretly. In its even-handed appraisal, Bident’s sophisticated reading of Blanchot’s life together with his work offers a much-needed corrective to the range of cruder accounts, whether from Blanchot’s detractors or from his champions, of a life too easily sensationalized. This definitive biography of a seminal figure of our time will be essential reading for anyone concerned with twentieth-century literature, thought, culture, and politics.
Author: Frederic Spotts Publisher: Yale University Press ISBN: 0300142374 Category : History Languages : en Pages : 426
Book Description
The German occupation of France from 1940 to 1945 presented wrenching challenges for the nation's artists and intellectuals. Some were able to flee the country; those who remained—including Gide and Céline, Picasso and Matisse, Cortot and Messiaen, and Cocteau and Gabin—responded in various ways. This fascinating book is the first to provide a full account of how France's artistic leaders coped under the crushing German presence. Some became heroes, others villains; most were simply survivors. Filled with anecdotes about the artists, composers, writers, filmmakers, and actors who lived through the years of occupation, the book illuminates the disconcerting experience of life and work within a cultural prison. Frederic Spotts uncovers Hitler's plan to pacify the French through an active cultural life, and examines the unexpected vibrancy of opera, ballet, painting, theater, and film in both the Occupied and Vichy Zones. In view of the longer-term goal to supplant French with German culture, Spotts offers moving insight into the predicament of French artists as they fought to preserve their country's cultural and national identity.
Author: James Harding
Author: James Harding
Author: Sam Ferguson
Author: Kathryn Brown
Author: Éric Baratay
Author: Ulla E. Dydo
Author: Gerri Chanel
Author: Susan Ronald
Author: Isabel Vila-Cabanes
Author: Christophe Bident
Author: Frederic Spotts