Joseph Mayer, 1803-1886 PDF Download

Author: Susan Margaret Nicholson
Publisher:
ISBN: 9780906367155
Category : Archaeologists
Languages : en
Pages : 13

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Author: Margaret T. Gibson
Publisher: New International Greek Testam
ISBN:
Category : Art
Languages : en
Pages : 270

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Book Description
Joseph Mayer was a jeweller and goldsmith who acquired a variety of collections originally made by others, and eventually presented them to the city of Liverpool. This volume provides chapters on the various parts of his collection: Egyptian, Assyrian and babylonian, Etruscan, Greek & Roman, Ancient gems, Late Antique and medieval Ivories, Limoges Enamels, British Antiquites (Iron Age and Anglo-Saxon), Manuscripts (western, Burmese, persian, Turkish, Arabic), Arms & Armour, Majolica, Oriental Ceramics, Wedgwood, Napoleonic memorabilia.

Author: University. Library (Liverpool)
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Jacqueline Yallop
Publisher: Atlantic Books
ISBN: 0857895613
Category : Antiques & Collectibles
Languages : en
Pages : 550

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During the Victorian age, British collectors were among the most active, passionate, and eccentric in the world. This book tells the stories of some of the 19th century's most intriguing collectors, following their perilous journeys across the globe in the hunt for rare and beautiful objects. From art connoisseur John Charles Robinson, to the aristocratic scholar Charlotte Schreiber, who ransacked Europe for treasure, and from London's fashionable Pre-Raphaelite circle, to pioneering Orientalists in Beijing, Jacqueline Yallop plunges us into the cut-throat world of the Victorian mania for collecting.

Author: Louise Tythacott
Publisher: Berghahn Books
ISBN: 0857452398
Category : Art
Languages : en
Pages : 289

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This is the biography of a set of rare Buddhist statues from China. Their extraordinary adventures take them from the Buddhist temples of fifteenth-century Putuo – China’s most important pilgrimage island – to their seizure by a British soldier in the First Opium War in the early 1840s, and on to a starring role in the Great Exhibition of 1851. In the 1850s, they moved in and out of dealers’ and antiquarian collections, arriving in 1867 at Liverpool Museum. Here they were re-conceptualized as specimens of the ‘Mongolian race’ and, later, as examples of Oriental art. The statues escaped the bombing of the Museum during the Second World War and lived out their existence for the next sixty years, dismembered, corroding and neglected in the stores, their histories lost and origins unknown. As the curator of Asian collections at Liverpool Museum, the author became fascinated by these bronzes, and selected them for display in the Buddhism section of the World Cultures gallery. In 2005, quite by chance, the discovery of a lithograph of the figures on prominent display in the Great Exhibition enabled the remarkable lives of these statues to be reconstructed.

Author:
Publisher: BRILL
ISBN: 9004501908
Category : History
Languages : en
Pages : 412

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This collection explores multiple artefactual, visual, textual and conceptual adaptations, developments and exchanges across the medieval world in the context of their contemporary and subsequent re-appropriations.

Author: Stacey J. Pierson
Publisher: Routledge
ISBN: 1315311917
Category : Art
Languages : en
Pages : 204

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Book Description
The Burlington Fine Arts Club was founded in London in 1866 as a gentlemen’s club with a singular remit – to exhibit members’ art collections. Exhibitions were proposed, organized, and furnished by a group of prominent members of British society who included aristocrats, artists, bankers, politicians, and museum curators. Exhibitions at their grand house in Mayfair brought many private collections and collectors to light, using members’ social connections to draw upon the finest and most diverse objects available. Through their unique mode of presentation, which brought museum-style display and interpretation to a grand domestic-style gallery space, they also brought two forms of curatorial and art historical practice together in one unusual setting, enabling an unrestricted form of connoisseurship, where new categories of art were defined and old ones expanded. The history of this remarkable group of people has yet to be presented and is explored here for the first time. Through a framework of exhibition themes ranging from Florentine painting to Ancient Egyptian art, a study of lenders, objects, and their interpretation paints a picture of private collecting activities, connoisseurship, and art world practice that is surprisingly diverse and interconnected.

Author: Bonnie Effros
Publisher: Oxford University Press (UK)
ISBN: 0199696713
Category : Art
Languages : en
Pages : 453

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Book Description
This volume suggests how the slow genesis of Merovingian archaeology in France challenged the prevailing views of the population's exclusively Gallic ancestry. A history of the first century of the discipline, Effros' interdisciplinary study looks at the important contributions of medieval archaeological finds to modern French identity.

Author: Walter Stevens
Publisher: JHU Press
ISBN: 1421426889
Category : History
Languages : en
Pages : 437

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Book Description
“The essays gathered in this volume demonstrate that studying early modern European literary forgeries is a fascinating cultural adventure” (Lina Bolzoni author of The Gallery of Memory). This comprehensive study of literary and historiographical forgery goes well beyond questions of authorship. It spotlights the imaginative vitality of forgery and its sinister impact on genuine scholarship. This volume demonstrates that early modern forgery was a literary tradition in its own right, with distinctive connections to politics, Greek and Roman classics, religion, philosophy, and modern literature. The early modern explosion in forgery of all kinds—particularly in the fields of literary and archaeological falsification—demonstrates a dramatic shift in attitudes toward historical evidence and in the relation of texts to contemporary society. The authors capture the impact of this evolution within many cultural transformations, including the rise of print, changing tastes and fortunes of the literary marketplace, and the Protestant and Catholic Reformations. The thirteen essays draw on Johns Hopkins University’s Bibliotheca Fictiva, the world’s premier research collection dedicated exclusively to the subject of literary forgery. It consists of several thousand rare books and unique manuscript materials from the early modern period and beyond. Contributors: Frederic Clark, James Coleman, Richard Cooper, Arthur Freeman, Anthony Grafton, A. Katie Harris, Earle A. Havens, Jack Lynch, Shana D. O’Connell, Ingrid Rowland, Walter Stephens, Elly Truitt, Kate Tunstall

Author: Virginia Hoselitz
Publisher: Boydell & Brewer Ltd
ISBN: 0861933354
Category : Art
Languages : en
Pages : 227

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Book Description
An examination of how the Roman past was perceived, and used, by Victorian Britain. The authority of classical texts was challenged in the mid-Victorian era through the unearthing of a very different "Rome" in the material remains under British soil. Developments in archaeology created a new picture of Roman Britain as wealthy and civilized - an image which sat more comfortably with the Victorians' own changing view of empire as they themselves became an imperial power. Changing intellectual ideas ensured that the Roman heritage could nolonger be seen solely as the preserve of the classically educated upper class: excavating with a spade allowed a larger audience to participate and own the Roman past. This book explores the whole phenomena, using archaeological activity in four British provincial towns (Caerleon, Cirencester, Colchester and Chester) to offer an explanation of how and why it happened, and providing authoritative and fresh insights into the way in which Victorian archaeology emerged, developed and altered how the modern world understood the ancient. In the process, it brings to the fore the frequently contradictory and confused ideas about Roman Britain in the Victorian imagination. VIRGINIA HOSELITZ gained her PhD at the Department of Classics and Ancient History, University of Bristol.