Author: Joseph Beuys
Publisher: Thunder's Mouth Press
ISBN: 9780941423441
Category : Art
Languages : en
Pages : 274
Book Description
Writings and Interviews with the Artist.
Energy Plan for the Western Man
Author: Joseph Beuys
Publisher: Thunder's Mouth Press
ISBN: 9780941423441
Category : Art
Languages : en
Pages : 274
Book Description
Writings and Interviews with the Artist.
Publisher: Thunder's Mouth Press
ISBN: 9780941423441
Category : Art
Languages : en
Pages : 274
Book Description
Writings and Interviews with the Artist.
Joseph Beuys in America
Author: Joseph Beuys
Publisher: Thunder's Mouth Press
ISBN: 9781568580074
Category : Art
Languages : en
Pages : 274
Book Description
Joseph Beuys in America,Writings by and Interviews with the Artist,A deeply interesting collection of material by and,about this most important of contemporary artists.,Of immense interest to all admirers of Beuys and,anyone interested in modern art.
Publisher: Thunder's Mouth Press
ISBN: 9781568580074
Category : Art
Languages : en
Pages : 274
Book Description
Joseph Beuys in America,Writings by and Interviews with the Artist,A deeply interesting collection of material by and,about this most important of contemporary artists.,Of immense interest to all admirers of Beuys and,anyone interested in modern art.
Joseph Beuys: Beuys in America
Author: Joseph Beuys
Publisher: Steidl
ISBN: 9783958299139
Category : Photography
Languages : en
Pages : 224
Book Description
A reconceived edition of Steidl's classic account of Beuys' 1974 American tour On January 9 1974, Joseph Beuys (1921-86), together with Klaus Staeck and Gerhard Steidl, traveled for the first time to America. This trip was a carefully planned performance that took place in airplanes, taxis, hotels, universities and galleries, and was comprehensively documented in photographs and video. The tour began with a lecture at New York's New School, visited by artists including Claes Oldenburg, Lil Picard and Al Hansen; the next stop was Chicago, the site of more controversial lectures and an unexpected performance reenacting the death of John Dillinger; then Minneapolis, with more conferences and discussions. Upon returning to Germany, the hundreds of photographs and many hours of videotape were assembled, but it was only in October 1985, shortly before his death, that Beuys finalized the sequence for the book. Originally published in 1987, this new Steidl edition has been wholly reconceived by Klaus Staeck and Gerhard Steidl.
Publisher: Steidl
ISBN: 9783958299139
Category : Photography
Languages : en
Pages : 224
Book Description
A reconceived edition of Steidl's classic account of Beuys' 1974 American tour On January 9 1974, Joseph Beuys (1921-86), together with Klaus Staeck and Gerhard Steidl, traveled for the first time to America. This trip was a carefully planned performance that took place in airplanes, taxis, hotels, universities and galleries, and was comprehensively documented in photographs and video. The tour began with a lecture at New York's New School, visited by artists including Claes Oldenburg, Lil Picard and Al Hansen; the next stop was Chicago, the site of more controversial lectures and an unexpected performance reenacting the death of John Dillinger; then Minneapolis, with more conferences and discussions. Upon returning to Germany, the hundreds of photographs and many hours of videotape were assembled, but it was only in October 1985, shortly before his death, that Beuys finalized the sequence for the book. Originally published in 1987, this new Steidl edition has been wholly reconceived by Klaus Staeck and Gerhard Steidl.
Beuys in America
Joseph Beuys
Author: Joseph Beuys
Publisher: Conran Octopus
ISBN:
Category :
Languages : en
Pages : 52
Book Description
Publisher: Conran Octopus
ISBN:
Category :
Languages : en
Pages : 52
Book Description
Beuys in America
Author: Joseph Beuys
Publisher:
ISBN:
Category : Performance art
Languages : de
Pages : 0
Book Description
Publisher:
ISBN:
Category : Performance art
Languages : de
Pages : 0
Book Description
Joseph Beuys, Coyote
Author: Caroline Tisdall
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 168
Book Description
This volume was the first attempt to capture a performance by Joseph Beuys in book form. Since its first appearance in 1976, it has become one of the most sought after documents of its kind, representing an important landmark in the way his art has been received. Beuys's most famous Action, I Like America and America Likes Me, took place in May 1974, when he spent seven days and nights in a room with a wild coyote. The artist's activities during his confinement with the coyote followed a repeated pattern. He employed a number of objects: felt, a walking stick, gloves, a flashlight and the Wall Street Journal - fifty copies were delivered daily, in two piles. Over the period of a week, man and beast developed a mode of wordless co-existence, a twosided performance that became rich with assumed meanings. Caroline Tisdall, a longstanding friend of the artist, who has written extensively on Beuys and has directed films about him, took most of the photographs and wrote the accompanying text.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 168
Book Description
This volume was the first attempt to capture a performance by Joseph Beuys in book form. Since its first appearance in 1976, it has become one of the most sought after documents of its kind, representing an important landmark in the way his art has been received. Beuys's most famous Action, I Like America and America Likes Me, took place in May 1974, when he spent seven days and nights in a room with a wild coyote. The artist's activities during his confinement with the coyote followed a repeated pattern. He employed a number of objects: felt, a walking stick, gloves, a flashlight and the Wall Street Journal - fifty copies were delivered daily, in two piles. Over the period of a week, man and beast developed a mode of wordless co-existence, a twosided performance that became rich with assumed meanings. Caroline Tisdall, a longstanding friend of the artist, who has written extensively on Beuys and has directed films about him, took most of the photographs and wrote the accompanying text.
Joseph Beuys
Author: Claudia Mesch
Publisher: Reaktion Books
ISBN: 1780237820
Category : Biography & Autobiography
Languages : en
Pages : 192
Book Description
Joseph Beuys is one of the most important and controversial German artists of the late twentieth century, an artist whose persona and art is so tightly interwoven with Germany’s fascist past—Beuys was, after all, a former soldier in the Third Reich—that he has been a problematic figure for postwar and post-reunification Germany. In illuminating the centrality of trauma and the sustained investigation of the notion of art as the two defining threads in Beuys's life and art, this book offers a critical biography that deepens our understanding of his many works and their contribution. Claudia Mesch analyzes the aspects of Beuys’s works that have most offended audiences, especially the self-woven legend of redemption that many have felt was a dubious and inappropriate fantasy for a former Nazi soldier to engage. As she argues, however, Beuys’s self-mythology confronted post-traumatic life head on, foregrounding a struggle for psychic recovery. Following Beuys’s exhibitions in the 1970s, she traces how he both expanded the art world beyond the established regional centers and paved the way for future artists interested in activism-as-art. Exploring Beuys’s expansive conceptions of what art is and following him into the realms of science, politics, and spirituality, Mesch ultimately demonstrates the ways that his own myth-making acted as a positive force in the Germany’s postwar reckoning with its past.
Publisher: Reaktion Books
ISBN: 1780237820
Category : Biography & Autobiography
Languages : en
Pages : 192
Book Description
Joseph Beuys is one of the most important and controversial German artists of the late twentieth century, an artist whose persona and art is so tightly interwoven with Germany’s fascist past—Beuys was, after all, a former soldier in the Third Reich—that he has been a problematic figure for postwar and post-reunification Germany. In illuminating the centrality of trauma and the sustained investigation of the notion of art as the two defining threads in Beuys's life and art, this book offers a critical biography that deepens our understanding of his many works and their contribution. Claudia Mesch analyzes the aspects of Beuys’s works that have most offended audiences, especially the self-woven legend of redemption that many have felt was a dubious and inappropriate fantasy for a former Nazi soldier to engage. As she argues, however, Beuys’s self-mythology confronted post-traumatic life head on, foregrounding a struggle for psychic recovery. Following Beuys’s exhibitions in the 1970s, she traces how he both expanded the art world beyond the established regional centers and paved the way for future artists interested in activism-as-art. Exploring Beuys’s expansive conceptions of what art is and following him into the realms of science, politics, and spirituality, Mesch ultimately demonstrates the ways that his own myth-making acted as a positive force in the Germany’s postwar reckoning with its past.
Terror and the Sublime in Art and Critical Theory
Author: G. Ray
Publisher: Springer
ISBN: 1403979448
Category : Art
Languages : en
Pages : 220
Book Description
The eleven interconnected essays of this book penetrate the dense historical knots binding terror, power and the aesthetic sublime and bring the results to bear on the trauma of September 11 and the subsequent War on Terror. Through rigorous critical studies of major works of post-1945 and contemporary culture, the book traces transformations in art and critical theory in the aftermath of Auschwitz and Hiroshima. Critically engaging with the work of continental philosophers, Theodor W. Adorno, Jacques Derrida, and Jean-Francois Lyotard and of contemporary artists Joseph Beuys, Damien Hirst, and Boaz Arad, the book confronts the shared cultural conditions that made Auschwitz and Hiroshima possible and offers searching meditations on the structure and meaning of the traumatic historical 'event'. Ray argues that globalization cannot be separated from the collective tasks of working through historical genocide. He provocatively concludes that the current US-led War on Terror must be grasped as a globalized inability to mourn.
Publisher: Springer
ISBN: 1403979448
Category : Art
Languages : en
Pages : 220
Book Description
The eleven interconnected essays of this book penetrate the dense historical knots binding terror, power and the aesthetic sublime and bring the results to bear on the trauma of September 11 and the subsequent War on Terror. Through rigorous critical studies of major works of post-1945 and contemporary culture, the book traces transformations in art and critical theory in the aftermath of Auschwitz and Hiroshima. Critically engaging with the work of continental philosophers, Theodor W. Adorno, Jacques Derrida, and Jean-Francois Lyotard and of contemporary artists Joseph Beuys, Damien Hirst, and Boaz Arad, the book confronts the shared cultural conditions that made Auschwitz and Hiroshima possible and offers searching meditations on the structure and meaning of the traumatic historical 'event'. Ray argues that globalization cannot be separated from the collective tasks of working through historical genocide. He provocatively concludes that the current US-led War on Terror must be grasped as a globalized inability to mourn.
Escultura Social
Author: Julie Rodrigues Widholm
Publisher: Yale University Press
ISBN: 9780300134278
Category : Art
Languages : en
Pages : 228
Book Description
"Featuring the work of twenty artists, this bilingual volume includes several artists' writings ... about artist-run exhibition spaces"--P. [4] of cover.
Publisher: Yale University Press
ISBN: 9780300134278
Category : Art
Languages : en
Pages : 228
Book Description
"Featuring the work of twenty artists, this bilingual volume includes several artists' writings ... about artist-run exhibition spaces"--P. [4] of cover.