Author: David Thistlewood
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 228
Book Description
This work presents contributions to the conference held in conjunction with the display Joseph Beuys: the Revolution is US, mounted at the Tate Gallery Liverpool from April 1993 to January 1994. The objectives of the conference were to reveal the latest thinking on the subject of Joseph Beuys and to encourage new interpretation stimulated by the display, some of which is included here in complementary papers. The results are presented here as a number of diverging critiques, for it is evident that with increasing historical perspective the work of Beuys informs - and is informed by - a great many social and cultural issues.
Joseph Beuys, the Revolution is Us
Author: David Thistlewood
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 228
Book Description
This work presents contributions to the conference held in conjunction with the display Joseph Beuys: the Revolution is US, mounted at the Tate Gallery Liverpool from April 1993 to January 1994. The objectives of the conference were to reveal the latest thinking on the subject of Joseph Beuys and to encourage new interpretation stimulated by the display, some of which is included here in complementary papers. The results are presented here as a number of diverging critiques, for it is evident that with increasing historical perspective the work of Beuys informs - and is informed by - a great many social and cultural issues.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 228
Book Description
This work presents contributions to the conference held in conjunction with the display Joseph Beuys: the Revolution is US, mounted at the Tate Gallery Liverpool from April 1993 to January 1994. The objectives of the conference were to reveal the latest thinking on the subject of Joseph Beuys and to encourage new interpretation stimulated by the display, some of which is included here in complementary papers. The results are presented here as a number of diverging critiques, for it is evident that with increasing historical perspective the work of Beuys informs - and is informed by - a great many social and cultural issues.
Energy Plan for the Western Man
Author: Joseph Beuys
Publisher: Thunder's Mouth Press
ISBN: 9780941423441
Category : Art
Languages : en
Pages : 274
Book Description
Writings and Interviews with the Artist.
Publisher: Thunder's Mouth Press
ISBN: 9780941423441
Category : Art
Languages : en
Pages : 274
Book Description
Writings and Interviews with the Artist.
Joseph Beuys in America
Author: Joseph Beuys
Publisher: Thunder's Mouth Press
ISBN: 9781568580074
Category : Art
Languages : en
Pages : 274
Book Description
Joseph Beuys in America,Writings by and Interviews with the Artist,A deeply interesting collection of material by and,about this most important of contemporary artists.,Of immense interest to all admirers of Beuys and,anyone interested in modern art.
Publisher: Thunder's Mouth Press
ISBN: 9781568580074
Category : Art
Languages : en
Pages : 274
Book Description
Joseph Beuys in America,Writings by and Interviews with the Artist,A deeply interesting collection of material by and,about this most important of contemporary artists.,Of immense interest to all admirers of Beuys and,anyone interested in modern art.
Beuys in Amerika
Author: Klaus Staeck
Publisher:
ISBN:
Category : Documentary photography
Languages : en
Pages : 234
Book Description
Publisher:
ISBN:
Category : Documentary photography
Languages : en
Pages : 234
Book Description
Terror and the Sublime in Art and Critical Theory
Author: G. Ray
Publisher: Springer
ISBN: 1403979448
Category : Art
Languages : en
Pages : 194
Book Description
The eleven interconnected essays of this book penetrate the dense historical knots binding terror, power and the aesthetic sublime and bring the results to bear on the trauma of September 11 and the subsequent War on Terror. Through rigorous critical studies of major works of post-1945 and contemporary culture, the book traces transformations in art and critical theory in the aftermath of Auschwitz and Hiroshima. Critically engaging with the work of continental philosophers, Theodor W. Adorno, Jacques Derrida, and Jean-Francois Lyotard and of contemporary artists Joseph Beuys, Damien Hirst, and Boaz Arad, the book confronts the shared cultural conditions that made Auschwitz and Hiroshima possible and offers searching meditations on the structure and meaning of the traumatic historical 'event'. Ray argues that globalization cannot be separated from the collective tasks of working through historical genocide. He provocatively concludes that the current US-led War on Terror must be grasped as a globalized inability to mourn.
Publisher: Springer
ISBN: 1403979448
Category : Art
Languages : en
Pages : 194
Book Description
The eleven interconnected essays of this book penetrate the dense historical knots binding terror, power and the aesthetic sublime and bring the results to bear on the trauma of September 11 and the subsequent War on Terror. Through rigorous critical studies of major works of post-1945 and contemporary culture, the book traces transformations in art and critical theory in the aftermath of Auschwitz and Hiroshima. Critically engaging with the work of continental philosophers, Theodor W. Adorno, Jacques Derrida, and Jean-Francois Lyotard and of contemporary artists Joseph Beuys, Damien Hirst, and Boaz Arad, the book confronts the shared cultural conditions that made Auschwitz and Hiroshima possible and offers searching meditations on the structure and meaning of the traumatic historical 'event'. Ray argues that globalization cannot be separated from the collective tasks of working through historical genocide. He provocatively concludes that the current US-led War on Terror must be grasped as a globalized inability to mourn.
Refiguring the Spiritual
Author: Mark C. Taylor
Publisher: Columbia University Press
ISBN: 0231157665
Category : Religion
Languages : en
Pages : 254
Book Description
"Joseph Beuys, Matthew Barney, James Turrell, and Andy Goldsworthy are artists who differ in style, yet they all defy the trends that have diminished art's potential in recent decades. They understand that art is a transformative practice drawing inspiration directly and indirectly from ancient and modern, Eastern and Western forms of spirituality. For Beuys, anthroposophy, alchemy, and shamanism drive his multimedia presentations; for Barney and Goldsworthy, Celtic mythology informs their art; and for Turrell, Quakerism and Hopi myth and ritual shape his vision"--Publisher description.
Publisher: Columbia University Press
ISBN: 0231157665
Category : Religion
Languages : en
Pages : 254
Book Description
"Joseph Beuys, Matthew Barney, James Turrell, and Andy Goldsworthy are artists who differ in style, yet they all defy the trends that have diminished art's potential in recent decades. They understand that art is a transformative practice drawing inspiration directly and indirectly from ancient and modern, Eastern and Western forms of spirituality. For Beuys, anthroposophy, alchemy, and shamanism drive his multimedia presentations; for Barney and Goldsworthy, Celtic mythology informs their art; and for Turrell, Quakerism and Hopi myth and ritual shape his vision"--Publisher description.
The Parameters of Postmodernism
Author: Nicholas Zurbrugg
Publisher: Routledge
ISBN: 1134845928
Category : Social Science
Languages : en
Pages : 201
Book Description
This ground-breaking work offers a challenging and positive view of postmodern culture. It draws on the author's extensive interviews with a number of leading postmodern artists, writers and performers, including: * Jean Baudrillard * Samuel Beckett * John Cage * Phillip Glass The Parameters of Postmodernism focuses on both the prevailing negative theories of postmodernism, and the more positive aspects of postmodern theory and practice. The negative aspect is exemplified by the work of writers like Brecht, Beckett, Barthes and Baudrillard, who emphasise the death of artistic innovation and the lack of a permanent reality. Zurbrugg highlights the contradictions in the arguments of these writers, and examines the later works in which they qualify their earlier, more infamous, statements. The positive aspect is characterised by artists such as Cage, Glass and Monk - who interweave the new postmodern media with confidence and invention, and Eco, Grass and Wolf - who revive mythological and folkloric traditions. The Parameters of Postmodernism argues that in each case - high-tech or revivalist - postmodern creativity culminates in a highly positive synthesis of past, present and futuristic materials.
Publisher: Routledge
ISBN: 1134845928
Category : Social Science
Languages : en
Pages : 201
Book Description
This ground-breaking work offers a challenging and positive view of postmodern culture. It draws on the author's extensive interviews with a number of leading postmodern artists, writers and performers, including: * Jean Baudrillard * Samuel Beckett * John Cage * Phillip Glass The Parameters of Postmodernism focuses on both the prevailing negative theories of postmodernism, and the more positive aspects of postmodern theory and practice. The negative aspect is exemplified by the work of writers like Brecht, Beckett, Barthes and Baudrillard, who emphasise the death of artistic innovation and the lack of a permanent reality. Zurbrugg highlights the contradictions in the arguments of these writers, and examines the later works in which they qualify their earlier, more infamous, statements. The positive aspect is characterised by artists such as Cage, Glass and Monk - who interweave the new postmodern media with confidence and invention, and Eco, Grass and Wolf - who revive mythological and folkloric traditions. The Parameters of Postmodernism argues that in each case - high-tech or revivalist - postmodern creativity culminates in a highly positive synthesis of past, present and futuristic materials.
The Rise and Fall of American Art, 1940s–1980s
Author: Assoc Prof Catherine Dossin
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472411714
Category : Art
Languages : en
Pages : 329
Book Description
This book challenges the perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. In her transnational and interdisciplinary study, Dossin analyses changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472411714
Category : Art
Languages : en
Pages : 329
Book Description
This book challenges the perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. In her transnational and interdisciplinary study, Dossin analyses changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors.
German and American Art from Beuys and Warhol
Author: Froehlich Foundation
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 292
Book Description
Artists: Georg Baselitz, Joseph Beuys, Anselm Kiefer, Imi Knoebel, Blinky Palermo, A.R. Penck, Sigmor Polke, Gerhard Richter, Rosemarie Trockel; Carl Andre, Richard Artschwager, John Chamberlain, Dan Flavin, Donald Judd, On Kawara, Bruce Nauman, Frank Stella, Cy Twombly, Andy Warhol.
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 292
Book Description
Artists: Georg Baselitz, Joseph Beuys, Anselm Kiefer, Imi Knoebel, Blinky Palermo, A.R. Penck, Sigmor Polke, Gerhard Richter, Rosemarie Trockel; Carl Andre, Richard Artschwager, John Chamberlain, Dan Flavin, Donald Judd, On Kawara, Bruce Nauman, Frank Stella, Cy Twombly, Andy Warhol.
The Rise and Fall of American Art, 1940s–1980s
Author: Catherine Dossin
Publisher: Routledge
ISBN: 1317017684
Category : Art
Languages : en
Pages : 325
Book Description
In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ’peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.
Publisher: Routledge
ISBN: 1317017684
Category : Art
Languages : en
Pages : 325
Book Description
In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ’peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.